Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Author Archives: Alanna Kali

About Alanna Kali

Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.

Payback’s a Witch, by Lana Harper

Payback’s a Witch (The Witches of Thistle Grove), by Lana Harper
Berkley, 0593336062, 352 pages, October 2021

New year, same me reading witch lit 🙂 And my latest book, which I discovered when cleaning out my garage – a perk of the effort, is Payback’s a Witch by Lana Harper. As someone who’s read a lot of books, particularly in this genre, I can say with confidence Harper is one of the best writers I’ve ever come across. Payback’s a Witch takes the quality of this genre to a whole ‘nother level!

The premise of the story is that Emmaline Harlow (otherwise known as Emmy or Harlow) has come back to her hometown of Thistle Grove. As a scion of the one of the four magical founders of the town, obligation compels her to return to town in order to fulfill her role as arbitrator in the Gauntlet tournament, which is held every 50 years between the founder’s families to determine who will safeguard the magical wreath and benefit from its power.

But Emmy isn’t super pumped to be back home. Her first night back, she runs into her ex-beau, Gareth Blackmoore, who descends from the family of the most powerful witches in town. He’s a textbook narcissist who never really seems to get what he deserves. The same night though, Emmy also has a reconnect with Talia Avramov, another scion of the founding family most practiced in the dark arts. After quite a few drinks Emmy feels a bit better about running into Gareth and definitely notices a few sensual feelings budding towards Talia.

At breakfast the next morning with her longtime BFF, Linden Thorn, the fourth founder family’s descendent, Emmy is surprised to have Talia join them. Turns out, Emmy isn’t the only one who received the short-end of the stick of Gareth’s arrogance and schemes. He also two-timed Linden with Talia – or vice versa – point is, he was seeing them at the same time when both thought they were exclusive. Now, Liden and Talia want revenge, specifically at the Gauntlet tournament, and they are looking for Harlow to help out.

Harlow is well-aware of her duties to arbitrate without bias, and at first she’s a bit reluctant. She fled the town wanting to forget Gareth, and suddenly the whole time home seemed to be becoming all about him. However, when Talia and Linden point out this goes beyond petty revenge; the balance between the families has become skewed by the Blackmoores repeatedly winning, gaining magical advantage, winning again, and so on in a repetitive cycle.

This has led to them building a giant castle structure of Camelot akin to a Ren Faire that has drawn all the tourists away from more local shops, such as the Thorn’s farm and Aramov’s emporium. If balance is not restored, the unequal distribution of power could see foreclosure in the future for the Aramovs and Thorns. Understanding the greater balance of power among the founding families at risk, Emmy decides she’ll assist, and obviously, foresees some personal enjoyment in bringing down Gareth as well.

What takes Emmy by surprise is how happy she feels to be home. As her magic returns after her long departure from Thistle Grove, she starts to recall all the small joys of the town. Adding to her inner confusion is the romantic sparks between her and Talia. Talia can’t imagine a life away from their hometown, while Emmy is very proud of the life she’s built for herself.

As the Gauntlet plays out, in very twisted and unexpected ways, Emmy discovers there is more to her family’s lineage than she previously realized. Ultimately, she must reckon with the consequences of leaving her family and close friends behind, forgoing her claim to magic, and newly discovered feelings towards Talia to decide what her next step will be.

Luckily, the story doesn’t end here – there is a sequel coming in March! I am very pleased about this because I absolutely adored all the characters. I think there’s so much room for the story to grow. Plus, Harper really knows her stuff when it comes to magic. There’s plenty of diversity among the different types of magic practiced, and reading how they blend together or repel one another is an intriguing part of the story.

This was a fun read with surprising depth. There is the perfect amount of banter, tension, and love between the characters, with plenty of emotion balanced by humor and quirk. I loved reading it as a leisure book to relieve the stress of the day and tap into some magic.

The pace of the book is perfect with one chapter effortlessly flowing into the next, often on a cliff-hanger that compels you to keep reading. There’s also a great blend of fantasy with modernity, which gives the story very relevant magical realism. I love when this happens because I enjoy believing somewhere in Illinois a town like this might just really exist.

My favorite character was Talia since she practices the dark arts, particularly necromancy. Throughout the book, she chats with ghosts and summons her ancestor for guidance. The magical families that lean more towards “life-magic”, specifically the Thorns, are put off by the spookiness of the Avramov family, as Emmy is eager to see their magic, which is usually kept hidden.

Plus, Talia has a deeply caring and compassionate side, wanting to cook for and tend to the needs of those she loves. The relationship between Talia and Emmy is just beautiful to watch unfold. I absolutely love having some lesbian protagonists in a witch lit book! What’s better than two witches falling madly in love? THE ULTIMATE ENDING of the Gauntlet challenge, which is all I will say for now! 🙂

All in all, Payback’s a Witch is a 10/10 from me. Harper is one of the best writers I’ve read in a long time. The story has the perfect flow; the characters are very relatable; and the plot is enticing. I am very excited for the book in The Witches of Thistle Grove series!

Archangel Fire Oracle, by Alexandra Wenman

Archangel Fire Oracle, by Alexandra Wenman and illustrated by Aveliya Savina
Findhorn Press, 1644112787, 40 cards, 144 pages, April 2021

I love angels. Communicating with angels was one of my earliest spiritual experiences. As I continued to connect with angels through books and decks, I discovered sometimes angelic wisdom gets locked in New-Age conventionality and trappings. When I started to explore esotericism and discovered the work of John Dee, I realized there was a magical art to communicating with angels. Sigils became an important part of my work with angels. Since then I’ve been trying to rediscover the relationship between angels and alchemy.

Archangel Fire Oracle by Alexandra Wenman is a true delight to discover for this reason. It goes beyond the positive, affirming messages of other angel oracle decks, connecting the reader with the genuine essence of each angel. The deck is a blend of color healing, alchemy, and angelic knowledge intended to facilitate awakening in the readers. In addition to learning more about each archangel, Women guides readers to tap into the most divine aspects of themselves through the meditations and exercises that facilitate spiritual awareness, transformation, and a deeper connection to the angelic realm.

There are forty archangel cards in this deck. The archangels are grouped in seventeen suits, each based on a healing color ray or sacred flame. I really enjoy visually seeing the archangels through these different color prisms. It adds a visual connection to each angel, as well as helps to identify archangels that are similar in energy.

The cards themselves are beautiful and some of the best depictions of the archangels I’ve ever seen. It’s very clear the illustrator of this deck, Aveliya Savina, had a strong relationship with the angelic realm and a very intuitive understanding of these energies. There is tons of symbolism in the deck, from animals to flowers, that infuse the cards with meaning. All the elements are represented (fire, air, earth, and water), as well as connections to the solar system and earth. There’s also some mythical energy that opens the reader’s consciousness to different realms.

