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Payback’s a Witch, by Lana Harper

Payback’s a Witch (The Witches of Thistle Grove), by Lana Harper
Berkley, 0593336062, 352 pages, October 2021

New year, same me reading witch lit 🙂 And my latest book, which I discovered when cleaning out my garage – a perk of the effort, is Payback’s a Witch by Lana Harper. As someone who’s read a lot of books, particularly in this genre, I can say with confidence Harper is one of the best writers I’ve ever come across. Payback’s a Witch takes the quality of this genre to a whole ‘nother level!

The premise of the story is that Emmaline Harlow (otherwise known as Emmy or Harlow) has come back to her hometown of Thistle Grove. As a scion of the one of the four magical founders of the town, obligation compels her to return to town in order to fulfill her role as arbitrator in the Gauntlet tournament, which is held every 50 years between the founder’s families to determine who will safeguard the magical wreath and benefit from its power.

But Emmy isn’t super pumped to be back home. Her first night back, she runs into her ex-beau, Gareth Blackmoore, who descends from the family of the most powerful witches in town. He’s a textbook narcissist who never really seems to get what he deserves. The same night though, Emmy also has a reconnect with Talia Avramov, another scion of the founding family most practiced in the dark arts. After quite a few drinks Emmy feels a bit better about running into Gareth and definitely notices a few sensual feelings budding towards Talia.

At breakfast the next morning with her longtime BFF, Linden Thorn, the fourth founder family’s descendent, Emmy is surprised to have Talia join them. Turns out, Emmy isn’t the only one who received the short-end of the stick of Gareth’s arrogance and schemes. He also two-timed Linden with Talia – or vice versa – point is, he was seeing them at the same time when both thought they were exclusive. Now, Liden and Talia want revenge, specifically at the Gauntlet tournament, and they are looking for Harlow to help out.

Harlow is well-aware of her duties to arbitrate without bias, and at first she’s a bit reluctant. She fled the town wanting to forget Gareth, and suddenly the whole time home seemed to be becoming all about him. However, when Talia and Linden point out this goes beyond petty revenge; the balance between the families has become skewed by the Blackmoores repeatedly winning, gaining magical advantage, winning again, and so on in a repetitive cycle.

This has led to them building a giant castle structure of Camelot akin to a Ren Faire that has drawn all the tourists away from more local shops, such as the Thorn’s farm and Aramov’s emporium. If balance is not restored, the unequal distribution of power could see foreclosure in the future for the Aramovs and Thorns. Understanding the greater balance of power among the founding families at risk, Emmy decides she’ll assist, and obviously, foresees some personal enjoyment in bringing down Gareth as well.

What takes Emmy by surprise is how happy she feels to be home. As her magic returns after her long departure from Thistle Grove, she starts to recall all the small joys of the town. Adding to her inner confusion is the romantic sparks between her and Talia. Talia can’t imagine a life away from their hometown, while Emmy is very proud of the life she’s built for herself.

As the Gauntlet plays out, in very twisted and unexpected ways, Emmy discovers there is more to her family’s lineage than she previously realized. Ultimately, she must reckon with the consequences of leaving her family and close friends behind, forgoing her claim to magic, and newly discovered feelings towards Talia to decide what her next step will be.

Luckily, the story doesn’t end here – there is a sequel coming in March! I am very pleased about this because I absolutely adored all the characters. I think there’s so much room for the story to grow. Plus, Harper really knows her stuff when it comes to magic. There’s plenty of diversity among the different types of magic practiced, and reading how they blend together or repel one another is an intriguing part of the story.

This was a fun read with surprising depth. There is the perfect amount of banter, tension, and love between the characters, with plenty of emotion balanced by humor and quirk. I loved reading it as a leisure book to relieve the stress of the day and tap into some magic.

The pace of the book is perfect with one chapter effortlessly flowing into the next, often on a cliff-hanger that compels you to keep reading. There’s also a great blend of fantasy with modernity, which gives the story very relevant magical realism. I love when this happens because I enjoy believing somewhere in Illinois a town like this might just really exist.

My favorite character was Talia since she practices the dark arts, particularly necromancy. Throughout the book, she chats with ghosts and summons her ancestor for guidance. The magical families that lean more towards “life-magic”, specifically the Thorns, are put off by the spookiness of the Avramov family, as Emmy is eager to see their magic, which is usually kept hidden.

Plus, Talia has a deeply caring and compassionate side, wanting to cook for and tend to the needs of those she loves. The relationship between Talia and Emmy is just beautiful to watch unfold. I absolutely love having some lesbian protagonists in a witch lit book! What’s better than two witches falling madly in love? THE ULTIMATE ENDING of the Gauntlet challenge, which is all I will say for now! 🙂

All in all, Payback’s a Witch is a 10/10 from me. Harper is one of the best writers I’ve read in a long time. The story has the perfect flow; the characters are very relatable; and the plot is enticing. I am very excited for the book in The Witches of Thistle Grove series!

