Musing Mystical

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Author Archives: Alanna Kali

About Alanna Kali

Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.

Practically Pagan – An Alternative Guide to Health & Well-being, by Irisanya Moon

Practically Pagan – An Alternative Guide to Health & Well-being, by Irisanya Moon
Moon Books, 1789043778, 160 pages, December 2020

It’s hard to look after ourselves sometimes. Practically Pagan – An Alternative Guide to Health & Well-being by Irisanya Moon is a wonderful read to connect body, mind, and spirit for the sake of wellness based on one’s own unique body type and natural energy signature. This book is a delightful refresher compared to the traditional book on health, which neglect the spiritual aspects of well-being and also tend to focus exclusively on an ideal image or diet trend.

After a brief introduction, Moon guides the reader to connect with their body just as it is in the present moment. She writes encouragingly, stating “I invite you to trust your deepest knowing. I encourage you to believe that you can care for your body, mind, and spirit even if you’re not 100% sure what the next steps are.”1

This sentiment immediately set me at ease; it made me curious about this health journey and more receptive to what it might look like for me, rather than a one-size-fits-all approach usually promoted. Above all, trust in myself is what I hope to cultivate and I looked forward to immersing myself in the experience.

I began with a few of the exercises Moon suggested: letting go of old stories, feeling all the feelings, and making a soundtrack. I especially enjoyed creating a soundtrack because I learned more about my body’s relationship to rhythm and sound. Finding my groove was a fun way to move my body and get connected to it. Other practices Moon writes about include mapping one’s body, automatic writing, creating an altar, focusing on being present, and more. She offers details on how to incorporate these practices easily into one’s daily life.

The next three sections focus on the body, mind, and spirit, respectively. I liked going one by one, and starting with the body felt appropriate since it’s the most tangible aspect of my health. Moon got me thinking about what my body truly wants in terms of nourishment, movement, and general energy flow.

”When you have a clearer idea of your energy movements, you can begin to schedule things to follow these patterns. If you’re more in tune with your natural patterns, you are less likely to feel out of sync with your life.”2

This line really resonated with me, and I was spurred into a practice of charting my energy through the day. The result has been useful insight into the ebbs and flows of my energy; I also corresponded it with the moon as well and plan to see if there’s a cyclic nature to how my body feels according to the phases of the moon.

Then, while it wasn’t as fun as the body, I found the exercises to settle my mind the most useful section in the book. For someone whose mind is always on overload, often ruminating or stuck in a pattern (I’m a fixed air sign!), I really benefited from Moon’s suggestions on how to release old thoughts and cultivate stillness through meditation.

Finally, the spirit felt like coming home after tending to the other aspects of my well-being. I loved Moon’s gentle reminders to connect with my daily practice, follow the calling of spirit, and discover our divine.

The rest of the book felt like a myth-buster to common health beliefs, inviting a magical perspective to come through and guide the way. Topics include finding balance (or embracing that life will always be shifting but we can find ways to recalibrate), exploring self-care and how to do it in a way that feels right for you without comparison to others, and developing resilience for when we get off course. Moon delves into the effects of trauma on one’s well-being and offers suggestions on healing through practices that cultivate resilience.

The final section is filled with tools to maintain one’s energy and strategies to set up support systems in order to maintain health and wellness. I appreciated Moon acknowledging the role of supportive friends and family in one’s life, as well as the value of self-support. I found myself thinking about how I can cultivate both in my life to maintain personal wellness.

My greatest take away from this book was Moon’s energetic practice of feeling right sized. Throughout my life, at nearly 6’0 feet tall, I’ve always felt like too much. Since childhood, I’ve always required large or extra large clothes, and I believe to compensate, I learned to shrink my aura as though I could energetically make myself seem more  petite.

Doing the Knowing Your Size practice3 made me feel more comfortable in both my body and energy field. As Moon writes, “Sometimes, you might feel bigger or smaller than your normal self. But in this practice, you can also get better at moving between states of being.”4 I’m continuing to work on this and have been going back to the practice often.

Overall, Practically Pagan – An Alternative Guide to Health and Well-being has been a wonderful tool for reconnecting with my wellness. Moon is very grounded in her approach to this topic and much of her guidance can easily be incorporated into one’s daily practice. I recommend this book for those who are seeking a read about integrating body, mind, and spirit to discover their natural energy rhythm and definition of health. There’s even helpful resources and worksheets at the end of the book, which offer space to write one’s reflections on this journey.

Bacchanal, by Veronica G. Henry

Bacchanal, by Veronica G. Henry
47North, 1542027810, 352 pages, June 2021

I’ve been overjoyed that my library has reopened after over a year of not being able to browse books. Immediately, Bacchanal caught my attention with its purple cover featuring a ferris wheel. After a quick skim, noticing the setting was a carnival with plenty of magic, I was excited to check out and get to reading. I can now say that Bacchanal is the best book I’ve read this summer so far!

The story takes place during the Depression era in southern America (Tennessee, Louisiana, Oklahoma, etc). Main character Eliza has been abandoned by her family and has been working as a maid to make her way in the world. She also has a unique gift of being able to communicate with animals, however she has yet to learn to control this power and it often ends in the animal dying.

When two carneys, Clay and Jayme, come to town in search of an alligator man, Eliza catches their eye instead and soon she finds herself on the road with Bacchanal. She quickly makes friends with a fun, varied cast of characters. What makes Bacchanal unique is that all the carneys are primarily black folks, some who even came from Africa to be in the show.

Through the story, Eliza develops romantic feelings for two men, creating an interesting love triangle. But she is primarily concerned with learning how to master her gifts and put together a show that will ensure her place at Bacchanal. She harbors dreams of finding her family, seeking them in every small town they carnival moves through, and she’s determined to save up money to find her sister.

Amid Eliza’s story, the reader is also privy to the workings of Ahiku, an ancient demon who feeds on the souls of children. An evil lingers around the carnival, which functions as the perfect feeding ground for the myriad of mysterious demons lurking within Bacchanal. Ahkiu is obsessed with finding the granddaughter of orisha Oya, who is the one person that can bring her downfall.

