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The Vine Witch, by Luanna G. Smith

The Vine Witch (The Vine Witch #1), by Luanna G. Smith
47North, 1542008387, 268 pages, October 2019

One of my favorite books that I read this summer was The Vine Witch by Luanna G. Smith. You can only imagine my delight in discovering that it was the first of three books in a series! For two marvelous weeks, I was wrapped up in the drama, intrigue, romance, and excitement of these novels. I considered writing a review of each separately, but then decided to write about them side by side. I can hardly imagine one would enjoy The Vine Witch and not want to continue on with the rest of the series.

As much as I enjoy a brand-new book, I also am thrilled when I discover a fully published series that lets me jump right from one book to the next with no wait time! While the latest book in the series, The Conjurer, was released in 2021, The Glamourist was published in 2020 and The Vine Witch in 2019. I highly recommend reading them in order of publication date, which is easy to do now that they’re all released.

They stories definitely build upon one another, and it’s adds a lot to the newer books already knowing the full backstory. All the characters are introduced in The Vine Witch, and the following two novels expand on the past of two characters, continuing to reveal how the three magical women’s fate is intertwined. Their unique friendship evolves as the women overcome enemies, personal challenges, and twists of fate that captivate the imagination, perfectly blending in magic, mystery, and mayhem.

Now.. onto the good stuff!

Set in the charming Chanceaux Valley, The Vine Witch delves into the story of Elena Boureanu, who has just returned to her human form after spending seven years as a toad due to a curse put on her. It was only her skilled knowledge of poisons that helped her break the curse, gruesomely by eating her shedding toad skin, which contained a specific chemical that was able to alter the effects of the spell. Still haunted by her amphibious time, Elena is eager to get revenge on the person she knows must have put this spell on her: Bastien Du Monde, her former fiance.

Elena returns to her home, Château Renard, and happily reunites with her dear Grandmere, Unfortunately during Elena’s time as a toad, her grandmother was not able to maintain the vineyard or its finances, leading her to sell it to Jean-Paul Martel, a budding vigneron. So far, Jean-Paul hasn’t had much luck with his crop, but he is intent on applying his scientific knowledge to bring the fields back to life.

Despite the rocky start they get off to upon meeting, Jean-Paul allows Elena to stay at Château Renard for the time being. Elena, who feels deeply intertwined with the vineyard is glad to be back, but also is keenly away from a spell lingering over the fields, which is contributing to the bad harvests. She’s eager to use her magic to lift the curses, but knows she must hide her magic from Jean-Paul, who denounces the superstitions of vine witches in the valley.

Meanwhile, Bastien and his new wife are on a mission to buy up the land in the area to expand their own wine-making business, which has become exceedingly popular during the time Elena was gone. For a while Elena hides her presence, not wanting Bastien to know she’s back for revenge, but eventually her identity is revealed, shocking even Elena as she uncovered the truth about her past.

As Elena comes to terms with her powers and grapples with her sparking romance with Jean-Paul, who is opening up to her supernatural world, she also must contend with the evil force that wants to do her in. When a surprising death lands Elena in magical jail, she becomes acquainted with Yvette, a rough and tumble young woman, and Sidra, a jinni. All three women have been accused of murder, but there is also their side of the story that is not give a voice. Their break-out links them together, leading to a bond that will continue to be called upon for the rest of the series.

I won’t go further, as to not give spoilers, but from a magical perspective here are some of the things that I loved about the book. First of all, Smith really makes this magic feel real. While some of the magic is extraordinary, it’s grounded in magical theory and practice. For instance, Elena must take time to reunite with her magical tools and slowly regain her strength after coming back from the curse. There are limits to her powers and this prevents a sense of all-consuming, omnipotent magic dominating the story; it’s realistic.

Additionally, the magic she does is deeply tied to the land, the vines, the animals, and her home, which I believe many witches can relate to in their own lives. Gardens, hillsides, rivers, and streams all become sacred places of power; nature and the elements are the foundation of witchcraft. You get a sense of this as you read, and it inspires one to reconnect with their landscape.

Plus, I found the concept of a vine witch to be fascinating, and it did leave me to wonder if this was ever a real thing. There was a sensuality about her connection to the wine, and the magic felt palpable, as though I could taste it as I read.

Another aspect that I really enjoyed was a local baking witch, whose pastries pointed the way to one’s true love based on their flavors. I enjoyed that there was an exploration of other types of witches, beyond the vine witches, all mixed into the story. It made the story feel imbued with sorcery, as the mundane world thrived without even realizing all the small charms and magical world around it.

I highly recommend The Vine Witch to anyone who enjoys supernatural fiction. As far as books about witches go, this is definitely one of my top five favorites. Smith has done a wonderful job of bringing to life the magic in the mundane. From cooking to gardening, this book will inspire you to include a few spells of your own in the daily routine.

Seasons of a Magical Life, by H. Byron Ballard

Seasons of a Magical Life: A Pagan Path of Living, by H. Byron Ballard
Weiser Books, 987-1578637232, 197 pages, August 2021

Take a breath, pause, and gift yourself the time to delve into Seasons of a Magical Life: A Pagan Path of Living by H. Byron Ballard. In doing so, use the wisdom shared in this book to create a guide to a more connected way of living and co-existing. As Ballard writes, “this book is an invitation to modern Pagans to return to a simpler and quieter time, either literally or virtually, through letters from a small forest-farm in the southern highlands of the Appalachian Mountains.”3

The educationally credentialed author, H. Byron Ballard (BA, MFA), is a teacher and folklorist as well as a senior priestess. Her life and work are centered in Asheville, North Carolina, where she is a co-founder of Mother Grove Goddess Temple and the Coalition of Earth Religions. 

As I read, I felt as if I was accompanying Ballard around her farm. I could smell the air, feel the weather, and taste the food offerings. I was afforded the experience of spending time with her and the life force that surrounds her in her mountain setting and, by extension, the life force that surrounds me in my setting. 