I have so many favorite images in the deck that it’s hard to choose one. For instance, Rikbeil (11) is shown almost wearing a space suit with sweeping pink wings engulfing his body. Then there’s UFO-like flying saucers in the corner of the cards. It’s neat because the cards aren’t pushing alien-angel connection or anything (I’m so leery of that!), but it is an innovative, modern display of the resonate energetic meaning of the card, which reads:

“Rikbiel is known as the “Chief of the Divine Chariot: – the Merkabah. This Cherubim is said to be the “Power of Love” and he helps us to recognize the incredible power of having loving thoughts. A harmonizing angel, who can influence centrifugal force and find the most loving point between two opposing forces, Rikbiel is especially helpful to call on when working in group situations. Rikbie maintains co-operation and promotes open communication. Like the cosmic diplomat in his oracle card, he shows us that when a group strives towards a common goal based in integrity, they can achieve great things.”1

But while Rikbiel has a cosmic unifier vibe, other cards, such as Asariel (22) have aqueous energy. In this card, Asariel is portrayed with a seashell crown, holding a trident. There’s a hermit crab and treasure chest at her feet, while dolphins and an orca whale leap in the background. I’ve loved gazing at it and inviting the marine energy into my aura. The guidebook explains how she calls us to move with flow, trusting our intuition and dreams.

This deck just really stands apart from others due to the masterful artistry, which is relatable and ignites the imagination, prompting readers to understand the archangel’s energy in a way that goes beyond traditional interpretations of them. Savina’s artwork is perfect for contemplation, meditation, and using the cards on an altar, which is what I’ve been doing most frequently.

The guidebook is phenomenal too! For each of the seventeen suits, Wenman provides the corresponding chakra, crystals, essential oils, magical sigils, and star system. This information alone was worth having the deck for because it opens up so many doors for connecting with each angel. I’ve always been very interested in the relationship between constellations and the angels, and this guidebook has been extremely useful for exploring this.

For every archangel, there is an overall description of their essence, a message from them (a quote of guidance, guidance on how to meet the archangel in the energetic realm through visualization, guidance for diamond fire alchemy with the archangel, and a section on becoming the angel (invoking their energy).

What I love about this wealth of wisdom is that it’s suitable for all levels. Beginners will be content to receive a message from the archangels and learn a bit about their energy. Those who are ready to experience the healing of the archangel might want to do the visualization to meet them or the diamond fire alchemy for spiritual healing or transformation. Then for those who feel experienced enough to invoke the archangel, the final section is very useful in how to embody the energy of the archangel.

While the techniques and exercise require a bit of a time or energetic investment on behalf of the reader, they are truly powerful. As I mentioned, I’ve been very interested in learning more about the archangels, their sigils, and their relationship to the constellations. But Wenman’s guide book helps to take my explorations to a new level through the visualizations and invocation exercises. It’s so useful to have guidance about how to connect with the angels in this way, rather than just having to trace sigils out of an old grimoire I found in PDF form.

Overall, Archangel Fire Oracle is the most authentic angel oracle deck that I’ve come across thus far. Wenman and Savina have successfully channeled the archangels into imagery and a guidebook that is relatable, easy to use, and most of all, soul-stirring. The archangels have been liberated from outdated forms and antiquated definitions of their energy. In this deck, the archangels’ essences shine through, opening readers into a current of love, peace, and spiritual transformation.

Confessions of an Egyptologist, by Erich von Daniken

Confessions of an Egyptologist: Lost Libraries, Vanished Labyrinths & the Astonishing Truth Under the Saqqara Pyramids, by Erich von Daniken
New Page Books, 1632651912, 208 pages, September 2021

Doesn’t it sometimes seem like Egypt holds all the secrets to the Universe? It’s easy to get lost in the ancient history of such a vast, expansive empire. I had previously read Erich von Daniken’s book Chariots of the Gods, and was curious what other hidden history might be revealed in Confessions of an Egyptologist: Lost Libraries, Vanished Labyrinths, & the Astonishing Truth Under the Saqqara Pyramids.

The book starts off with a very violent act of terrorism, but this sets the stage for the story of Adel H. to unfold, who was tragically murdered in the rampage. When the company Adel was working for needed a guide for von Daniken’s group, Adel volunteered, despite von Daniken’s notoriety for asserting his own information. Adel had read von Daniken’s work and was eager to have the opportunity to speak with him, sparking a decade-long friendship.

Throughout their relationship, Adel shares tons of insider information, having come from a family of grave robbers, with von Daniken. Confession of an Egyptologist‘s  primary focus is on one particular experience that Adel had in the Saqqara Pyramids, which changed his life forever and reveals fascinating information about what might still be hidden beneath the pyramids.

Adel had claimed that his family knew of underground structures that dated back even further than we could comprehend – tens of thousands of years at least. This sparked von Daniken’s interest, as he had written about books written longer than 2,000 years ago hidden in underground labyrinths. His own knowledge, plus what Adel shared sparked von Daniken’s curiosity.

“And I could help but wonder under which deserts, settlements, or sanctuaries these labyrinths must be hidden. Where were these lost, underground worlds from distant times? Had they been excavated and then covered up again? If so, by whom? Had these long-forgotten structures become inaccessible due to natural disasters?

And where are the millions of books that were written in the distant past? Were they burned? Damaged? Deliberately destroyed? And if so, again, why? Is the little that we see today all that there is? Or do secret libraries exist, accessible only to hooded guards or members of obscured orders? Who actually had an interest in writing, hoarding, and then hiding books for millenia? Who wanted to make these books disappear again?”2

Suddenly, I became curious about these questions, right along with von Daniken, and this made me eager to continue reading. It is of von Daniken’s opinion that the Egyptians hid these books because they feared a flood. However, humanity has also proven to be just as destructive of knowledge, from Caesar trying to burn down the Great Library of Alexandria to Pope Gregory IX burning Jewish books in the Talmud burning. (For more on the topic of book burning, I highly recommend Burning the Books: A History of the Deliberate Destruction of Knowledge by Richard Ovenden, which I’ve been reading this week too.)

As the different theories of why books would be hidden and where they might be, different theories come up between Adel and von Daniken based on their cumulative knowledge. One that was especially interesting was the concept of books being inscribed in precious stones hidden in the artwork on the underground walls. Von Daniken brought up the ancient text The Life of Adam and Eve, which describes how Adam learned how to communicate with a sapphire stone and learned all about astronomy and the earthly calendar.3 Adel had his own experience related to this:

“I saw a sculpture of the goddess Hathor carved into the wall in addition to the strange, tubular objects I described before. Between her eyes, in the middle of her forehead, was something like a precious stone. I clearly remember the indescribable awe I felt that prevented me from prying out the stone.”4

Is it possible that precious stones can communicate knowledge spanning millennia? If so, this would point to an advanced technology of the Egyptians, which might be hard to explain for some, but not for von Daniken. He asserts time is relative, and in both the past and present Earth has had visitors from the skies. Citing multiple witnesses of UFOs, von Dankien ultimately concludes the extraterrestrial intelligence that has come before is now present again on earth. 

To be honest, this felt like a stretch to me, but it was an intriguing concept nevertheless. I just wish it had been substantiated a little better than the assortment of testimonies von Daniken put together, leading to a kind of smorgasbord of ideas trying to pass as a credible theory. So while I wasn’t sold on the ultimately conclusion about alien life present on Earth, I did enjoy another focus of the book: the search for historical labyrinths and the experience Adel confided in von Daniken.