Finally feeling a sense of home and belonging among the other non-ordinary folks at Bacchanal, Eliza’s destiny rapidly unfolds to reveal the extent of her gifts and the greater purpose of her being there.

There are so many things I loved about this book, but I will focus on a few for the purpose of this review. First of all, Henry has done a wonderful job of portraying Eliza’s development of her gifts. I really enjoyed the way she writes about Eliza’s ability to communicate with animals, making it authentic with psychic imagery and animal personalities. I felt for Eliza as I read her struggles and felt connected to the animals myself via her communication with them. Eventually, Eliza discovers her own animal guides, and this part of the story was akin to her discovering both her roots and own personal power simultaneously.

Which leads me to the second thing I love about this book: the interweaving of African spirituality into a truly remarkable tale. Blending demons, Yoruba, and witchcraft, this tale really explores the roots of this magic in the American south. I have never read a book that did such a good job weaving them into an existing fictional novel. Plus, I truly loved that Bacchanal was an almost all black carnival, giving insight into the way of life for African Americans at the time.

Furthermore, Henry has craft very distinct and one of a kind characters that have left a memorable impression. I really enjoyed being immersed in the life of Bacchanal, from the daily on-goings of the carneys to the epic shows they performed. She expertly interwove their personal narratives, leading insight into each character and providing a depth of context to frame the relationships taking place. Many of the characters themselves had wrestled with demons, which landed them at Bacchanal, and there’s a very exciting mixture of redemption and revenge that takes place between characters.

The story moved at a slow pace for a good portion of the book, which was actually quite refreshing for a change because I didn’t breeze through it in a day or two. I was able to linger in the sensation of the whole story, captivated by the unfolding mystery, but content to let the tale move at its own pace. It felt reflective of the pace of life during the Depression in these smaller cities the carnival was moving through. The last book I read that immersed me this much in carnival life was Midnight Circus, but I enjoyed how Henry didn’t create a fanciful reality and focused the book more on the actual setting and lifestyle of this era.

I will say the ending took me by surprise in that it moved very quickly and culminated in almost a blink of an eye. After such a lengthy lead-up, for a bit I couldn’t believe how quickly the story came to an end. I think this would be the only aspect of the story that I wasn’t enraptured with. While all the loose ends are tied up, I would have preferred a bit more detail for the grand finale.

As far as the occult aspect of Bacchanal, the whole tale is imbued with mystery and magic. Henry doesn’t dress up pacts with demons or Eliza’s gifts, and presents a portrait of how these things exist in the mundane world, though perhaps unnoticeable to the untrained eye. Ahkiu and Eliza both take some time to figure the other one out, and they’re both doing plenty of magic or spiritual communication on their own. It was interesting to see the way Ahkiu used her ancient power, while also being engaged with Eliza’s story of discovering her own.

All in all, I found Bacchanal to be fully satisfying on many levels, and I’ve been recommending it to everyone as a good read. I think those with an interest in Yoruba would have a particular interest in this book. Watching Oya nurture her spiritual child Eliza is quite rewarding, and this book reminds us of the complexity of family dynamics. With the help of trusted friends and discovering one’s own powers, destiny emerges.

Pure Magic Oracle, by Andres Engracia

Pure Magic Oracle: Cards for Strength, Courage and Clarity, by Andres Engracia
Rockpool Publishing, 1925924661, 36 cards, 144 pages, May 2021

Pure Magic Oracle: Cards for Strength, Courage, and Clarity by Andres Engracia is a wonderful deck filled with spells and messages of empowerment. This deck is inspired by The Big Book of Practical Spells by Judika Illes, which is a great addition to one’s collection for anyone interested in spellwork, along with her book Encyclopedia of 5000 Spells. The spiritual insight gained from Pure Magic Oracle has proven to be quite handy for me since I’ve started using the deck, and I’ve very much enjoyed the simple spells, some almost more like exercises, to enhance my spiritual connection.

I’ll admit what first drew me to this deck was the aesthetics. Illustrator Olivia Burke has done a wonderful job of making the deck visually appealing with symbolism that awakens the reader’s imagination and delights the eye with elegant drawings. The imagery is open for interpretation, though it stimulates the subconscious mind when gazing at the card. She has done a wonderful job of using color combinations to elicit feelings related to the cards. I especially love the back of the cards with ravens perched on a delicately designed circle with floral images with leaves around the borders, plus a half moon on both sides.

This 36-card deck has 9 cards for each element (earth, water, fire, air). There are color correspondences for every element. After using the deck for a bit, I’ve been able to instantly feel a connection to the element based on the color of the card I draw before even looking at the name of the card, message, or guidebook oracle message. I enjoy this because the color primes me to be open to the element and receive its message with attunement. Burke has done a wonderful job with color contrast to really make the images pop from the card’s color background.

On each card, there is the number, an image, the name of the card, and then four keywords. The card names are quite interesting, ranging from Telekinesis (an air card) to Belladonna visions (a water card). I was quite amused reading the card names and intrigued by Engracia’s unique choice of card names related to elemental energies. They add both depth and levity simultaneously, allowing for powerful messages to come through in a relaxed manner.

The guidebook starts with a foreword by Illes since her book was the inspiration for the deck, which is followed by an introduction by Engracia. There is a short and sweet poem to the elements provided to consecrate the deck and then two spreads for a reading provided: The powers that be spread and Elemental body spread. I did The powers that be spread, but I’ll write more on that in a second.

For every card in the guidebook, there is the image of the card with the keywords below and then information about the image on the card, such as its historical background or importance in magic. It’s almost like a little magical lesson! Then there is a Pure Wisdom section that provides an oracle message. Finally, there is a Pure Magic Spell provided.

However, I will note that it is not necessarily a spell every time. For instance, the Pure Magic Spell for the card Voudon Roots (24) reads:

“Study the arts of indigenous magic, stories, and folklore; learn the wisdom of native cultures and immerse yourself compassionately in the mind and heart of an elder.”1

I love this wisdom and do feel doing this would enhance one’s spiritual practice, but I also wouldn’t think of this exercise as a spell.