As the cover indicates, the book focuses on the celebrations, festivals, and rituals for the Wheel of the Year. It is divided into three parts. Part One is a five-chapter section that offers background essays “Animism, Mutual Aid, and Permaculture”, “Tower Time and the Conceit of the Ever-Turning Wheel”, “A Different Means to Reckon Time”, “Re-enchantment and the Uses of Magic”, and “the Good Neighbors, the Land Spirits”.

Part Two is comprised of two chapters, focusing on the Wheel of the Agricultural Year: “Winter, The Waxing Year” and “Summer, the Waning Year”. Within those chapters are the equinoxes of spring and fall. “The chapters are broken into the four seasons, with the Quarter Days a highlight within each, and include simple skills that accompany each marker of the year.”4

Part Three wraps up with “Hearth”, a “chapter on the spiritual and physical immersion into these seasons”5 no matter where one lives, rural, urban, or suburban. 

The essays offered in Part One are intended to “not only give the reader a map of (the) journey but also to introduce some ideas to better inform the journey.”6 Some essays were written as if Ballard was talking to a friend as they climbed a hill, while others unfold in a more informational manner, such as the sections on Ember Days and Embertide and Rogation Days.

As one who communicates daily with the trees and rocks that surround my house, I loved the writings on animism and permaculture. Re-enchantment? Yes, please; I could use a healthy dose of that. However, I recommend taking time to sit with what is being offered in these essays as some are more “heady” than others.

I liked how Ballard did not write about these topics in a clinical, detached manner. She walks the reader around her property as she delves into these subjects; the reader is invited to sit at her kitchen table as she prepares meals. Living seasonally, living and working by the natural light, living with the rhythms of nature. 

Wanting to not only read the book but also practice the activities offered, when I finished the section on the essays and moved to Part Two, the “Wheel of the Year”, I began reading the final chapter first, Chapter 7, “Summer: The Waning Year,” as I received the book a few days before Lammas, the Season of the First Harvest.

As with all of the sections on the Wheel of the Year, Ballard offers a letter from her forest-farm, skills to use, chores to be completed, foods for the season, traditions and celebrations, activities to do with children and other friends, an icon of the season and a concluding paragraph on season’s end.

For Lammas, in her letter from her forest-farm, she writes about how hot and dry the farm now is and surveys what is happening in the garden – an abundance of squash and tomatoes, days of “sweat and effort.”7 She offers a lesson on bread-making including the “philosophy” of kneading and sour dough. Chores such as canning and pickling are covered. Traditions and celebrations such as the blessed loaf and the ceremony of cakes and ale are introduced.

The Lammas section continues with recommended activities for Children and Other Friends, including shaping a loaf person and making corn dollies. The icon written about is Wheat as Lammas is “the first in a series of three harvest festivals that is usually dominated by bread – making it, shaping it, and eating it.”8

It concludes with a paragraph on Season’s End that encapsulates the essence of the season, for Lammas, namely looking to the “symbol of the harvest and what that means about gratitude in your life – how you express it, how you use it.”9

She asks the reader to look at the intention that was planted in the Spring — both literally and symbolically and see if the reader tended to this intention — and if it’s ready to “feed you now, that thing that you imagined planting?”10

The book’s final section delves into the aspects of hearth and homely life. She praises homeliness – simplicity in one’s home, comfort, pleasant but ordinary. She invites the reader to view the kitchen as living space for nurturing physically and emotionally. Home altars both indoors and outdoors are discussed as spiritual anchors. Ironically, while I have a home altar, I hadn’t thought of creating an outdoor altar until reading this book. She writes of – are you ready? – laundry as a meditative practice, which after reading I now understand. 

I especially love the book’s concluding lines, offered as a friend waving as you depart their home and sending you off with love:

“There is so much to do, every day, to tuck in the ends of this weaving we are creating: to observe and really see, to listen and really hear, to integrate our intuition and our Ancestral memory into a practice so practiced it no longer feels artificial. It only feels like living a good life and a full one.”11

I highly recommend not only reading Seasons of a Magical Life – but living it. For those who are looking to deepen their connection to the natural cycles of the year, this is a great book to have in one’s library. It offers simple, practical ways to engage with the seasonal energy of the year as it makes its way around the wheel of time. Many of these small practices are certain to enchant one’s life and bring a deeper sense of purpose to the small actions we do daily, fostering an appreciation of the current moment in time that is grounded yet extraordinarily magical.

The King in Orange, by John Michael Greer

The King in Orange: The Magical and Occult Roots of Political Power, by John Michael Greer
Inner Traditions, 1644112582, 208 Pages, May 2021

With the many controversies happening within our country right now, from vaccination mandates to military withdrawal, it feels an opportune moment to reflect on the state of American politics and the forces that are shaping our current government system. Cue The King in Orange: The Magical and Occult Roots of Political Power by John Michael Greer, here to help magically-minded folks make sense of the political mess in terms they understand.

Drawing upon The King in Yellow, a book of short stories by Robert W. Chambers, Greer helps to discern the energetic forces behind collective political movements that have been taking shape the past decade through the lens of occult forces (both conscious and unconscious) guiding the path forward.

In particular, he highlights the competition between two competing schools of magic that ultimately lead to the presidency of Donald Trump. By examining what led to this Populist rise, an occurrence happening elsewhere too, such as Britain, Greer leads the reader through a journey in the masked magical forces impacting public discourse.

And I’m going to be honest, Greer gives a very fair treatment of the subject without ever outwardly picking a side. So, this book may be potentially troublesome for anyone very rooted in their own personal beliefs and isn’t willing to see things differently.

For the most part, there is no sway towards either political party. I will say the exception to this seems to be in regard to Greer’s writing on Hilary Clinton, which I did find to be rather pejoratively biased. Overall though, Greer presents the material very objectively, offering perspective to guide readers in making their own conclusions.