Before proceeding to discuss my thoughts on that content, it’s worth noting that the greatest flaw in the book is the lack of organization and skipping from one subject to the next without any clarity about how they are related. It feels like there could be some loose, easily broken thread connecting the different topics covered, but the book lacked a strong thesis, which made it hard for me to follow along with how one part of the book led to another. It felt like a mis-mash of information, which is often what makes me dubious of the veracity of the content.

As mentioned, the highlight of the book was Adel’s personal story of being stuck in the underground labyrinth of the Saqqara pyramids. While accompanying his father and uncle in a grave robbing expedition, he ended up getting stuck in the pyramid when a rock blocked his path back out.

Noticing a stairway that led downward led to mystical experience for him, filled with intimate relationships with a beautiful young woman and discovery of a mechanical throne, possibly linked to King Solomon’s. He was able to survive and escape with the help of a falcon that guided him to an exit. This is a quick summary, and his experience is recounted in much more detail by von Daniken, but it sounds incredible. It makes one wonder about what’s hidden in the unexplored tunnels underneath the pyramids.

Overall, I got some entertainment from reading Confessions of an Egyptologist. It was interesting to imagine the scenery and experiences of Adel, and I did learn some new information about Egypt from von Daniken. Just like many “conspiracy theory”-esque or outlandish ideas, the book has enough factual information to make it seem plausible, but it is simultaneously riddled with loopholes of confusion and inconsistency. So while I am not full subscribing to the tenets of the book, I am at least glad that I read it for consideration.

Pagan Portals – Baba Yaga, by Natalia Clarke

Pagan Portals – Baba Yaga, Slavic Earth Goddess, by Natalia Clarke
Moon Books, 1789048788, 104 pages, January 2022

I recently finished season two of the Witcher, which had a prominent focus on the Deathless Mother. The chant to call her goes, “Behold the mother of forests, the Deathless Mother, nesting in dreams. Turn your back to the forest, hut, hut. Turn your front to me, hut, hut.” As I watched, the Deathless Mother started to remind me of Baba Yaga.

I had first encountered (figuratively) at Philadelphia’s der Geischderschtrutz (Parade of Spirits) annually held in dark days of winter. The purpose of the Parade of Spirits is “observance of the shadow side of the self, of the murky times in shortest days of the year, and of shady entities and liminal deities.’4 My first year there, I was challenged to enter the hut of Baba Yaga, but unsure of whether she’d want to eat me alive or provide timeless wisdom, I kept my distance. Even if it was just a custom, the energy was potent and I felt a shiver of fear every time I looked in that direction.

It’s been years since that experience, and though I continued to respect Baba Yaga (my coven’s primary focus is the Sacred Hag, of which one might say Baba Yaga is a archetypal representation of), I had yet to muster the courage to embrace Her in personal life or magical practice. But Pagan Portals – Baba Yaga, Slavic Earth Goddess by Natalia Clarke has changed my perception a bit, and I feel like I now view Baba Yaga with a new lens.

Clarke invites the reader to get to know Baba Yaga that goes beyond folklore knowledge. The book is filled with Clarke’s journal entries through the years as she established a connection with Baba Yaga and incorporated this relationship into her own spiritual practice. This presentation style of wisdom is less of a “how-to”, though some suggestions are provided for working with Baba Yaga, and more of a journey into possibility filled with rich, descriptive writing that sets the scene for the magic of this book to unfold.

I appreciated how the book integrated Clarke’s revelations and creative writing with information about Baba Yaga, as it provided a bridge towards Baba Yaga, who otherwise can feel very intimidating to connect with. I am a big fan of Clarke’s intuitive approach to spirituality as described in her book Pagan Portals – Intuitive Magic Practice. In this book, it’s as though she translates her natural intuitions about Baba Yaga into a reference for those wishing to walk Her path.

One of the most unique features of Clarke’s approach to Baba Yaga is her intention to explore Baba Yaga in the context of Earth-based spirituality, rather than fitting Her into “literary, cultural, or societal concepts and beliefs.”5 I find this approach extremely valuable, as my spiritual practice is deeply connected to nature.

In this passage, Clarke illuminates how Baba Yaga feels to her:

“She doesn’t feel like a grandmother or an old Crone with terrifying features. She’s a master shapeshifter, and her essence is that of nature itself. She’s the changing seasons, the leaves in the forest in the autumn and a smell of the coming snow storm. She’s footsteps on the ice and a cold mountain brook. She is like the wind as she flies and in the whooshing sound of a breeze she’s gone. She’s the smoke in the dark and she can be found in animal bones. She is in the smallest insect and the highest tree, the snake hiding in the undergrowth. Illusive, unobtrusive, hardly ever visible and fiercely private. Her dwelling is her own and, on her terms, where everything is just so. It is for no else to make sense of.”6

These words make me feel a spiritually tangible and embodied connection to Baba Yaga, as my senses are opened through envisioning these words. Clarke is able to convey Her essence in this book, which is no easy feat considering Baba Yaga is a deity that prefers to not bother with human affairs, preferring solitude over interruption. I think this is one of the things that in the end draws me towards Baba Yaga, based on Clarke’s experience and description of Her though.

I like that Baba Yaga isn’t for everyone, doesn’t directly answer one’s pleas for answers, and can’t be summoned on-demand. Working with Baba Yaga seems to take determination, self-awareness, and a bit of grit. There’s a chapter called “Bones, Skulls, and Skin Magic” about how incorporating Animal Magic, using bones, skulls, and skins of animals, can strengthen one’s relationship with Baba Yaga. These items aren’t just your typical herbs or crystals, and I think it speaks to the nature of Baba Yaga as a deity.

My favorite chapter in the Book was “Baba Yaga’s Apprenticeship” where Clarke prompts the reader with the question: “How well do you know nature and how you relate to it from within?”7 I thought this was a profound question, and Clarke encourages taking one’s time to find the answer. Meanwhile, to connect with Baba Yaga, Clarke details the necessity of awareness of the elements, seasons, one’s psychology, and one’s spiritual self. Clarke provides prompts on how to work within these areas to become an apprentice of Baba Yaga, leaving the reader with hope that they too can eventually be initiated into Her wisdom.

Another really interesting chapter was “Baba Yaga and Motherhood” where Clarke suggests working with Baba Yaga for “integrating your birth mother or your own inner mother when birthing and mothering you own children.”8 Baba Yaga is not a deity I would have ever considered working with for this purpose, but Clarke’s reasoning that it’s important to accept both the good and bad aspects of ourselves as mother and our own mothers was interesting. For this particular reason, I am feeling more drawn to working with Baba Yaga.

And the last thing I’ll say is that I really think The Witcher is drawing from Baba Yaga’s folklore, and especially even more so after reading the chapter “The Three Horsemen and the Masculine”. In this chapter, Clarke describes how Baba Yaga has three horsemen (red, white, and black) that “represent an archetype of the sacred masculine , in service to the sacred feminine/the Earth.”9 She then describes how the color of The Three Horsemen correspond to different stages of the alchemical process and how working with the cyclical nature of their energy can help to strength one’s bond with Baba Yaga. But red, white, and black as the colors of them? For anyone who’s watched The Witcher Season 2, this is very significant and something I thought was totally cool.