For me personally, this didn’t detract from the value of the deck, but it did make me a bit reliant on the guidebook at times  and more focused on connecting with the cards intuitively through symbolic imagery. As I mentioned, I did The powers that be spread and when I turned to the guidebook, the message still felt a bit elusive. I was better informed about the general meaning of the cards, but the message still felt a bit ethereal.

Therefore, I found it best to be creative in my approach of working with these cards. The imagery coupled with the insight of the guidebook has called me to journal, draw, and write poetry about the readings. There’s something about this deck that invites the reader to be an active participant in the divination, rather than a passive receiver of information.

This element of the deck is what makes it really stand out for me. I find myself called to read with it not so much when I want a direct answer, but more when I want spiritual prompting about how I can tune into my connection to nature, spirit, and the elements to facilitate healing and personal revelation.

All in all, Pure Magic Oracle is a one of a kind deck with very intuitive, symbolic imagery that invites the reader to creatively enhance their magical practice with spellwork and spiritual exercises. I recommend it to those looking for divinely inspiring deck that are open to musing a bit on the answers. By engaging with the cards through the spells and exercise, one can use this deck to enhance their awareness and channel their energy in constructive ways to spiritually develop their magical abilities. It is also a useful tool for connecting with the elemental energies on a daily basis to bring their healing wisdom into one’s life.

Of the Lilin, by Paulette Hampton

Of the Lilin, by Paulette Hampton 
Independently Published, 0615964567, 360 pages, 2021

Oh, the doldrums of coming of age, I’m sure it’s something we all remember *not* so fondly. At least we didn’t have to grapple with supernatural powers, as does protagonist Sage, in Paulette Hampton’s Of the Lilin. This is the first book in The Sage Chronicle series, and I am already eagerly awaiting the next one!

I finished this book within two days because I could hardly put it down. To be honest, the very start of the book caught me off-guard, and I was a bit hesitant to go onward because it is just so dang depressing. After losing her mother, Sage is left in the care of her step-father, who has a mental breakdown after the sudden death of his best friend, who Sage had a romantic involvement with, to further confound the sense of loss. Luckily, her aunt is able to take her in and guide her through the trauma and pain she’s experiencing.

Aunt Madeline is an inn owner, and there are plenty of interesting characters involved in the day-to-day running of the inn. There is Allen, the inn’s chef, as well as a Michelin Star chef named Cameron, who runs Aunt Madeline’s restaurant in town. Then there’s Sage’s cousin, Lily, who leads a high-flying life traveling the world with her fancy job. Additionally, there’s Sage’s best friend, Will, and chef Cameron’s son, Thomas, who also adds to the group dynamic.

Sage is doing her best to cope with the grief and depression that has overcome her; she’s even following Aunt Madeline’s suggestion to see a therapist, but weird things keep happening. She keeps snapping into what feels like a dream where she loses control of her actions and then can’t remember what occurred. She also witnesses scenes that don’t make sense to her, and notices people’s eyes turning black with no soul. When the prescription drugs aren’t enough to end the episodes, cousin Lily steps in to enlighten, or rather endarken, Sage as to what’s going on.

Hidden family secrets reveal that Sage processes powers beyond her own control, but Lily has reported what’s happening to her friend Lucien, who intends to help Sage fulfill her destiny. Lucien – handsome, suave, and elegant – seems to naturally hold sway over people. There’s a darkness underneath his cool exterior, and many who know him wish for him to be gone when he’s at the inn. However, he’s taken an interest in Sage, and he has a duty to ensure she’s set on the right path.

I don’t want to reveal too much of the story, but I will say I honestly loved it. I thought the plot moved at just the right pace, and I was kept engaged the entire time. The reader gets to participate in Sage’s coming-of-age experience, even though it’s easy to see something is going on from an outside perspective before she realizes what is truly happening. And this is probably because the reality of the supernatural power she possesses is not something that would have ever crossed her mind.

Hampton does a wonderful job of creating cohesion among the characters. There’s enough main characters to keep the plot interesting and filled with different perspectives, but there’s not too many that the story feels scattered. Watching how all the relationships unfold and the connections between each person emerge kept my attention as I was reading.

I enjoyed that there was a mythological component to the story as well. Sage’s best friend, Will, has promised to make her a custom ring, so she’s been browsing a book of symbols in the inn’s library. Thomas, son of the beloved and revered chef Cameron, is extremely into mythological studies and trying to get ahead on courses he plans on taking. When Sage notices a symbol on Lucien’s ring, Thomas graciously keeps searching through the book until he finds it. They realize the symbol is the Triangle of Solomon and it is used to command demons.

More and more signs appear that indicate something bigger is happening, but Sage herself is at a loss as to what it could be and often doubts her point of view. I could relate to her as a protagonist because I do believe it’s hard for those with heightened psychic sensitivity to know what’s happening to them, and unfortunately, in our society many intuitive people are diagnosed with schizophrenia, bipolar disorder, or depression. Weaving in mental health to the story made it very modern and absorbing. I’m sure many young adults can relate.

This book really does a wonderful job grappling with the notion of light and darkness, and how they both reside within us. It may be harder than it seems to truly draw the line between human and demon, especially with guidance on how to quell the shadow nature and let one’s light shine. Hampton merges concepts of calming, centering energy that can snap one out of the darkness to make for a gripping narrative.

Plus, the ending was absolutely perfect and literally left me with my mouth hanging open like “NO WAY!” that did not just happen. Many of the pieces all start fitting together in rapid succession in the last quarter of the book, and the culmination of events in this book of the series certainly left me wondering what would happen next.

I highly recommend Of the Lilin to readers that enjoy supernatural fantasy, particularly with a dark element. As already mentioned, this book covers mental health topics, demonic entities, and there’s quite a bit of death as well, if only the lingering effects of grief. However, it is also firmly set in a mundane world with relatable characters, human motivations, and budding emotional ties that are sure to continue developing – the perfect mixture of humanity with divinity, good with evil, and indulgence with sacrifice. If anything, it will certainly make you think twice before making deals with demons, though they might be disguised as angels.