Greer really delves into the concepts such as virtue signaling, privilege in America, and the class divide rift between salary workers and wage workers. He especially packs a punch by highlighting the magic of the liberal, privileged salary class that directly contributed to the populist rise of Trump: mainstream culture and the mass media that perpetuates it.

“This is one of the crucial points about privilege in today’s America: to the privileged, privilege is invisible. That’s not just a matter of personal cluelessness or of personal isolation from the less privileged, though these can of course be involved. It’s one of the most significant magical spells we’re under. The mass media and every other aspect of mainstream American culture constantly present the experience of privileged people as normal, and just as constantly feed any departure from that experience through an utterly predictable set of filters.”2

The filters used by the media, as well as the new American Left, according to Greer, inaccurately portray Trump supporters using distorted narratives, such as homophobic, racist, misogynist, when in factor many votes for Trump were for populist reasons of job loss, wage cuts, unaffordable health coverage, and a general lose of faith in system that is willingness neglecting their interests. Though identity politics currently take precedent above other cultural divisors, the overlooked factor is social class.

Greer draws on the scholarly work of Ioan Couliano to illuminate age-old forms of manipulation dating back to the Renaissance now channeled into modern advertising and mass media. This one-sided perspective led to a nation-wide upset as millions of voters were blind sided by Trump’s victory, which was dismissed as impossible by the media narrative.

Simultaneously, chaos magicians are also waging their own in the form of Pepe the frog memes, truly believing their symbolism was having an effect on the election, and thus constellating a change in consciousness among a group of “internet wizards.” Delving into the story of how this magic was used via Reddit was a really interesting topic, particularly after having encountered it directly in my mid-20s as quite a few acquaintances began to post about it.

To be honest, I’m still integrating the way he’s woven together the underpinning occult energies in play in American politics with the recent history of the 2016 election to present a viewpoint that is entirely original and most relatable as a magical practitioner. As an avid seeker, I enjoy how Greer’s insight work blends discourse from political, social, and magical movements.

While the future is not set in stone, the deeds of the past are catching up and contributing to where we are now as a nation. With ample reference to material such as Oswald Spengler’s Decline of the West and Dion Fortune’s war letters, Greer provides multiple avenues for readers to further study.

Reading The King in Orange had me reminiscing about when I was a recent college graduate, filled with liberal ideals, dating a boisterous, in your face Trump supporter. Needless to say, the relationship didn’t even survive the political campaigning. As tension in the country has become more polarized, I’ve literally seen more and more long-term relationships ending over deep-set political stances.

I really feel like reading Greer’s ideas in this book helped me to reconcile my differences and find a more balanced perspective. When my Trump supporting friend asserted the other day that America needs to “Blame the suits, not the boots”, I had much more insight into her perspective.

The King in Orange is not an easy read, as there are some hard truths to swallow regardless of where your political beliefs lay. But this book opened my eyes to the roots of the current political climate that go deeper than just standard party issues. There are fundamental shifts to the American way of life that are leading to uncertainty about the future. Being more aware of the occult forces in play on both sides helps to be discerning in shaping our beliefs. I have been recommending this book to quite a few people recently who are wondering what’s going on in the politics right now because it’s a really thought-provoking read that delves into the psychological factors effecting the collective consciousness.

Bacchanal, by Veronica G. Henry

Bacchanal, by Veronica G. Henry
47North, 1542027810, 352 pages, June 2021

I’ve been overjoyed that my library has reopened after over a year of not being able to browse books. Immediately, Bacchanal caught my attention with its purple cover featuring a ferris wheel. After a quick skim, noticing the setting was a carnival with plenty of magic, I was excited to check out and get to reading. I can now say that Bacchanal is the best book I’ve read this summer so far!

The story takes place during the Depression era in southern America (Tennessee, Louisiana, Oklahoma, etc). Main character Eliza has been abandoned by her family and has been working as a maid to make her way in the world. She also has a unique gift of being able to communicate with animals, however she has yet to learn to control this power and it often ends in the animal dying.

When two carneys, Clay and Jayme, come to town in search of an alligator man, Eliza catches their eye instead and soon she finds herself on the road with Bacchanal. She quickly makes friends with a fun, varied cast of characters. What makes Bacchanal unique is that all the carneys are primarily black folks, some who even came from Africa to be in the show.

Through the story, Eliza develops romantic feelings for two men, creating an interesting love triangle. But she is primarily concerned with learning how to master her gifts and put together a show that will ensure her place at Bacchanal. She harbors dreams of finding her family, seeking them in every small town they carnival moves through, and she’s determined to save up money to find her sister.

Amid Eliza’s story, the reader is also privy to the workings of Ahiku, an ancient demon who feeds on the souls of children. An evil lingers around the carnival, which functions as the perfect feeding ground for the myriad of mysterious demons lurking within Bacchanal. Ahkiu is obsessed with finding the granddaughter of orisha Oya, who is the one person that can bring her downfall.

Finally feeling a sense of home and belonging among the other non-ordinary folks at Bacchanal, Eliza’s destiny rapidly unfolds to reveal the extent of her gifts and the greater purpose of her being there.

There are so many things I loved about this book, but I will focus on a few for the purpose of this review. First of all, Henry has done a wonderful job of portraying Eliza’s development of her gifts. I really enjoyed the way she writes about Eliza’s ability to communicate with animals, making it authentic with psychic imagery and animal personalities. I felt for Eliza as I read her struggles and felt connected to the animals myself via her communication with them. Eventually, Eliza discovers her own animal guides, and this part of the story was akin to her discovering both her roots and own personal power simultaneously.