While initiating a relationship with Baba Yaga requires patience and willingness to accept hard truths, Clarke showcases the value of working with Her over time. Pagan Portals – Baba Yaga, Slavic Earth Goddess is a wonderful book to learn more about Baba Yaga for anyone considering deity work with Her. And even if Baba Yaga doesn’t seem aligned for a personal deity relationship, there’s still a lot of value in learning more about Her in general, especially if one is interested in nature-based spirituality.

Hoodoo Justice Magic, by Miss Aida

Hoodoo Justice Magic: Spells for Power, Protection and Righteous Vindication, by Miss Aida
Weiser Books, 1578637562, 288 pages, November 2021

Why do so many magical practitioners shy away from getting their hands dirty with messy spellwork – the spellwork meant to curse, hex, harm, and eliminate those who perpetuate injustice? I am not a Hoodoo practitioner, nor do I lean towards baneful magic, but Hoodoo Justice Magic: Spells for Power, Protection, and Righteous Vindication by Miss Aida was calling to me. I felt the need to add some protection to my arsenal of magic, and by selecting this book, I was given an entire army of spells, metaphorically speaking, to fight for and defend myself.

Reading the contents of this book made me feel tough as nails. And this armor was probably necessary, as it can get pretty gruesome. Miss Aida is fierce, and she doesn’t pamper her readers with gentle counsel. You really need to be ready to delve into gritty topics of body fluids and revenge, but with her guidance you’ll have enough know-how to implement successful spellwork.

But what gives grounds for the use of justice magic? Miss Aida explains:

“Sadly, not everyone is guided by moral principles but instead may value power, status, wealth, notoriety, and/or gratifying their own desires. These people believe they are entitled to whatever they wish without having to work for it, and they can and will act out that belief at any cost and without regard for others. They are immoral people.”1

Therefore, those who suffer the consequences of these people need to have their own means of defense and protection. Reading this introduction to the text was a reminder to me that sometimes magical means are necessary to combat injustice, and I appreciated the list of “Immortal Tactics” that describes how this injustice is perpetuated, ranging from deception to theft to physical and emotional abuse.

However, even though I’d come to see the necessity of justice magic, I will admit opening to the concept and spellwork took a bit of de-conditioning. The idea of the meek inheriting the earth and turning the other cheek seems to run deep in my psyche, and though some might deny it, I believe this is true for many magical practitioners.

Miss Aida turned these notions upside for me by including many psalms and prayers, such as The Apostle’s Creed and Hail Mary as part of the spellwork. She notes that retributive Psalm 109 is estimated by historians to date back to 1060 BC, and therefore concludes “The proof of magical payback is right in our very own Holy Bible.”10

Despite being raised Catholic, as I read these verses through a justice magic perspective, for the first time I began to feel the strength and agency within the words. There’s even a section in the chapter “Spells for Justified Curing and Hexing of Your Enemies” that describes how to curse through prayer!

These aren’t the only tools Miss Aidea provides for justice magic though – oh no, this book is filled with tips and techniques ranging from candle magic to insect magic. (Yes, insect magic! I had never realized the power ants have to destroy relationships with the proper spellwork.) Her advice on candle magic is some of the best that I’ve ever read, and the book is honestly worth reading for that chapter alone.

Constantly while reading, I was reminded of the necessity of working with what’s available as a foundation in Hoodoo tradition. While some spells require a bit more preparatory work or specific ingredients, Miss Aida gives tons and tons of options for achieving one’s means quickly and with what is on hand. However, this doesn’t mean this type of magic should be performed willy nilly or immediately just because one feels slighted.

Miss Aida gives plenty of caution about how spells can misfire, including situations where her own spellwork has led to unintended outcomes. With the nature of this type of justice magic, permanent physical damage, even death, can result. Miss Aida reminds practitioners the retaliation should always be equal to what is being done by the perpetrator, and that it is best to wait while deciding if the magic is worth one’s time, energy, and supplies before casting any spells.

These bits of guidance from Miss Adia, along with detailed advice on how to prepare one’s magical space for the work and clear energy afterwards, go a long way in keeping practitioners safe while engaging in this work. I particularly enjoyed the chapter “What’s Your Strategy?” where she lays out seven steps for this work, which help one to discern how and when to pursue justice magic.

Miss Aida covers a lot in these steps, from proper timing to do’s and don’ts of summoning entities. She also does a great job conveying the importance of intention and provides prompts for one to consider when crafting their petition or request to make it as specific as possible, leaving little room for unintended consequences.

I don’t think of myself as a very spiteful person, but reading through some of the spells, such as “Gag the Gossip” and “Dog Doom”, which includes dog poop as a spell ingredient, got me thinking about some people I’d like to try these out on. Honestly, I probably won’t perform them in the near-future, but just knowing I can always pull from this book makes me feel more confident that I can take care of myself through magical means if necessary.

Hoodoo Justice Magic seriously seems to have a spell for just about every defensive, protective, and vengeful aim one might want to pursue. Chapter topic includes sending enemies away, binding enemies, cursing and hexing, and breaking up relationships. But it’s not a “how-to” manual. Miss Aida writes as though she’s right there next to you, giving you small tips and reminders from her personal experience.

One example of this is when writing about a sweetening spell, she describes how it might make one have positive feelings or thoughts towards you, but it doesn’t necessarily promote action and therefore additional spellwork may be required. That little gem of wisdom is valuable to know if one chooses to do that type of spellwork.

Where her expertise really shines in the area of using ingredients for spellwork that are often considered taboo, such as bodily fluids or excrements. From vomit to semen, Miss Aida teaches how these can be potent facilitators of energy for magic. And she really ensures, to the best of her ability as an author, that a practitioner will not harm themselves in the process of performing justice magic.

When discussing gathering items that contain the DNA of one’s target of the spellwork, she reminds the reader to never let the item also have their own DNA on it. Other practical tips include how to obtain, refrigerate, and store secretions. It’s all quite interesting, especially the section on dominating others through your own urine. There’s even a good deal of information on how to gather graveyard dirt.

While all these items are common for Miss Aida’s Hoodoo practice, for me this opened up a whole new world. While at times I felt a bit icky about things, reading about how to use natural waste and human fluids in my magic actually made me feel more at ease with my own human nature. I found myself saying “Yuck!” less and instead wondering, “How could I use this as a magical ingredient?” It’s really eye-opening to see how much goes to waste that holds magical potency. Miss Aida has a way of shining light on the magic within the mundane.

All in all, Hoodoo Justice Magic is a book I am thrilled to add to my collection. It’s out of my comfort zone in so many ways, but Miss Aida has done a wonderful job of making the spellwork accessible to all levels. I feel like I will be less scared to shy away from needed confrontation and more willing to take justice in my own hands when necessary because of the knowledge this book has given me. It’s by far the best book on defensive and protective magic that I’ve ever read, and I highly recommend it to those seeking to expand their repertoire of spellwork.