A Spell in the Forest, by Roselle Angwin

A Spell in the Forest: Book 1 – Tongues in Trees, by Roselle Angwin
Moon Books, 1789046300, 288 pages, July 2021

Through and through I believe in awakening our connection to nature through intentional relationship, creativity, and mindfulness. A Spell in the Forest: Book 1 – Tongues in Trees by Roselle Angwin is a beautiful synthesis of all those things, drawing the reader into an ethos of tree wisdom and healing. Angwin also teaches the reader about the Ogham alphabet calendar and how to track the year through the wisdom of trees. Reading this book was a true pleasure that made me excited for my next trip to the forest, as well as interested in how my initiation into working with the Ogham calendar this month will go.

Even though I do not get to indulge in forest time daily, being out in nature is a very important part of my lifestyle. I even went on to get a master’s degree in environmental humanities, intending to further educate myself on the relationship between humans and nature. Trees have always been an ally to me, watching their branches sway, feeling their mighty presence, noticing the many animals that depend on them for sustenance and shelter.

I was delighted to see that Angwin shared my passion for nature, along with philosophy on the need for people to reconnect with the wisdom of trees (albeit remorseful about the calling stemming from horrendous ecological destruction currently occurring). In the introduction, Angwin acknowledges the current crisis that has stemmed from viewing trees as a resource, fostered by the modern Western consciousness that is greatly disconnected from the natural world. She praises the trees, acknowledging their gifts to the environment, healing powers, and spiritual attributes.

“In the moment when we pay attention to the being of the tree, we are also opening a channel for a reciprocal relationship between human and tree. Our job is to be awake to all this: to practise the art of tuning-in to these general and specific qualities; to try and be aware of the exchange of prana and the interrelationship of consciousness.”1

I feel like I experience this interconnection every time I step outside, and I know exactly what she’s describing. And to be honest, never have I felt so transported when reading a book. I truly felt like I was walking through the woods of Britain as I read Angwin’s vivid description of her experiences.

Part I Forest is a brilliant reflection on what she’s learned from trees, mixed in with creative musings that have sprung from her time in the forest.  Blending her memories of times in the woods with her current yearning to connect and heal through her relationship with the trees, her poetry brings to life both mythic and mystic sensations.

“But there are always two forests. And I don’t mean ‘Paimpont’ and ‘Huelgoat’. One is the physical wood and forest we encounter — or don’t, but know they exist — ‘out there’. The other is the abiding forest of our imagination: a pristine (because unaltered – and unalterable – by humans) wildwood; the one we encounter in myths, legends, fairy stories.”2

Angwin describes how much of human’s learning has come through trees. She notes the many mythologies that feature the Tree of Life in cultures around the world, where trees are entry points into different realms of consciousness. Some examples are the Buddha who attained enlightenment by sitting under the Bodi tree or the World Tree in Norse mythology.

My favorite part of the book is near the end of Part I where Angwin discusses the Ogham alphabet, which supposedly was a method for initiating Druids to memorize wisdom teaching and the sun-god Ogma created it by watching the flight of cranes. The crane was a sacred bird to the Druids and “the letters were ‘written upon the sky’ not only by the birds’ wings and legs, but also from their flight patterns and the way they changed when the tired lead bird swapped with another.”3 Like how cool is that?

However, not only is the Ogham an alphabet, it is also a calendar, which marks the different times of the year. Angwin continues to provide more information on the Ogham from the standpoint of it as a calendar. She details the possible connection to a moon-goddess, linking the Ogham to lunar time.

Then Angwin delves into why she chose the thirteen Ogham that she did for this book, based primarily on the work of Robert Graves, although she makes substitutions that resonate based on her personal experience. I really appreciate the way Angwin thoroughly details her choices and thought process throughout the book, making it easy to understand her perception, while also acknowledging it is a multi-faceted topic that has spanned centuries so obviously there’s different points of view.

Part II Tongues in Trees: The Tree Months moves into exploring the thirteen sacred Celtic trees month by month. To begin, Angwin explains “The Song of Amergin,” which is a “spell-like sacred incantation with profound ecological, shamanic and shapeshifting resonances.”4 She created her own version, providing a poetic line for each month, describing an aspect of the tree’s wisdom or its mythological significance.

I was quite delighted to find I was reading the book just as the season transitioned from Hawthorn (May 13th- June 9th) to Oak (June 10th-July 7th). This gave me the opportunity to start my explorations with Oak and then proceed with the rest of the year.

For every tree month, Angwin first provides the genus/species, dates, key words, and line of poetry. Then she delves into very thorough descriptions of the trees’ history, habits, gifts it provides, mythology, symbolism, associations of the tree (ex. Oak Tree has an association with a story in Genesis), Celtic mysteries of the tree, and honestly, so much more!

As far as books about the Oghams go, this one provides the  most background information, well-researched and thoroughly woven together by poetic creativity and detailed historical information. I appreciate this approach immensely because it blends the history, science, mythology, and spirituality of each tree to provide a holistic perspective. It’s a multi-layered approach that is really impactful in creating a connection with the trees.

The final section, Part III Practical, has been a great resource for beginning my journey of connecting with the Oak tree during this month. Angwin offers ideas on how to establish these relationships and begin to map the year through the Ogham calendar. From finding the tree in your own ecosystem (if possible) to sitting with it and meditating, a template for establishing these relationships is created.

Angwin also puts out a call to save the trees, which are rapidly being depleted through foresting, impacting global climate temperatures, by becoming stewards for the trees. Options such as replanting trees, growing your own food, and lobbying are all suggestions she makes to be an active agent on behalf of the trees’ well-being, along with many other useful suggestions. I immensely appreciate her dedication to preserving the natural woodlands, and it made me realize there’s more I could be doing within my own community.

All in all, A Spell in the Forest, is a true gem filled with the essence of trees. This is almost embarrassing to admit, but even just holding the book seems to create an opening with  my heart to the trees. I have hardly wanted to put the book down because it’s so grounding and packed with information. I will certainly be reading it time and time again, as I make my way through the year in accordance with the Ogham alphabet calendar.