Which leads me to the second thing I love about this book: the interweaving of African spirituality into a truly remarkable tale. Blending demons, Yoruba, and witchcraft, this tale really explores the roots of this magic in the American south. I have never read a book that did such a good job weaving them into an existing fictional novel. Plus, I truly loved that Bacchanal was an almost all black carnival, giving insight into the way of life for African Americans at the time.

Furthermore, Henry has craft very distinct and one of a kind characters that have left a memorable impression. I really enjoyed being immersed in the life of Bacchanal, from the daily on-goings of the carneys to the epic shows they performed. She expertly interwove their personal narratives, leading insight into each character and providing a depth of context to frame the relationships taking place. Many of the characters themselves had wrestled with demons, which landed them at Bacchanal, and there’s a very exciting mixture of redemption and revenge that takes place between characters.

The story moved at a slow pace for a good portion of the book, which was actually quite refreshing for a change because I didn’t breeze through it in a day or two. I was able to linger in the sensation of the whole story, captivated by the unfolding mystery, but content to let the tale move at its own pace. It felt reflective of the pace of life during the Depression in these smaller cities the carnival was moving through. The last book I read that immersed me this much in carnival life was Midnight Circus, but I enjoyed how Henry didn’t create a fanciful reality and focused the book more on the actual setting and lifestyle of this era.

I will say the ending took me by surprise in that it moved very quickly and culminated in almost a blink of an eye. After such a lengthy lead-up, for a bit I couldn’t believe how quickly the story came to an end. I think this would be the only aspect of the story that I wasn’t enraptured with. While all the loose ends are tied up, I would have preferred a bit more detail for the grand finale.

As far as the occult aspect of Bacchanal, the whole tale is imbued with mystery and magic. Henry doesn’t dress up pacts with demons or Eliza’s gifts, and presents a portrait of how these things exist in the mundane world, though perhaps unnoticeable to the untrained eye. Ahkiu and Eliza both take some time to figure the other one out, and they’re both doing plenty of magic or spiritual communication on their own. It was interesting to see the way Ahkiu used her ancient power, while also being engaged with Eliza’s story of discovering her own.

All in all, I found Bacchanal to be fully satisfying on many levels, and I’ve been recommending it to everyone as a good read. I think those with an interest in Yoruba would have a particular interest in this book. Watching Oya nurture her spiritual child Eliza is quite rewarding, and this book reminds us of the complexity of family dynamics. With the help of trusted friends and discovering one’s own powers, destiny emerges.

Pure Magic Oracle, by Andres Engracia

Pure Magic Oracle: Cards for Strength, Courage and Clarity, by Andres Engracia
Rockpool Publishing, 1925924661, 36 cards, 144 pages, May 2021

Pure Magic Oracle: Cards for Strength, Courage, and Clarity by Andres Engracia is a wonderful deck filled with spells and messages of empowerment. This deck is inspired by The Big Book of Practical Spells by Judika Illes, which is a great addition to one’s collection for anyone interested in spellwork, along with her book Encyclopedia of 5000 Spells. The spiritual insight gained from Pure Magic Oracle has proven to be quite handy for me since I’ve started using the deck, and I’ve very much enjoyed the simple spells, some almost more like exercises, to enhance my spiritual connection.

I’ll admit what first drew me to this deck was the aesthetics. Illustrator Olivia Burke has done a wonderful job of making the deck visually appealing with symbolism that awakens the reader’s imagination and delights the eye with elegant drawings. The imagery is open for interpretation, though it stimulates the subconscious mind when gazing at the card. She has done a wonderful job of using color combinations to elicit feelings related to the cards. I especially love the back of the cards with ravens perched on a delicately designed circle with floral images with leaves around the borders, plus a half moon on both sides.

This 36-card deck has 9 cards for each element (earth, water, fire, air). There are color correspondences for every element. After using the deck for a bit, I’ve been able to instantly feel a connection to the element based on the color of the card I draw before even looking at the name of the card, message, or guidebook oracle message. I enjoy this because the color primes me to be open to the element and receive its message with attunement. Burke has done a wonderful job with color contrast to really make the images pop from the card’s color background.

On each card, there is the number, an image, the name of the card, and then four keywords. The card names are quite interesting, ranging from Telekinesis (an air card) to Belladonna visions (a water card). I was quite amused reading the card names and intrigued by Engracia’s unique choice of card names related to elemental energies. They add both depth and levity simultaneously, allowing for powerful messages to come through in a relaxed manner.

The guidebook starts with a foreword by Illes since her book was the inspiration for the deck, which is followed by an introduction by Engracia. There is a short and sweet poem to the elements provided to consecrate the deck and then two spreads for a reading provided: The powers that be spread and Elemental body spread. I did The powers that be spread, but I’ll write more on that in a second.

For every card in the guidebook, there is the image of the card with the keywords below and then information about the image on the card, such as its historical background or importance in magic. It’s almost like a little magical lesson! Then there is a Pure Wisdom section that provides an oracle message. Finally, there is a Pure Magic Spell provided.

However, I will note that it is not necessarily a spell every time. For instance, the Pure Magic Spell for the card Voudon Roots (24) reads:

“Study the arts of indigenous magic, stories, and folklore; learn the wisdom of native cultures and immerse yourself compassionately in the mind and heart of an elder.”5

I love this wisdom and do feel doing this would enhance one’s spiritual practice, but I also wouldn’t think of this exercise as a spell.

For me personally, this didn’t detract from the value of the deck, but it did make me a bit reliant on the guidebook at times  and more focused on connecting with the cards intuitively through symbolic imagery. As I mentioned, I did The powers that be spread and when I turned to the guidebook, the message still felt a bit elusive. I was better informed about the general meaning of the cards, but the message still felt a bit ethereal.

Therefore, I found it best to be creative in my approach of working with these cards. The imagery coupled with the insight of the guidebook has called me to journal, draw, and write poetry about the readings. There’s something about this deck that invites the reader to be an active participant in the divination, rather than a passive receiver of information.