Three Books of Occult Philosophy, translated by Eric Purdue

Three Books of Occult Philosophy, by Heinrich Cornelius Agrippa, translated by Eric Purdue
Inner Traditions, 164411416X, 864 pages, November 2021

As a practicing astrologer and magician, of course I’ve skimmed Three Books of Occult Philosophy by Heinrich Corenlius Agrippa. It’s a foundation of Western occultism after all. But if I’m being honest, the editions thus far, such as the one edited by Willis F. Whitehead in 1898 or more recently Donlad Tyson in 2018, just never seemed to keep my attention. My experience reading Eric Purdue’s translation of Three Books of Occult Philosophy thus far has been entirely different though. I’ve been utterly engrossed, pouring over the information, meticulously researching references to other sources, and for the first time comprehending the text.

And I think this is because there is a prominence to this set. The sturdiness of the black box that houses the three books (The Natural World, The Celestial World, and The Divine World) takes up space, making itself known on my bookshelf. This is one of those sets I know I’ll return to year after year, making the quality of it very important. Plus, I feel pretty cool having it displayed in my living room. It is a truly collector’s item for one’s occult library, as well as a worthy investment for extensive amounts of wisdom within the text.

The books themselves are very big! I measured them, and they are over 10 inches tall and 7 inches wide. I personally love this because I am often referring to them in my practice and it’s helpful to have such a heavy-duty, substantial book where I am not constantly having to try to keep the pages open or squinting to read the writing. For instance, I’ve spent hours drawing the planetary seals for sigils and the size of the book makes it much easier, especially since sometimes I even lay paper over the images in the book to copy from.

Another significant thing about Purdue’s translation of the Three Books of Occult Philosophy is the first English translation published in the last 350, adding to the distinctiveness of this particular set. I thoroughly enjoyed, as well as found helpful, Purdue’s “Translator’s Introduction” that describes why a new translation was needed, in addition to how his translation differs from others. Some reasons cited for the need for this new translation include mistranslation, lack of technical knowledge of previous translators, archaic English that is distracting to read (yes, I concur on this one!!), and incorrect graphics. In some cases, Purdue explains, flaws in previous translations have continued to be compounded rather than corrected with additional translations.

Purdue’s intention in producing this translation was to create a new edition of the Three Books of Occult Philosophy directly from the original Latin and to cross-reference Agrippa’s sources.

“Our translation attempts as much as possible to cite sources that were available to Agrippa. This has allowed us to largely reconstruct Agrippa’s library and has demystified his method of obtaining it. This shows that Agrippa, rather than the writing from texts now missing or obtaining books from secret sources, instead was a mainstream scholar of his day, using texts widely available.”11

And this is where Purdue’s translation really shines, especially for any studious practitioner. The footnotes and sources provided have led me in so many new directions. Being able to look at the footnotes and see the source where Agrippa’s content is being drawn from has been immensely helpful in doing my own research. Two topics prominent in my practice, which I often write articles about, are the hierarchy of angels and numerology. It’s been tough finding primary sources on both these subjects, but suddenly, in reading this version of Three Books of Occult Philosophy, I have new leads from the detailed footnotes of books I can further explore. I am deeply appreciative of Purdue’s dedication, concentration, and effort to add these references into this translation. There is also a very interesting bibliography and comprehensive index in Book III, which again, is monumentally helpful for occult practitioners and researchers.

Another really interesting addition to this translation is quick summaries on the side of what Agrippa is talking about. For instance, in Book I’s section “Of lights and colors, lanterns, and lamps, and the colors distributed among the stars, houses, and elements.” there are side notes of what Agrippa is writing about such as, “The color of the planets.”12 and “The color of the humors.”13. These are incredibly helpful when doing a quick skim while looking for something in particular.

From a historical standpoint, Three Books of Occult Philosophy is the primary source of Western occultism, and it’s interesting to see how long some beliefs have existed, such as astrological correspondences or concepts about the elements. Even if one feels they are an expert, going back to these foundational texts really helps to see the origins of many occult beliefs embedded in our culture. It’s like a beginner’s 101 course, but one that is dated nearly 500 years and really encourages one to put themselves into the minds of magicians of the past.

However, what I’ve found most surprising is the relevance of the text centuries later. Not everything (I certainly cringed a bit reading about the bewitchment women use to lure men into love and the poisonous effects of their menstrual blood on crops), but a good majority of the text is viable for one’s modern magical practice. This is particularly true if one is drawn to arcane magical practices of times long gone, rather than the current trendy paradigms, such as chaos magic. And I think Purdue’s translation really aids in making the content of the Three Books of Occult Philosophy accessible for all.

Overall, this is by far the best translation I’ve ever seen of the Three Books of Occult Philosophy. Purdue has done such a great service in producing this new translation. From the physical heftiness of the book to the detailed footnotes, I’ve felt so connected to this set. It’s as though the arcane wisdom had just been waiting for the right translator to revive it to make it obtainable, on many levels, by a new generation, and Purdue was just the right person to do this. I highly recommend this translation above others, yes, even the free PDFs available online, because it feels alive with a potent spiritual energy. There is so much to learn from this new translation – sources to explore, wisdom to remember, and inspirations to be had.

How to Become a Mermaid, by Elyrria Swann

How to Become a Mermaid: Embodying the Elemental Energy of Water, by Elyrria Swann
Destiny Books, 164411450X, 128 pages, December 2021

I have one main goal for 2022. Are you ready for it? Promise you won’t laugh? It’s to become a mermaid. This has been blossoming for quite some time. I would say it started after I moved to the coast of Southern California, met all the wildlife along the shore, and started cultivating a meaningful relationship with the ocean. Overtime, I accumulated a seashell collection, which is now at nearly 300 different types of seashells, and focused on learning sea magic. I even have mermaid swim training with the tail booked for February at the LA Mermaid School.

When I discovered How to Become a Mermaid: Embodying the Elemental Energy of Water by Elyrria Swann, I was absolutely thrilled to read her perspective on this topic. It hadn’t crossed my mind that there might be a larger mermaid community out there or that I could learn from someone with experience in the mermaid realm. Lucky for me, Swann is the perfect bridge for beginner mermaids with the mermaid realm, teaching them how to cultivate a path to developing their own relationship with the mer-folk and embody the element of water in their daily life.

Swann’s approach to the topic of being a mermaid comes from her own experience, but it is filled with references to the works of others, which guides readers to new sources. It’s whimsical at times, and I would bet that quite a few might be dubious of her experience living as a mermaid, deeply connected to the elemental realm of water and astral realm of mermaids. I’ve always been someone who truly believes in angels, fairies, unicorns, and other mythical creatures, so opening up to Swann’s wisdom about mermaids wasn’t a far leap for me. But for some it might be, and that’s okay.

If a person can’t widen their perspective to include the possibility of mer-folk, then chances are this isn’t the path for them. I intend to review this book for an audience that has an interest in learning more about the topic, rather than try to convince a disbeliever of its merit. This being said, you might not be the right audience for this book if this concept seems far-fetched to you, as Swann doesn’t downplay her experience or restrain her knowledge of the subject to fit neatly into a “normal” lens of reality.