I highly recommend this book to those who are seeking more information on the Celtic tradition, particularly the Ogham, or those who simply value the wisdom and sacred nature of trees. I truly believe that by reuniting with nature, on all levels, as this book helps one to do, healing will begin to occur. In the meanwhile, I agree with Angwin that it is essential for us to protect the wildness of the forest, both physical and symbolically. A Spell in the Forest is a wonderful place to begin. I very much am looking forward to the next book in this series!

Sacred Geometry, by Richard Heath

Sacred Geometry: Language of the Angels, by Richard Heath
Inner Traditions, 1644111187, 288 pages, January 2021

There are countless stories of aliens gifting humans with higher intelligence, changing the course of human history (we’ve’ all seen an episode or two of Ancient Aliens), but angels? In his book Sacred Geometry: Language of the Angels, Richard Heath puts forth the idea that perfect radios numerical relations are what lead to megalith buildings that encapsulate the divine wisdom of a harmonic creator.

“Angels have the role of bringing about the manifest universe through their direct imagination of ratios and geometries. Once the megalith builders, in their astronomical journey, started using (a) alignments to the Sun and Moon, (b) the counting of days in longer cycles, and (c) the comparison of results within geometrical forms, humans developed minds similar to but different from those of angels.”1

Richard Heath is a well-established author on this topic, and some of his previous books include Sacred Number and the Origin of Civilization (2006) and The Harmonic Origins of the World (2018), which I also reviewed here. He writes about and believes that numbers are the origin of human’s religious cosmologies and that these sacred proportions were shared with humans by a higher intelligence, in this case what he describes as angels.

The heart of Heath’s theories in Part One: The Universal Will is that geometry draws on rational measures of the world externally, but there are also ratios that bring order to life, not simply the numbers themselves. Within these divine proportions, the great connection to the sphere of planets occurs. By drawing on the ancient systems of measurement, along with reconstructing their musical tuning theories, larger patterns reveal themselves.

Heath delves into sacred sites to show these proportions, as well as demonstrate the connection between geometry and planetary movements. He begins by explaining different triangles and their symbolism, and then he explains the squaring of circles in monuments such as The Great Pyramid of Giza and Stonehenge. Also explored in this section are Sanchi Great Stupa and the Hagia Sophia.

Part Two: The Cosmic Individuality explores made me recall a lot of information from his previous book The Harmonic Origins of the World, but added lots of new information still. I really found it fascinating to reflect on Pythagoras’s development of a cosmological theory based on numerical tuning, which included Tetractys, or pyramidal arrays of numbers  which create octaves.

I do hope I am explaining this correctly, as even writing the review is a process of synthesizing the material for me! To be honest, I am not going to pretend like I fully understand the concept, as there’s a lot packed in here, but it got my mind thinking about the relationship between ratios in sound and the physical world.

“The inner story of the power of the octave to provide a unified God and creation provided the outer story of the Bible. And its inner numerical metaphor of numbers preserved an inner doctrine of astronomical harmony surrounding the Earth.”2

Pondering a relationship between musical cosmology, the movement of the moon and outer planets, and sacred geometry is truly mind-blowing to me as an astrologer. As Heath explains, megalithic astronomers used measurements based on horizon events, such as sunrise, sunset, and eclipses.3 Using this method to establish what he named a Lunation Triangle, the synod of Jupiter can be measured.

The cycles of Jupiter allowed for a ratio to develop, which revealed a harmonic ratio between the Jupiter synod and lunar year. There is also a ratio of the Saturn synod, which when looked at in conjunction with the synod of Jupiter, plays a role in the story of Jesus and how his symbolism happened through the “planetary world of time and its harmony.”4

As the book progresses, Heath spends immense time on elucidating the sacred geometry of Glastonbury, along with Islam. It was fascinating to read about the harmonic codes of the Kaaba. He even delves into the development of egoism, and how this too is a part of planetary harmony.

I realize by now your head may be spinning, as not only is the math complex (I doubt I will ever understand Heath’s calculations), but there’s also an assertion of higher intelligence in the world which links religious symbolism, great buildings, and music all through the sacred power of geometry. It’s a lot to take in, but it’s truly a fascinating topic that I am happy to have explored in this book.

I like how the manifestation of religion and other facets of society can be explained through the underlying principles of planetary harmonic resonance, numbers, and geometry. It brings a whole new dimension to our existence. And while it may not seem like a spiritual view point, I have truly found embracing this information to be paradigm shifting for my own journey.

Reading this book has made me grapple with concepts such as the influence of planets on human events, the true nature of the universe, and the magnificent, though forgotten, geometry behind sacred sites. I will admit it took me well over a month to make my way through this book, and oftentimes I had to reread a section multiple times, wondering if I was truly comprehending it. However, it has been a worthwhile pursuit that I’m happy to have made my way through.

My only complaint is that at times, it feels like the numbers are supposed to speak for the information in the book, and I think a little bit more discussion would have helped me to understand the context of the calculations a bit better. Like I see the math, but I don’t know how to translate it or jump to the conclusion that Heath has reached. If there was a bit more detail about how the information was extrapolated from the math, I might have had an easier time following along.

I can also say I am grateful to have read Heath’s prior books as well before diving into this one. I had a greater understanding of the general concepts he was presenting, and I am not sure it would be so easy to dive into this book first. For this reason, I recommend it to people who have prior exposure to Heath’s work or are very comfortable with detailed mathematical calculations.

All in all, Sacred Geometry frames the foundation of the universe, physical building, and human life in an entirely new way. By focusing on the mathematics of that time, rather than the abstracted forms used now, a new perspective emerges. I am open to the possibility of a higher intelligence imparting the template for humanity to grow, and I enjoyed how this book pushed the boundaries of what’s commonly accepted in many fields, from religion to science to math.