This element of the deck is what makes it really stand out for me. I find myself called to read with it not so much when I want a direct answer, but more when I want spiritual prompting about how I can tune into my connection to nature, spirit, and the elements to facilitate healing and personal revelation.

All in all, Pure Magic Oracle is a one of a kind deck with very intuitive, symbolic imagery that invites the reader to creatively enhance their magical practice with spellwork and spiritual exercises. I recommend it to those looking for divinely inspiring deck that are open to musing a bit on the answers. By engaging with the cards through the spells and exercise, one can use this deck to enhance their awareness and channel their energy in constructive ways to spiritually develop their magical abilities. It is also a useful tool for connecting with the elemental energies on a daily basis to bring their healing wisdom into one’s life.

Witch Please, by Ann Aguirre

Witch Please: A Charming Small-Town Paranormal Romantic Comedy, by Ann Aguirre
Sourcebooks Casablanca, 1728240166, 368 pages, September 2021

A sexy, funny, romantic tale of witchcraft? Witch Please, I just can’t get enough. Ann Aguirre has immensely brightened up my life with this book, which I just found hilarious. I will admit, it’s more of a romantic comedy with a backdrop of witchcraft than a supernatural tale, but regardless, it’s just what I needed for a light, entertaining read.

The premise is that main character Danica Waterhouse, a technomancer, is living her life, filled with the ups and downs of adulthood. While she has a successful fix-it business with her cousin Clem, she’s also still coping with ill feelings towards her former partner, who after years of “not wanting anything too serious” broke it off with her and was engaged in just a few months.

When the handsome baker in town, Titus Winnaker, also known as CinnaMan to her concern for his delectable buns, ahem, both in the bakery and in real life, if you catch my drift, needs repairs to his oven, Danica’s life changes forever. On his end, there’s instant attraction and he’s basically sure she’s the one from the first time they meet.

Danica too feels the attraction and literal sparks are flying as her magic goes haywire, but there’s family concerns that keep her from opening up to this love. Her mother chose to marry a mundane person, and as a result lost all of her magical power. This is not what Danica wanted for her life, and the path of no longer having her magic was certainly not how she intended to go.

Raised by her grandmother, who persistently badgers Danica to explore Binder (Tinder for witches) in order to find a mate and keep their bloodline pure, she has always considered mundane men off limits. Plus, after her last heartbreak, she made a pact with cousin Clem to stay single for life. With the love of her coven and her magic, she thought that would be enough to sustain her.

After just a few dates and some steamy moments with Titus, it’s clear the attraction isn’t dissipating. Even her spellwork can’t ward off this building attraction. Then to make this worse, her magic malfunctions have drawn a witch hunter to town. Now there’s just one more element in the mix adding to why she needs to break it off with Titus.

It’s nearly impossible not to adore Titus. He’s pretty much the perfect guy: sexy, romantic, reflective, and emotionally attuned to all of Danica’s needs. There’s a reason many of the women in town pop in to Sugar Daddy’s that goes beyond his irresistible pastries. However, Titus also has family problems going on that keep him preoccupied.

After his mother’s death, his father quickly remarried and moved to another state, leaving behind his grown children to essentially start a new life. Titus and sister Maya feel hurt at their father’s lack of a grieving process and are having a hard time accepting his new life. It doesn’t help to find out their new stepmother is expecting, further creating a rift between them and their father.

Needless to say, there’s enough going on in the book to make for a very captivating read. I especially love the way Aguirre wrote the book so that it alternates between Danica and Titus in narration. The internal dialogue of the characters is hilarious and really gives insight into their perceptions, intentions, and self-awareness. All the characters are relatable, and I liked each one very much. The context of the book is all very up-to-date, such as them watching Netflix and using modern slang.

This is also a fun read because of all the steamy parts. Phew! It got quite sensual and erotic. There were chapters where I was seeking out my husband like “Hello!” to relieve some of the steam 😉 So, for those of you who like the passionate, sultry moments as well, this is definitely a great read for that. It certainly added some spice to my life and got the juices flowing.

The only downside worth mentioning is that there were a few parts it felt like it was dragging on. While I was engaged the entire time, the pace isn’t the quickest. Keep in mind, the setting is a small Midwestern town where there’s not too much action. Even the witch hunter coming to town seemed to fizzle out into a very anti-climatic solution that honestly confused me greatly.

It was fun reading about Danica’s coven, but it seemed more like a book club, which is their ruse to keep it secret, than a coven to be honest. The women are more engaged in town gossip and venting about life than doing magic. Granted, each person had their own magical powers, but it seemed like mostly the vivamancers just tended to plant more than group spells. It is for this reason I think it’s more a fun, entertaining read than one really focusing on the reality of being a witch.

Also, all of this book is based on the idea of witchcraft being passed down secretly through bloodline, while Paganism, New Age, etc. are not real things and can be used merely as cover-ups so others don’t ask too many questions. I don’t find this offense in any way, but to some who are very prideful of their craft, it may feel like a slight, though it’s only fiction!

Overall, I really enjoyed Witch Please. It was hilarious, heartfelt, and a really fun premise for a book. By the end, it wove together in a really unique way that brought it all together and left me fulfilled. It also made me really want to go bake something with all the descriptions of eating sweets — mmm!!! I recommend this book to those wanting an easy, lighthearted read filled with romance, magic, and mishaps that make for a wonderful story. I’m sure it will have you chuckling and rooting for love along the way.

The Ways of the Water Priestess, by Annwyn Avalon

The Way of the Water Priestess: Entering the World of Water Magic, by Annwyn Avalon
Weiser Books, 1578637249, 238 pages, January 2021

The Way of the Water Priestess: Entering the World of Water Magic is a profound initiation. As you dive in, author Annwyn Avalon makes clear the distinction between being initiated into a lineage and going straight to the source of your own channel with spirit, your own intimacy with water. This is a sacred text that attunes you so deeply to what you are mostly made of. 