In fact, part of Swann’s reasoning for writing the book is to create a guide for those who feel called to working with the mermaid realm, or are even mermaids themselves, so they are a bit less lost in the world. At the same time, Swann repeatedly cautions readers about energetically connecting with mer-people. She asserts the need for an open heart and pure intention when working with the element of water, as well as knowledge of energetic protection and some preparatory basic skills of energy work.

One of my favorite sections in the whole book is about the mermaid’s energetic protectors in the astral realm: krakens, gorgon medusas, selkies, and hydras. These can become allies or foes, depending on one’s intention for the mermaid realm. Swann shares really interesting stories of engaging with these allies in the astral realm, as well as successful experiences of calling on them for protection in the world.

I enjoyed learning about these astral entities and their protective qualities, though I’m not sure I’d be ready for an alliance or communion with them just yet. Their presence made me more aware that the mermaid realm isn’t all fun and play; there are many energies in the astral that one has to be prepared to encounter, and I am grateful for Swann’s illuminating this.

The greatest change in my perception about mermaids came from Swann’s description of what a mermaid is:

“Mermaids are elemental beings that embody the vibration of water. A simple way to think of it is that they are the personification of the watery element. If water could talk, then it would be a mermaid. The purpose of the mermaid realm is to love and enrich the water element in the spirit world. “1

This definition heightened my awareness of the element of water being the primary aspect of being a mermaid. It might seem rather obvious, but previously I didn’t realize that working with mermaid energy is essentially learning how to engage with the element of water. While this can feel like a daunting task, as anyone who’s ever studied working with the elements can attest to, Swann offers practices to help one get to know their watery mermaid energy.

One example, recommended to be tried in the bathtub, is called “Meditation to Integrate the Spiritual Water Element.” I found this meditation to be quite helpful for discovering my own “unique signature vibration”14, as Swann describes it, of water. She also includes a “Meditation to Enter the Mer-realm” that I am looking forward to doing soon.

I deeply resonated with Swann’s call for mermaids to heal the world’s wounding and find a deeper meaning to this path:


“Donning mermaid tails, owning pet fish, and supporting mermaid merchandise companies is fun and makes life beautiful, but it is not enough. We must become what a mermaid (or merman) is. We must choose love, empathy, and “now” consciousness to be in alignment with a reality where Earth succeeds. We must take physical action when and where we can. Every decision we make can be conscious and rooted in a desire for the good of all.”15

One way that Swann suggests mermaids do this is through learning how to clean up the ocean not only physically, but psychically as well. This was a fascinating concept to me. Though, I have to admit, I tried doing the “psychic clean-up” of the ocean after a storm, where it is known that sewage overflows into the ocean, and I ended up with a sinus infection for two days. I definitely saw Swann’s point about the need for protecting oneself’ while working with the very fluid element of water. I got a feeling that the toxic energy I was trying to clear from the runoff caused a buildup in my sinus cavities.

As a result, I eagerly have been looking into the recommendation Swann provides to study the magical system called Hermetics developed by Franz Bardon in order to strengthen my relationship with water to learn more about on an element level. She describes how Bardon’s Hermetics system teaches about cosmic letters and numbers, which correspond to different elements and elemental properties. Swann writes these cosmic letters and numbers “are vibrations that are accessed through visualization , sound, concentration on imagery and feeling, and oneness with the element it represents.”16

For instance, Swan explains that M is the mastery of the water element. Through meditating on the letter M, people can strengthen their connection to the water element. I think this concept is extremely neat, especially since I love numerology and the correspondence between letters, numbers, and energy. This is yet another technique of Swann’s I plan on exploring.

All in all, How to Become a Mermaid is a wonderful guide for developing a relationship with not only the Mer-realm, but the element of water as well. Swann’s experiences with the mer-realm opens new doors of possibilities for those seeking to establish their own connection. She has lovingly, though with due caution, provided a guide for readers to create their own relationship with mermaids and discover the elemental pathway of water. This book certainly will give you a new perspective on what it means to be a mermaid and how developing the traits of a mermaid can change the world.

Spirit Life & Science, by Mahãn Hannes Jacob

Spirit Life & Science: Understanding Your Gifts of Healing and Mediumship, by Mahãn Hannes Jacob
O-Books, 1789043158, 424 pages, December 2021

At long last, evidence for the interconnection of spirit and science is becoming more widely accepted. Mahãn Hannes Jacob is one of the most prominent healers of this age, who actively works as a practitioner of mediumship and spiritual healing, as well as teaching and lecturing worldwide. Spirit Life & Science: Understanding Your Gifts of Healing and Mediumship is very practical advice from Jacob himself about the fundamentals of this pathway. It is essential ready for all of those seeking to better understand how to use energy to heal, develop mediumship abilities, and advance spiritual healing as a therapeutic modality.

Since Spirit Life & Science is imbued with Jacob’s energy, it’s important to understand the integral role he plays in shaping the future of spiritual healing as an ally to science. Jacob obtained a graduate degree from Arthur Findlay College in London to become a Professor of Mediumship. He is also a Spiritualists’ National Union Approved Healer. In 1990, he opened his own clinic in Switzerland, where he has been a practitioner of mediumship and spiritual healing. In 2005, Jacob founded the Swiss School for Healing and Mediumship, where he now serves as Director of the Fréquences. He teaches on topics such as spiritual healing, mediumship, Therapeutic Touch and meditation.

Needless to say, Jacob knows his stuff, and Spirit Life & Science is a compendium of his knowledge. There are twenty-six chapters in total, plus meditations, exercises, and secrets for healing. The content of this book is a nice balance between anecdotes and evidence-based information. With this style, Jacob effectively conveys his message because the reader gains an education about the data on the subject, along with a personalized tale of how mediumship and spiritual healing take place within real life rather than just studies.

The start of the book is a fantastic overview of mediumship in general, including information about who practices it and why someone would want to engage in mediumship. Next, the book covers a range of scientific data about energy transmission and the effects of using spiritual energy for healing. Following this, Jacob describes all types of ways to communicate with spirits, from different types of mediumship (trance, physical, etc.). Jacob does a wonderful job of bridging mind, body, and spirit to show the strong connection between them, inviting new ways of perceiving how they work together for optimal health and well-being.

Spirit Life & Science delves into many topics, making it relevant for both beginner and advanced energy healers alike. A beginner would benefit from the all-encompassing view of the fields of mediumship and spiritual healing since Jacob writes in a way that makes them approachable and easy to understand. He discusses prominent historical figures that have furthered the fields, many forms of meditation, breathwork, and healing modalities, as well as common fears and misconceptions people have who are unfamiliar with the naturalness of mediumship and spiritual healing. And for those already familiar with the subject, Jacob’s personal experience and innovative techniques are sure to enhance one’s mediumship and spiritual healing skill set.

What I like most about the book is the color illustrations. For instance, pages 300-320 feature full-length instructions for the Therapeutic Touch protocol and photographs of Jacob’s hand placements for patients both laying down and sitting. Looking through the photographs helps to see the physical movement of the practitioner on the client when performing the Therapeutic Touch protocol, and if I were a practitioner, the imagery would make me feel much more confident using it on a client than simply reading instructions would.