Pagan Portals – Iris, by Irisanya Moon

Pagan Portals – Iris, Goddess of the Rainbow and Messenger of the Godds, by Irisanya Moon
Moon Books, 1789047110, 96 pages, July 2021

When was the last time you saw a rainbow? Seeing one is always such a miraculous gift to me. It feels so spiritual, like a harbinger of blessings. Moments after seeing a rainbow about a month ago, I discovered the book Pagan Portals – Iris, Goddess of the Rainbow and Messenger of the Godds by Irisanya Moon. As Moon describes, “She [Iris] offers magick in the way rainbows form, seemingly from nothing, but truly from the perfect alignment of conditions.”1 With this synchronicity, it was as though the rainbow was calling me to delve into this book.

Moon introduces herself to the reader and gives a bit of background on her experience with Iris, who she connected with to include as part of her magical name. I especially enjoyed reading about her experience with Reclaiming on her path, as all the Reclaiming workshops I’ve attended have been some of the greatest portals to magic!

To start with, Moon provides quite a few stories of Iris to assist the reader with getting acquainted with her mythology. Reading stories of Iris delivering messages for Hera and Zues was interesting, along with realizing she was the messenger sent to Demeter to coax her out of grief at the loss of her daughter Perspehone. I also learned Iris is the consort of Zephyrus, god of the west winds — so cool!

After reading the stories of Iris in mythology and hearing Moon’s thoughts, I really resonated with her view that Iris can teach us about being of service without being in servitude. For any person who feels calls to share their gifts, Iris’s story is a wonderful reminder of the need for personal self-care as well. Moon encourages the practice of self-service alongside serving deities and one’s communities, and relates the story of Iris to the need for this. As she writes, “A tired and burnt out priestess is not a very effective servant, after all.”2

The main bulk of the book is Moon’s magical practice called Traveling the Rainbow. She guides the reader through all the colors of the rainbow, offering exercises to connect with each energy. For instance, doing mirror work with the color orange and water gazing for the color blue. Working the way through the rainbow proved to be quite insightful. I really enjoyed making a collage for yellow and a meditative journey for indigo.

Towards the end, Moon offers ideas on how to do a ritual to honor or petition Iris. There’s an absolutely beautiful devotional poem that Moon has written to Iris that made my heart melt. It is so well written, while also emotionally evoking. She also offers quite a few ways one can create a relationship with Iris through options such as altar building, artwork, journaling, and meditation.

Moon calls readers to be intentional in their work with Iris, and to be honest, gives more background than any book I’ve ever read about the process of choosing to work with a deity and focusing attention on that relationship. She is very honest in her approach to deity work, acknowledging there’s different reasons people choose to work with a particular deity, from being called to building a long-term relationship, while some might just want to create a connection for a specific purpose. It was helpful to read her thoughts, tips, and techniques, and regardless if one plans on connecting with Iris, one would surely benefit from her insight about relationships with deities.

While I have not formally created a relationship with Iris, this book was immensely helpful in learning more about her, her role in mythology, and her special energy. I really enjoyed being immersed in the feeling of rainbows while reading, and within I felt a multitude of colors illuminating my creativity through artwork and time spent in nature. I also did a lot of reflection on the similarities and differences between Iris and Hermes, my patron deity, as they are both messengers that have the ability to move freely through all realms.

I recommend Iris to those hoping to learn more about her mythology, wishing to connect with the goddess of the rainbow, or even establish a relationship with her as a deity. Moon has done a great job of piecing together her story and sharing her method of connection with Iris. As already mentioned, the wisdom of Moon’s work with deity is very insightful and sure to be beneficial to any reading looking to petition or dedicating themselves to a godd. Next time I see a rainbow, I certainly will be wondering what messages Iris is delivering and pause for a moment to give her my praise.

Witch Please, by Ann Aguirre

Witch Please: A Charming Small-Town Paranormal Romantic Comedy, by Ann Aguirre
Sourcebooks Casablanca, 1728240166, 368 pages, September 2021

A sexy, funny, romantic tale of witchcraft? Witch Please, I just can’t get enough. Ann Aguirre has immensely brightened up my life with this book, which I just found hilarious. I will admit, it’s more of a romantic comedy with a backdrop of witchcraft than a supernatural tale, but regardless, it’s just what I needed for a light, entertaining read.

The premise is that main character Danica Waterhouse, a technomancer, is living her life, filled with the ups and downs of adulthood. While she has a successful fix-it business with her cousin Clem, she’s also still coping with ill feelings towards her former partner, who after years of “not wanting anything too serious” broke it off with her and was engaged in just a few months.

When the handsome baker in town, Titus Winnaker, also known as CinnaMan to her concern for his delectable buns, ahem, both in the bakery and in real life, if you catch my drift, needs repairs to his oven, Danica’s life changes forever. On his end, there’s instant attraction and he’s basically sure she’s the one from the first time they meet.

Danica too feels the attraction and literal sparks are flying as her magic goes haywire, but there’s family concerns that keep her from opening up to this love. Her mother chose to marry a mundane person, and as a result lost all of her magical power. This is not what Danica wanted for her life, and the path of no longer having her magic was certainly not how she intended to go.

Raised by her grandmother, who persistently badgers Danica to explore Binder (Tinder for witches) in order to find a mate and keep their bloodline pure, she has always considered mundane men off limits. Plus, after her last heartbreak, she made a pact with cousin Clem to stay single for life. With the love of her coven and her magic, she thought that would be enough to sustain her.

After just a few dates and some steamy moments with Titus, it’s clear the attraction isn’t dissipating. Even her spellwork can’t ward off this building attraction. Then to make this worse, her magic malfunctions have drawn a witch hunter to town. Now there’s just one more element in the mix adding to why she needs to break it off with Titus.

It’s nearly impossible not to adore Titus. He’s pretty much the perfect guy: sexy, romantic, reflective, and emotionally attuned to all of Danica’s needs. There’s a reason many of the women in town pop in to Sugar Daddy’s that goes beyond his irresistible pastries. However, Titus also has family problems going on that keep him preoccupied.

After his mother’s death, his father quickly remarried and moved to another state, leaving behind his grown children to essentially start a new life. Titus and sister Maya feel hurt at their father’s lack of a grieving process and are having a hard time accepting his new life. It doesn’t help to find out their new stepmother is expecting, further creating a rift between them and their father.