Avalon is a water priestess and a water witch. She is the founder of Triskele Rose,  an Avalonian witchcraft tradition. This book called to me because I wanted to deepen my relationship to water as an act of devotion.

“The work of a water priestess is expressed in various sacred practices like enchanting the waters, facilitating rituals, creating healing ceremonies, and preparing sacred baths.”6 

Each of these rich chapters had me diving into portals of sovereignty and healing. Avalon does a fantastic job weaving together concrete practices, lineages and history, as well as myth and story. In my personal practice, this book was the first step in so much unfolding. I embraced her invitation to me, “While you cannot initiate yourself as a priestess, you can dedicate your life to the sacred waters.”12

For me, this began with building my own water altar. This first step has been potent in my work as a priestess.  And when I say priestess, I mean  being willing to show up and do the work in devotion to tend and clean the altar; to center your acts of service to the water. 

The Way of the Water Priestess is created in such a way as to offer us that sacred journey of initiation, pulling on deities and archetypes, myths, as well as daily devotional practices. This book is beautifully written with a wealth and depth of knowledge. All geared towards you, discovering your own information. Avalon creates a framework for you to foster your own intimacy with the waters. These are concrete and specific tools to connect you to your path. 

My daily devotional, as Avalon calls it, with the water has deepened. Avalon offers prayers to help guide you through every step of the journey. There’s such an incredible wealth of knowledge, rooted, most particularly like Celtic and Roman traditions. I have found myself turning to this book over and over as I’ve struggled with my human being life. “You will find that the lesson of the river is different from the lesson that floral water, a sacred bath, or a gem elixir might teach you.”13 I so appreciated being guided to discover my own sacred relationship with the river, allowing it to be my guide in surrender and flow. 

I drink so much water every day. I’ve experimented with some of the ways that Avalon offers us to bless the water. “Sound is also a good way to create healing water… You can simply start with your voice and tone the water with vowel sounds.”14 You can find a beautiful water prayer on that same page. I love this practice as a way to begin my morning and set intention for my day. The more I’ve dedicated myself to this practice, the more I’ve found my words to honor and bless the water I put in my body. My stepdaughter’s favorite practice is to charge her water with the full moon. 

Avalon’s way of being in deep ritual practice with water is an invitation to reclaim your sovereignty through devotion and service. 

“As priestesses, it is vital that we honor the water and spirits we work with. But we must also become trusted conduits for their energies by living in sacred union with them and tending their temples–our own physical temples, the temple of our bodies, and the natural temples where the water flows. When in these states of sacred union, we become a vessel through which the spirit can speak.”15

This book serves such a depth and breadth of wisdom as to belong on every bookshelf, from novice to maven water carrier. It accessibly unpacks fundamentals like working on the holy days of Beltane, Samhain, and the like. It explores the art of ritual, water divination, and the path of the priestess. For those steeped in their own traditions and lineages, it offers context and spell work. 

If you are looking for your activism in this world, I invite you to welcome your devotion and service to water as being a part of how we collectively transform the world. I feel so much more able to hear the message of the water for me in encountering these practices and tools, and the power that comes when approaching this work as a devotee. As a being in service to something so much greater than myself. Everything you need to start is in The Ways of the Water Priestess.

Personal Magic, by Marion Weinstein

Personal Magic: A Modern-Day Book of Shadows for Positive Witches, by Marion Weinstein
Weiser Books, 978-1578637195, 240 pages, 2021

Personal Magic: A Modern-Day Book of Shadows for Positive Witches is the personal grimoire, or “Book of Shadows,” of Marion Weinstein (1939-2009). Weinstein was one of the founders of the modern witchcraft movement, an author, teacher, and media personality. She was the first to coin the phrase “positive magic” and has authored a book by the same name, as well as a number of books in the self-help genre, including books about miracles, magic, and divination methods such as tarot, and the I-Ching. This current edition was originally published under the title Earth Magic in 2003, and then updated and published again under that title in 2008. 

Weinstein’s books are considered classics, and several have been republished under different titles, which makes book buying confusing at times if one hasn’t researched whether or not this is previous material being marketed under a new title.

I had a love/hate relationship with this book (well, okay maybe not so extreme, perhaps a like/dislike relationship) at first because so much of it seemed dated to me. In fact, the datedness was why I began looking into whether this was new material, especially once I looked up the author’s bio and saw that she had died in 2009. Witchcraft and magic seem to be having a renaissance in the last few years and perhaps this re-release is an attempt to capitalize on this current trend.

There were several times when the old-fashioned manner of her words carried a loveable quirkiness that I found quite endearing – such as a short section near the very beginning of the book titled “The Inner Bell,” which the author explains is “one’s inner sense of truth and deep knowing which we all possess.’16

Something that also stood out to me immediately is that Weinstein’s “witch” definitely has a narrow, more classic definition that aligns with Goddess worship or paganism (this volume was originally titled Earth Magic), while currently the word “witch” has assumed a very wide meaning that often includes all manner of witches, magicians, and new age practitioners.

Weinstein wrote her first book of shadows in 1979 and intended it to be seen by a much smaller audience. It was her own personal grimoire and she only wanted it to be seen by other witches. But she was a media personality hosting a radio show, Marion’s Cauldron, for fourteen years, and as her audience and notoriety grew, she began to publish her works to a wider readership.

As the title states, the author is very pointed and deliberate about her magic being positive. She stresses this again and again. 

Being the author’s personal grimoire, the examples in the book use her own personal deities – Diana, Selene, Hecate, Kernunnos, and Pan, in all the blessings, spells, dedications, consecrations, and alignments. However, she does include a list of dozens of other popular deities should the reader want to explore other options.