Another really neat photograph is on page 92, which shows the results of an energy transmission experiment Jacob performed on plants. He energized one plant, but not the other, and otherwise tended to them the same. There is a huge difference between the flourishing of the plant that was energized and the plant that was not. This is just one example of the many different studies recorded in the book, many of which also feature data tables or photographs to illustrate the results.

My favorite chapter in the book is “Extraction of Pathological Information (EPI)”, which is a unique method currently only practiced by Jacob. It reminds me a bit of psychic surgery, but it’s actually an information extraction method. He describes how he learned about this gift through healer Estor Bravo and then by a spirit too. Plus, there’s photographs of the mark EPI leaves on patients, as well as a handful of success stories. In a medically supervised study, this healing method had a 94% success rate.17

Jacob heals with this method by understanding that the manifested pathologies “are based on harmful information and when it is removed, a great many patients are healed and freed of their ills or improve considerably.”18His thoughts on the future of medicine were absolutely mind-blowing to me, but as someone who was able to shift belief and affect biology, his notion also really made sense. Jacob writes:

“Allopathic medicine neglects and does not recognize the notion of inscription or memory. Yet everything is based on this. Once again, I want to emphasize that the medicine of the future will be information medicine!”19

My only caveat about the book is that it does have a religious influence. Jacob’s writing is influenced by both Christianity and Buddhism. He is a practitioner of Kriya Yoga, and received his spiritual name, Mahãn, by Swamiji Dharmananda Sarawati Maharaj. Readers that do not feel connected to these religions might feel a bit at odds with some of the information presented. However, for me, this didn’t detracted from the wealth of knowledge still available in the book, particularly in regard to the science behind energy transmission.

Toward the end of the book are meditations and forty-six exercises to enhance one’s mediumship and spiritual healing abilities. These alone are worth the read for anyone called to this path. Some are individual, while others are better with a partner or in a group, so I highly recommend this section for people who are involved in a community of spiritual healing.

All in all, Spirit Life & Science is a fascinating read filled with practical information to enhance one’s mediumship abilities. It’s the perfect blend of story and facts, conveying Jacob’s one-of-a-kind insight into this topic. This book should be a foundational read for all spiritual healing, as it does such a wonderful job of helping readers to understand the basics of energy transference, as well as the potent potential this healing modality has for the future.

Goddess Luminary Leadership Wheel, by Lynne Sedgmore

Goddess Luminary Leadership Wheel: A Post-Patriarchal Paradigm, by Lynne Sedgmore
Changemaker Books, 1785354787, 208 pages, December 2021

Empowerment through Goddess-center spirituality is something very dear to me. Attending a Catholic college, I realize just how great of an inequality there was between men and women in regard to spiritual authority. This set me off on a path of reclaiming the Goddess, from studying about matriarchal societies to obtaining a degree in ecopscyhology, studying the relationships between ecology, psychology, and feminism. Meeting Starhawk, the person who awoke me to goddess-centered magic and spirituality, is a memory I’ll always cherish fondly. Therefore, I was quite excited to begin Goddess Luminary Leadership Wheel: A Post-Patriarchal Paradigm by Lynne Sedgmore and thrilled to realize she too was deeply attuned to this paradigm shift, writing about and studying the same sources I just listed – plus more!

This book opens readers to the many facets of goddess-centered worship through sharing background knowledge on the topic, and most especially, offering a pathway to Luminary Leadership. Doesn’t it just sound radiant? Sedgemore writes:

“I use the term Luminary to replace the more masculine word leader and all its associations, and to bring about a radical shift in how it is manifested. Luminary means ‘a person who inspires and influences others, someone prominent in their field’. It also means ‘a natural light-giving body, especially the sun or moon’, someone who illuminates.”20

This is the type of leadership I aspire to! And Sedgmore has made it easy for all readers to adopt this style of leadership through the Goddess Luminary Leadership Wheel (the Wheel for short). Sedgemore draws from her extensive knowledge on the subject of leadership, including over 40 years of leadership in mainstream and spiritual organizations and a doctoral thesis on spiritual leadership, to develop this post-patriarchal model.

Sedgmore has reframed all her experience in leadership to create the Wheel, placing the Goddess within the center of it. In this way, she uniquely bridges spirituality and leadership to reposition feminine values of love, beauty, and connection at the core of communities. The Wheel incorporates both the Moon phases and elemental energies, which are two of the shamanic elements of the wheel.

The other two are Goddess Gnosis and Luminary archetypes. Sedgmore defines Goddess Gnosis as “your personal unique truth of the direct experience and knowing of the Divine as Goddess, as sacred female.”21 Then the six Luminary archetypes reflect the six cycles of the Wheel that practitioners move through. Sedgmore describes them as “valuable metaphors for self-understanding and coming to wholeness”22

Also embedded within the Wheel are radical Luminary leadership approaches: “the Luminary Leaderful Way, States of Being, Paths of Power, and Ways of Knowing”23). These are the synthesis of Sedgmore’s leadership experience, integrated into the Wheel to foster new models of leadership. For instance, Ways of Knowing focuses on embodiment and bodily intelligence as a source of wisdom, which is often overlooked as integral to leadership. Together, these shamanic elements and Luminary leadership approaches make the Wheel both practical and adaptable; there’s both stability and a sense of flow, which ultimately allows each practitioner to develop their own relationship to the Goddess, as well as their leadership potential.

While all of these integrated aspects of the Wheel might seem a bit complex, Sedgmore does a wonderful job of explaining it piece by piece. And once one delves into the practice of using the Wheel, it feels intuitive. What’s also very helpful is that Sedgmore provides a diagram of the Wheel for readers who are more visual. There’s a general outline for each Cycle, but also a very natural flow to the book that guides readers through reflections, mythology, and new ways of relating that are embodied, present, and from a place of inner power.

One of the neatest aspects of Goddess Luminary Leadership Wheel is that the reader can move through the Wheel individually or create their own group to lead with it as a manual of sorts. Reading each cycle and doing the practices, reflections, and exercises feels like a sacred ceremony. There’s a ritual in each chapter, starting with a call in and check in and ending with a chant and reflection. Sedgmore has ensured we all know how to create a safe space to do this inner work, containing this transformative knowledge in a protected circle. It makes me want to  create a group to practice the Wheel collaboratively in a circle with others.

And this is why I am impressed by Sedgmore’s own leadership style, which is reflected in the way she presents the Wheel in the book. She genuinely hopes people all over will feel a connection to her method of Luminary leadership and put it into action. I always appreciate when leaders have faith in the autonomy of others to learn and do, which is exactly what Sedgmore demonstrates in offering this model for everyone. She put out the call, even writing a Luminary Charge for those who feel called to this path.

What I really like about the Wheel is how accessible it is. First of all, Sedgmore is very clear that this is an inclusive model for everyone who identifies as a woman. The archetypes end with x, such as Illuminatrix and Connectrix to reflect this notion.  Furthermore, she delves into topics such as feminist intersectionality, gender, and cultural appropriation, offering reflection questions to assist with personal reflection and awareness.

I also really enjoyed how part of the Wheel delves into shadow and toxic leadership. Cycle V The Brilliance of the Dark Moon, whose archetype is Wisdom Keeper, is where practitioners get to connect with the Dark Goddess. We learn about how the archetypes manifest themselves through this energy, examples being Saboteur and Imposter.