Needless to say, there’s enough going on in the book to make for a very captivating read. I especially love the way Aguirre wrote the book so that it alternates between Danica and Titus in narration. The internal dialogue of the characters is hilarious and really gives insight into their perceptions, intentions, and self-awareness. All the characters are relatable, and I liked each one very much. The context of the book is all very up-to-date, such as them watching Netflix and using modern slang.

This is also a fun read because of all the steamy parts. Phew! It got quite sensual and erotic. There were chapters where I was seeking out my husband like “Hello!” to relieve some of the steam 😉 So, for those of you who like the passionate, sultry moments as well, this is definitely a great read for that. It certainly added some spice to my life and got the juices flowing.

The only downside worth mentioning is that there were a few parts it felt like it was dragging on. While I was engaged the entire time, the pace isn’t the quickest. Keep in mind, the setting is a small Midwestern town where there’s not too much action. Even the witch hunter coming to town seemed to fizzle out into a very anti-climatic solution that honestly confused me greatly.

It was fun reading about Danica’s coven, but it seemed more like a book club, which is their ruse to keep it secret, than a coven to be honest. The women are more engaged in town gossip and venting about life than doing magic. Granted, each person had their own magical powers, but it seemed like mostly the vivamancers just tended to plant more than group spells. It is for this reason I think it’s more a fun, entertaining read than one really focusing on the reality of being a witch.

Also, all of this book is based on the idea of witchcraft being passed down secretly through bloodline, while Paganism, New Age, etc. are not real things and can be used merely as cover-ups so others don’t ask too many questions. I don’t find this offense in any way, but to some who are very prideful of their craft, it may feel like a slight, though it’s only fiction!

Overall, I really enjoyed Witch Please. It was hilarious, heartfelt, and a really fun premise for a book. By the end, it wove together in a really unique way that brought it all together and left me fulfilled. It also made me really want to go bake something with all the descriptions of eating sweets — mmm!!! I recommend this book to those wanting an easy, lighthearted read filled with romance, magic, and mishaps that make for a wonderful story. I’m sure it will have you chuckling and rooting for love along the way.

Uncommon Tarot, by Shaheen Miro

Uncommon Tarot, by Shaheen Miro
Weiser Books, 1578637147, 64 pages, 78 cards, October 2020

I absolutely love when artists put a new twist on the classical tarot, which is just what Shaheen Miro has done with the deck The Uncommon Tarot. This mixed-media deck is filled with surprises that gently push on the boundaries of the traditional tarot cards. The imagery gently invites the reader to reimagining the tarot, as this deck has infused it visually with the symbols of diverse cultures and spiritual traditions, inviting in new wisdom to the cards.

The box this deck comes in is a lovely design. I appreciate when a creator uses a different design than a standard box where the lid separates from the bottom. The Uncommon Tarot folds open and has a magnet to keep it secure. It is small, but sturdy, and the box fits neatly within my collection of decks and ensures the cards will not start to fade in time, as happens with decks without a good box. It also has a yellow ribbon to gently guide the cards out of the deck and prevent them from getting stuck. Absolutely marvelous packaging!

It’s no wonder the box is so well designed, as the cards themselves are truly masterpieces. The cards all have an ethereal feeling to them that transcend the bounds of time and space. Some seem to have themes of Renaissance art, while others bring to mind Surrealist imagery. Interspersed is Native American, Asian, Indian, and African people and, sometimes, animals to depict the energy of the card.

My favorite card in the deck is Strength. It has a classically painted woman looking over a relaxed, life-like looking lion. The lion is crowned with a green infinity symbol. In the background is a mixture of sunflowers and painted leaves. There is a serene energy to the card. I love how the sunflowers and yellow hues remind me of the card’s correspondence to the Sun, while the green infinity symbol reminds me of the connection to the heart. While my words may not do the imagery justice, it’s as though my unconscious mind picked up on all these subtle visual cues to feel the meaning of the card within my soul.

What strikes me the most is how even though re-envisioned, every card seems to still perfectly encapsulate the energy of the traditional tarot card description. It’s as though the cards have been enhanced and are now  more revelatory because of the added element of subtle fluency and dynamic expression. Here the energy of the tarot is no longer locked into the traditional deck, and the deck comes alive through its ability to truly express the energy it’s always wanted to.

You can look at cards and still see intuitively the meaning. The minor arcana still includes the image of wands, pentacles, swords, and cups for every card, and the major arcana images still capture the essence. There’s also the name of the card at the bottom. A few names have been changed, such as the “Fool” being renamed “Wander” and “Temperance” renamed “Alchemist.” Once again though these revisions seem to magnify the energy of the card, distilling the past bias and stripping away what is excess to merge with the liminal energy of the deck between the physical and spiritual world.

There’s more emphasis on the artwork speaking for itself to guide readers to discern the information coming forth than relying on the guidebook for information. The guidebook is only a short 64 pages. For every card there is a corresponding question, keywords, general theme, and reversal information. There’s no guidance on how to do a spread, just a suggestion about how to acquaint oneself with the deck and an invitation to be creative. There’s a brief explanation of elemental energy and the meaning of numbers. And that’s about all!

One could skim through the whole guide book in about fifteen minutes. But in no way do I feel like this diminishes the deck. In fact, I feel this would still be a wonderful deck for expert or novice tarot readers because it offers the ability to reconnect with one’s intuition. Rather than offering explicit meanings, these cards leave room for there to be understanding within without it need to be clearly stated. Seeing these cards is enough to prompt your intuition and send the answers you seek through your entire being. There’s no need to run back to the words to seek the validation of what you’ve uncovered, though if you want a bit of illuminate there’s enough in the guidebook to put your mind on the right track.

While the artistry wonderfully captures the energy of the standard 78 cards in the tarot, it also infuses new layers of meaning that have really assisted my readings. I have found this deck awakens the imagination, and the visual cues of the collage-like imagery draw forth intuitive information that I may not have otherwise picked up on. This happened just this morning actually in a reading with my querent when Six of Swords was drawn.