The book is divided into three parts (Primary Work, Advanced Work, and Afterward), which makes it practical for any level of practitioner, from the complete novice to the adept. The novice will find a veritable “how-to” guide to a well-structured practice and the adept will find a multitude of basic ideas that serve as powerful reminders along with numerous creative ideas that may serve to invigorate a stagnant or lackluster practice. The author is also careful to remind the reader that one’s practice is personal, and that each person is permitted to choose elements of their practice that are appealing to them. 

Part One of the book, Primary Work, focuses on “the basics” including deities, tools, how to form a coven (as well as how to work without one), holidays, working with the moon phases, and even how to contact the departed. Also included in Part One is a very comprehensive chapter on Protection Magic that I found to be one of my favorite parts of the book. Part One closes with a short chapter titled “Ritual,” that includes a few important rituals such as the blessing of a new baby, handfasting, and calling in the four directions. 

As a precept, all magic concerns both “inner” work and “outer” work (As above, so below, as within, so without.) Part One is mostly focused on the outer work, with reminders and teachings on how this primary work connects to our inner world, beliefs and energy.

Part Two, Advanced Work, focuses more on the inner work such as how to work with different aspects of our selves, and how to use visualization. The last chapter in Part Two, Advanced Manifestation, was another part I found exciting as it was explicit about the idea that our Magic is found within, that we are the magic. “Yes, it’s true that magic can actually transform matter and energy from one state to another, or make things seem to appear and disappear. But far more important is the fact that magic transforms the magician.”17 

Part Three, Afterward, is the part I found most fun to read, as it covers some ideas that are exciting to me personally as a magician, such as morphogenetic fields, our true selves and the roles we play, ethics, and serving the community.

The information in Personal Magic is extremely practical and written in a concerned and caring voice from someone with decades of experience. I would recommend this book to anyone that is interested in positive magic or witchcraft, with the caveat that it is not new material.   

Mythology for a Magical Life, by Ember Grant

Mythology for a Magical Life: Stories, Rituals & Reflections to Inspire Your Craft, by Ember Grant
Llewellyn Publications, 0738763101, 240 pages, February 2021

If you enjoy magic spells, rituals, poetry, and good storytelling, have I got the book for you! From its gorgeous cover art to its lovely conclusion, Ember Grant’s Mythology for a Magical Life: Stories, Rituals & Reflections to Inspire Your Craft will leave you enchanted, challenged, inspired, soothed, and satisfied.

Grant has written several previous books on magical spells, including Magical Candle Crafting: Create Your Own Candles for Spells & Rituals and The Book of Crystal Spells: Magical Uses for Stones, Crystals, Minerals.. and Even Sand. She has also been a contributor to Llewellyn’s annuals series since 2003.

Perhaps knowing that Grant has been a longtime contributor to books with an annual format, I should not have been surprised by the third sentence of the introduction where Grant invites the reader to a year-long journey, but I did not recall seeing any mention of the book containing a “year-long” program of any sort while reading cover blurbs or promotional material for the book.

This was a bit unsettling at first. As a reviewer I had planned on reading the book in a week’s time and not spreading the material out over a calendar year. Happily, once I began diving in, I realized that the book is structured in a very open and inviting way. Yes, there are twelve chapters, but the author even suggests that they need not follow one right after the other and she encourages the reader that “it’s okay to jump around.”1

Also, as a fan of year-long programs and plans, I agree that this book would make an amazing year-long study, but the material it contains can also be taken in much smaller bites. 

The introduction gives us the author’s clear definitions for certain important terms used in the book, clarifying such things as myth, magic, meditation, visualization, affirmation, ritual, and spells. It concludes with several paragraphs titled “How to Use This Book.” 

Each of the twelve chapters follows a convenient format: first the telling of the specific myth (or occasionally myths) followed by an explanation of the story’s themes and their importance. Next, the chapters are divided into well-defined segments explaining magical skills, rituals, affirmations, actions, visualizations, and reflections in the form of journaling prompts.

The labeling of these sections is useful, especially if some ways of doing magic are not your cup of tea. The segments create an easy way to find the perfect activities for your own personal style and needs.

I found the myths and stories to be a brilliant mix of familiar favorites, such as the Descent of Inanna, the stories of Cupid and Psyche, and Eros and Venus, contrasted with delightful and interesting stories that were new to me, including Inari the Fox God and Sedna the Mistress of the Underworld.

If you are a fan of rhyming incantations like I am, this book overflows with beautiful little poetic spells for a myriad of concerns and magical workings. One of my favorites was called Spell for Magical Ink that includes a chant for charging the ink whether it be in a bottle or an ink cartridge for your computer printer (a wonderful way to make some modern magic!):

“This ink is reserved for magic intent, 
for no other purpose let it be spent. 
With each word I create, each form that I shape, 
let my goal be fulfilled 
as this ink is spilled.”18

Many of the activities in the book require nothing more than energy, intention, and breath (such as affirmations, breathwork, and visualizations), while others ask for a variety of ingredients and supplies such as crystals, candles, herbs, eggs, ink, a journal, and even white wine. There is a section on Storm Magic in which stormy weather is utilized as a vehicle for release. This was inspiring to me as someone who lives in a part of the country well acquainted with hurricanes!

I so appreciated one of the metaphors that Grant used in her Ritual for Rededication, which she begins by explaining:

“When the computer is locked up, you turn it off and back on again – you reboot. When your magical practice is similarly frozen or slow, it’s time to refresh it. One way to do this is by rededicating or reinitiating yourself to your path.”19

I think this simple and powerful analogy could pertain to the book as a whole, as the author mentions that the book came about because of her own personal quest to rekindle her own magic.

Even though my own magical practice is not in a time of waning, this book inspired me and gave me a multitude of ideas for adding beauty and power to my everyday magic, as well as encouraging me that the next time I am feeling a need for inspiration it can easily be found in these pages. 