The exercises help to discover these shadow characteristics in one’s self, as well as an invitation to notice what one projects on others because they can’t see it within themselves. The Wheel’s exercises assist the reader in transforming their projections into a reflection of their own positive qualities.  There’s also information on surviving toxic leadership, which I think many people could benefit from reading. 

All in all, Goddess Luminary Leadership Wheel is a wonderful book for those who are looking to do inner work around leadership but are looking for alternative models for how this might look. This is also a must-have for anyone who holds space as a spiritual leader, particularly if you’re leading a group of women. The Wheel is a powerful model that will provide a lot of insight into one’s leadership style and potential in a way that fosters growth, awareness, and connectivity. I am happy to now be thinking of myself as a Luminary, rather than the traditional leader, and have felt very empowered exploring what this term means to me while making my way through this book.

The Relative Tarot, by Carrie Paris

The Relative Tarot: Your Ancestral Blueprint for Self-Discovery, by Carrie Paris
Weiser Books, 1578637627, 96 pages, 82 cards, November 2021

Ancestry has been a prominent theme for me this November. I’ve taken an ancestral astrology class, while also curating book club questions on Hiero for Badass Ancestors. The Relative Tarot: Your Ancestral Blueprint for Self-Discovery by Carrie Paris came along in perfect harmony with these other happenings. So far, it’s one of the most unique tarot decks that I’ve ever worked with. I’m just loving the bridge it opens between past, present, and future.

And this is exactly what Carrie Paris does best, as her work often allows for divination across the barriers of time and space. She holds a Masters in the Cultural Study of Cosmology and Divination from the University of Kent, UK. Paris also has recently published Generations Oracle with Lisa Bonnice, which uses casting pieces, such as charms and coins based on the Lenormand Oracle, and a pendulum to connect with ancestors.

One of my favorite divination systems created by Paris is the Magpie Oracle, which uses small charms to cast divinations. I’ve always found her approach to divination very out of the box. It’s refreshing to have new ways to connect with spirit, and it’s clear Paris puts a lot of thoughtfulness into her creations.

The methodology for The Relative Tarot is just as unique. Paris asked her readers to send her photographs of their ancestors, and thus this deck was born of their images and stories. Initially, she planned for it to only be Majors and Court cards, but she received so many portraits and requests to be included that she decided to also include the Minor cards as well.

A sturdy box holds the cards. It has a side-flap for easy opening. Right when flipping it open, a mysterious woman with a mask and wings catches the eye, piquing intrigue and igniting curiosity in the reader. The potency of the deck can be felt as a glittering shimmer of magic that is decades old, now recreated to continue to flow through the veins of time.

The cards are absolutely stunning with their golden edges and beautifully crafted imagery. Old photographs are laid over colorful starry backgrounds with traditional tarot symbolism intermixed too. They feel of a different time, and this out of the ordinary sensation heightens the connection to the slip-space in the cracks of time, where intuition shines.

As I look through the cards, I wonder who these people were and what their story was. It’s like discovering a treasure chest of photographs in the attic, enchanted with memories, hopes, and wishes. You can see the personality of all the ancestral relatives on these cards shining through the looks in their eyes.

I am someone who enjoys historical non-fiction books because I enjoy the sensation of putting myself in someone else’s shoes and seeing what their life was like to live. I listen to their story and then integrate it into my own life, filled with the wisdom of those I have taken the time to learn more about. I feel like this deck gives me the ability to do this, only now these relatives are guiding me in regard to my spiritual path and potential future outcomes.

However, The Relative Tarot is not like a usual tarot deck, and as soon as you look at the guidebook you will see this. This deck is intended to help the reader “to create a divine Tarot Blueprint that will illuminate who you are, and what you’re here to do.”22 Paris writes this deck was created to experience your soul’s truth through an ancestral filter, helping one to see how ancestral influence is affecting one’s personal evolution and ancestral line.

Paris uses three types of cards for this ancestral and self-discovery method: Birth Cards, Annual Cards, and Significator Cards. Birth Cards are Major Arcana cards that represent one’s soul expression, including their personality, core ideals, challenges, unconscious urges, and ancestral agenda.24 Annual cards are also Major Arcana cards, but these change each year, offering a glimpse of the energies of the upcoming year, including opportunities for growth and key lessons. Then Significator Cards are Court Cards that connect the reader to their ancestral imprint, showing what might be impacting our choices and behavior.

To make it easy to navigate these calculations, Paris provides detailed instruction on how to find your cards through numerology. Then the Major and Court Cards in the deck are labeled with numbers to make pairing the cards together easier. The bottom left show the Birth Card numerological patterns and the bottom right indicates the corresponding Minor Arcana Cards with that Birth Card pattern.

For example, my Birth Card pattern is Universe, Hanged Man, and Empress. This pattern pairs with all the 3s in the Minor Arcana. However, it goes even deeper than this because within the Birth Card pattern, there can be shadow cards, whose energy is often unconscious or not tapped into.

To be honest, at first I found the entire system a bit confusing. I had to really concentrate and do the calculations and read the guidebook thoroughly for about an hour to start understanding this system. But Paris does a fairly good job of making this complex system approachable for readers. There’s even a Blueprint Review on pages 50-51 of the guidebook that is a fill-in-the-blank page for all the calculations.

In the end, I did get a lot of meaning out of using this process to learn more about my soul’s path and ancestral influences in my life. I think it would be especially helpful if readers also used this deck in combination with Mary K. Greer’s Archetypal Tarot, which focuses in-depth on birth cards. It’s also worth noting, this system is very different from simply doing tarot spreads to learn more about your ancestors, such as the process described in Ancestral Tarot by Nancy Hendrickson.

While this deck is phenomenal in what it offers, readers should be aware that it doesn’t give any descriptions of the tarot cards in the guidebook. For this reason, I recommend it to more experienced readers that are already comfortable with the traditional meanings of each tarot card, in case they want to use the deck to do spreads or read for others.

But it’s for this same reason that I DO recommend it to advanced readers because it’s a deck tailored to a different system of reading that can yield rich insight. Even though it takes a bit of time to learn it, I think once the general meaning of the Birth Card, Annual Card, and Significator Card is understood, this becomes a potent way to connect more deeply to one’s soul purpose, current lessons, and their ancestral line.

One last thing that really impressed me about the deck was how Paris designed it to have 82 cards, and this isn’t because she added new cards. Rather, Paris offers a much-needed option for tarot decks: the choice of three Lovers cards (one male/female, one female/female, and one  male/male). I thought this customization was just lovely to make the deck more inclusive to all relationships. Then Paris also allows readers to decide if they want Strength and Justice in the Major Arcana to be 8 and 11 or 11 and 8, depending on the system of reading they use.

All in all, The Relative Tarot is a really neat deck to add to one’s collection, especially for advanced readers or those interested in learning more about their ancestral line through the cards. The imagery is stunning and the process of reading with these cards is rich and potent with soulful wisdom. Paris has made a timeless deck that moves us into the liminal realm where our ancestors can speak to us and our intuition can be heard; past, present, and future weave together to open a portal for spiritual discovery and integration.