The traditional Six of Swords tarot card has an image of a hooded figure being rowed away from shore with the swords at the front of the boat. In The Uncommon Tarot, the imagery is of a yellow butterfly soaring over the top of six swords, highlighted by blue, green, and yellow background shading, looking absolutely radiant. The moment my querent saw it, she immediately intuited the meaning of this card to represent a transition from being her cocoon to emerging to be the butterfly.

It was remarkable to see her so quickly discern the energy of the card from the artwork, and her vivid excitement about it let me know that it deeply resonated. I always appreciate when the imagery on the card speaks to my querent and infuses them with the energy of the reading beyond the words I may be saying; this is what makes for the readings people remember for a long time.

For those who are collectors, The Uncommon Tarot is definitely a deck to add to one’s collection. The title aptly describes it’s uniqueness with the magnificent artistry makes it stand out among other decks. This inclusive tarot deck successfully draws upon the ancient tradition of tarot and infuses it with a modern imagination. I highly recommend this deck to anyone looking to add a bit more fluidity to their reading, as it invites the energy to flow through the imagery and guide you to new levels of awareness.

Spells Trouble, by P.C. Cast and Kristin Cast

Spells Trouble: Sisters of Salem, by P.C. Cast and Kristin Cast
Wednesday Books, 1250765633, 320 pages, May 2021

As a millennial who grew up watching Double Double Toil and Trouble, there will always be a place in my heart for twin witches. I mean, come on, there’s just something so downright spooky about the psychic connection they share. Well, I’m happy to say that P.C. Cast and daughter Kirstin Cast are back at again with their latest book Spells Trouble: Sisters of Salem, which if you haven’t figured out by now focuses on TWIN witches, Hunter and Mercy Goode. And it’s certainly double the fun!

I will confess, P.C. Cast is one of my favorite authors because she just gets what it means to be a witch and brings to life the most authentic characters in fantasy-filled books that always keep eagerly page-turning. My favorite is P.C.’s Goddess Summoning series, which I always recommend to all my magickal friends for entertaining reading, along with Eternal: More Love Stories with Bite, which she edited. I can’t recommend literally anything she’s written highly enough.

This isn’t the first time this mother-daughter duo has teamed up. Their most well-known series is probably House of Night, which was immensely popular and had many off-shoot series, and they have also authored The Dysasters. Luckily, Spells Trouble is only the first in this latest series, and the next book Omens Bite is expected out in 2022! It filled me with happiness knowing there’s already another book to look forward to next year. Oh yes, which brings me back to the review!

So, essentially Mercy and Hunter Goode come from a long line of witches who guard the five portals to the Underworld in their small, Midwestern town. There’s a special tree for each of the gates, representative of the Underworld it’s guarding (for instance Egyptian, Greek). It is their sacred duty to maintain the gates in order to keep the monsters contained in the Underworld.

However, on the eve of their 16th birthday, when they are dedicating themselves to their chosen god/goddess, all hell breaks loose, literally. Without warning, the twins are thrust into a life or death situation, suddenly finding themselves alone and with little guidance on how to fortify the gates and ensure an incident doesn’t happen again.

As if that’s not enough to deal with, murders start happening around town. Quickly, it becomes clear something has escaped from the Underworld, but determining what is just another mystery the sisters have to solve. Luckily, they have some wonderful friends, as well as a devoted feline familiar that are willing to assist them with their task.

This is the basic run down, but in fact, the book is so much more. It is an intimate portrayal of the sisters finding their own magical powers, learning what it means to be dedicated to their deities, experimenting with spells (some successful, others not so much), and drawing upon their inner strength to make it through a very tough time.

There’s also subplots happening throughout the book, such as Mercy dating a jerky jock, who is sweet to her but a misogynist pig to the others, and Hunter’s experience as a lesbian in a small town. Spoiler alert, their familiar also turns into a person, which is quite entertaining. Hunter and Mercy both also have best friends, Emily and Jax respectively, who add to the dynamic between the characters and provide comic relief and heart-warming love.

While it is a young adult novel, which deals with coming of age themes, I still enjoyed it very much as an adult. I think this is because P.C. and Kristin write with so much honesty and truth about witchcraft, weaving in spells and describing the ritual objects used. I’ve yet to find another author who so effectively blends the practicalities of modern witchcraft with captivating fantasy elements.

The book does have an added supernatural component, but I enjoy this because it’s like the psychic world given 3-D formation. Rather than banishing spirits, the twins are fighting monsters from the Underworld. There’s demonic possession, mythological creatures reeking havoc, and intense physical manifestations of energy, but it makes for a wonderful story.

Also featured is more common spell work, such as one done by Hunter to relieve the grief of her sister. Reading about the girls collecting the items they need, picking out herbs and crystals, and also going through grimoires to find spells were all things I could relate to as a magical practitioner.

I also very much related to the twin’s experience of getting acquired with their powers. Mercy has dedicated herself to be a Green Witch of goddess Freya, while Hunter is a Cosmic Witch dedicated to god Tyr (well, for the most part..). Seeing how each of their powers manifest itself is insight into determining what one’s own magical skill set might be.

Mercy can intuitively connect with nature, calling on trees as allies, but she’s terrible at tarot. While Hunter draws strength from the moon, crystals, and is wonderful at decoding the messages of her tarot deck. She’s also realizing she has quite the skill for blood magic, while Mercy copes with her first sexual experience dedicated to a love and fertility goddess. It’s confusing sometimes stepping into our powers, isn’t it?

All in all, I absolutely loved Spells Trouble, and I recommend it to all witches looking for an entertaining summer read. I think there’s so much potential for this series, and the Casts are authors who never let me down. I’m thrilled to see how this series develops, as I’m already invested in the character and enjoying the plot. It has the right mixture of feel-good emotions stemming from the love, trust, and bravery of the character with the tension from conflict between the twins about what the path forward looks like in regard to their choice of deities. Eek! But I don’t want to give too much away, so I’ll wrap up here by saying this is one to add to the reading list this summer!