I recommend Mythology for a Magical Life to anyone who loves stories, poetry, and magic. Whether you are just beginning (or even just considering) a magical practice or are a seasoned magic-maker, there is something beautiful here for every level of practice.

Intuitive Magic Practice, by Natalia Clarke

Pagan Portals – Intuitive Magic Practice, by Natalia Clarke
Moon Books, 1789046157, 120 pages, May 2021

Intuitive Magic Practice, part of the Pagan Portals series, by Natalia Clarke makes me want to breathe a long, deep sigh of relief. Things have been a bit hectic in my world recently, and I’ve felt the disconnection that stems from being out of touch with my inner voice. Reading this book has shifted me back into my more natural, receptive state of being in the most delightful way.

Clarke has combined her experience as a transpersonal psychotherapist with wisdom as a spiritual guide to offer readers insight on how to create an intuitive magic practice. Throughout the book, her gentle, calming tone invites a sense of fluidity, harmony, and personal energetic resonance to emerge.

In no way is this book one in which the author holds the knowledge, prompting a hierarchy between author and reader. Rather, Clarke develops a relationship with the reader that’s guided by feelings of goodwill and trust. Much of the imparted content to the reader stems from her own personal experience, and she writes this book as though she might be telling a friend about her experiences with magic and developing intuition in her own life. I enjoyed her anecdotes and the lens it provided me into seeing how she developed her own spiritual perspective.

I really liked reading about the importance of nature in Clarke’s spirituality and connection to her intuition. There is so much beauty in the natural world, along with lessons of tending, growing, and slowing down to enjoy the moment. Since her writing does not stem from any one belief system or practice, I noticed how nature seemed to be the greatest influence that gave shape to Clarke’s experiences.

However, there’s so much that Intuitive Magic Practice covers. Each chapter highlights a method of connecting to one’s intuition and offers ways to become receptive to the guidance of one’s inner knowing. Receptivity is key here, as Clarke’s writing calls the reader to settle in, move at their own pace, and gently open to the promptings that want to be acknowledged.

Some topics covered in the book are dreamwork, journaling, breathing exercises, creating sacred space, creative imagination, moon cycles, and more. Clarke also shares spells, information on candle magic, and guidance on how to select ritual tools. Through it all, she emphasizes that there is no one size fits all model for one’s magical practice; there is also no need to force something when the energy is not there.

“This way there is a natural flow, no force, no attachment to an outcome, no artificial influences of any kind and it always works. One might say I flow with intuitive energy if and when it comes in. If I am not called or specific energies are not present, I do not do anything.”20

Clarke also includes information on the Triple Goddess aspects, working with the elements, and tips for intuitively crafting one’s own magical practice such as writing spells, casting a circle, and creating rituals. Again though, this all arises from a place of moving with the flow, rather than planning, specifying, and dictating how the process should look. She even contrasts intuitive magic to ritual magic to help readers get a better sense of this method in relation to others.

My favorite chapter of Intuitive Magical Practice was “Intuition, Divine Feminine and Sacred Self-care.” While this book has valuable information for all readers, Clarke does note in the introduction it is more geared towards a female audience. All I can say is this chapter was all I needed to be reminded of and more right now.

As I move through a phase of transition, stemming from immense burn-out in my last job that lead me to severely disconnect from my own internal guidance, I desperately needed the reminder that listening to my intuition, caring for my body, and moving in alignment with the energy is a practice of sacred self-care.

“What do I mean by sacred self care? This links in with self-awareness, which can grow through listening to yourself with complete trust and seeing powerful results in your way of being with yourself and the world. It means giving yourself what your inner voice asks of you or points you towards; giving yourself what you need in the moment by listening to your intuition; treating yourself with compassion, love and respect, as you would any divine energy.”21

It’s interesting too how Clarke reminded me of the importance of moving according to where the energy is and how things are flowing. To be honest, this book has been sitting on my shelf for about two weeks now, and I had procrastinated delving into my new book. I tried to read it a week ago, but after a few pages it was sidetracked. Then, suddenly, this morning, all my energy was focused on reading this book and sinking in to receive it’s message. I am so glad that I trusted the timing of my feelings and didn’t read it in a mindset that wasn’t ready to embrace all the wisdom in this book.

For the past few months, I’ve forgotten that it’s okay to live according to your intuition and trust the timing of when things unfold, but reading Clarke’s words reassured me that it’s okay to move in rhythm that feels right for you. It was particularly inspiring to read how she doesn’t do spellwork unless she feels called. Living a magical lifestyle doesn’t have to be doing spells with each moon cycle, or constantly keeping up with a specific practice “just because you’re supposed to.” It can be just as powerful when your practice is fluid and guided by intuition. This is such a deeply refreshing approach to magic.

I’ll admit I moved quite quickly through the book, soaking it all in as I sat outside in the sunshine, feeling the fresh air gently flow around me. However, this is also a book that can be savored and referred back to over time. While I did finish it quickly, I now am ready to go back through it and practice some of the exercises, which Clarke offers plenty of through the book.

There is one method of connecting to intuition Clarke writes about that I had never heard of before, which I am particularly excited to try out: intuitive drawing. This approach can help to facilitate a dialogue with the subconscious and allow feelings, sensations, and thoughts to arise from deep within. Sometimes I feel like I get trapped in my words, and I am eager to see what comes out when I choose drawing as a form of communication with my inner guidance.

All in all, Clarke’s gentle and uplifting approach to an intuitive magic practice is something of great value to those who are seeking a more natural approach to working with energy. I highly recommend Intuitive Magic Practice to those who are seeking to tune back into their inner voice in a way that feels authentic and true to who they are. This book is a wonderful reminder that there is no right or wrong way, and that healing comes from remembering the sacred connection to our inner guidance. As you read Clarke’s wisdom, I’m sure you’ll feel right at home within yourself, comforted by the words that it’s okay to embrace your intuition and let your energy flow in a way that feels harmonious.