Sacred Symbol Magic, by Sarah Bartlett

Sacred Symbol Magic: Harness Their Power for Mind, Body, and Soul, by Sarah Bartlett
Weiser Books, 9781578637386, 128 pages, April 2021

Working with any form of magic requires not only belief in what you are doing and why, but also harnessing the power of the corresponding energies to amplify and set out the pathway to the ultimate goal or intention. After all, if you just stick a photograph of a yin-yang symbol on the wall, it will not have any true meaning in the context of your need…unless you actually engage in the process of the magic itself.1

Sacred Symbol Magic: Harness Their Power for Mind, Body, and Soul, by Sarah Bartlett is a compact hardcover title that is dense with information and visual inspiration. As humans, a large aspect of our interaction with anything relies on the visual components provided: their artistry, color, line, shape, etc. This organically arises even before we begin to analyze their origins and meanings. And, no less so in magickal pursuits, we deepen our connections to our work and practice through the symbology that serves to create and decode the mysteries. 

Depending on our culture and beliefs, symbols not only give us meaning in life, but also connect us to the divine nature of the universe.2

Bartlett gives due diligence to the inclusion of a variety of fifty symbols that span diverse spiritual practices and cultures. This holds in keeping with the understanding that no one culture claims the “one” symbol that is the key to the universe. Instead, it presupposes that all symbols are inherently divine and connected in a universal way that may be tapped into regardless of religion or spiritual persuasion. I believe this is an important realization in cultivating a more unified approach to our magical and spiritual workings — inclusion, power, and strength in your beliefs that have been formed by many beliefs. 

Sacred Symbol Magic is separated into six sections, including the Introduction, with each section containing those symbols relating to a specific type of energy the practitioner wishes to work with. These include: Blessing the Home, Self-Empowerment, Spiritual Growth, Joyful Relating and Emotional Healing. The topics themselves leave an open-ended feel making them all the more flexible in the specificity of their use beyond the obvious suggestions. This makes the book very user-friendly from the get-go without having to wade through various symbols and then back track to find exactly what you are looking for. 

Each symbol is presented with information relevant to its cultural/spiritual origins, keywords, related symbols and a simple how to use. The image of the symbol is beautifully and carefully illustrated in a size that could easily be photocopied and pasted onto a flashcard or altar object and used as a contemplative focus or sigil. A suggestion for magical use/ritual is included with each symbol as well, giving the reader immediate application and trial.

Although the intention of Sacred Symbol Magic was not one of guiding the reader in the creation of sigils, there is enough inspiration contained between its covers to pique the interest in those who are so inclined. One of the basic premises of sigil creation is that of being familiar with the components of the sigil desired that its construction allows for energy to flow through it and the visual product stimulates within the practitioner growth. Incorporating and overlaying some of these symbols in a specific way, and having the benefits of the information provided by Bartlettt would definitely serve the purpose of creation of personal symbols, sigils or talisman. 

I was particularly interested in the section containing symbols for spiritual growth…

…. In times of uncertainty, loss, or a change in lifestyle, we all need a belief system or some form of spiritual guidance to know that we are not alone. To access the spiritual power deep within yourself, or to connect to the universe, use these symbols to set you on a positive pathway for your quest.3

Perhaps I was drawn to this chapter given the challenges we have all been facing these past years and months. Regardless, we could all use self-empowerment and a bolster to our goals of spiritual merit. Many of the symbols included in this section would be easily recognizable to most: the all-seeing eye, the pentagram, bee, labyrinth, lotus, om, and more. These affirm the power of symbols in mainstream society and the meanings that are derived in their use, mundane and magical alike. 

Sacred Symbol Magic concludes with its last symbol, that of a cat. Perhaps happenstance or intention, I thought it a wonderful symbol of selection as the closure for a journey through the myriad of visual magic. 

Cats have long been the harbingers of mystery, power, mischief and those of nine lives who could overcome untimely death. They are walkers between the worlds and familiars who guard, ward and teach. They have been worshipped, maligned, treasured, and feared. Much like the many interpretations for the symbols contained in this title. Each has had its fair share of glory and grief throughout history and all are subject to personal and collective interpretation. 

KEYWORDS: Self-esteem, independence, confidence…4

Sacred Symbol Magic brings to light and life the power of symbols and their application to a sustainable and growth-filled magical and spiritual practice. The subtle reminder is that magic is all around us in what we see and what we allow ourselves to explore more deeply in its hidden meanings. The overt intention of one of cultivating and integrating the many paths and the power held in their imagery to connect and unite us at a deeper level. I will be enjoying this book for years to come. 

Hoodoo Justice Magic, by Miss Aida

Hoodoo Justice Magic: Spells for Power, Protection and Righteous Vindication, by Miss Aida
Weiser Books, 1578637562, 288 pages, November 2021

Why do so many magical practitioners shy away from getting their hands dirty with messy spellwork – the spellwork meant to curse, hex, harm, and eliminate those who perpetuate injustice? I am not a Hoodoo practitioner, nor do I lean towards baneful magic, but Hoodoo Justice Magic: Spells for Power, Protection, and Righteous Vindication by Miss Aida was calling to me. I felt the need to add some protection to my arsenal of magic, and by selecting this book, I was given an entire army of spells, metaphorically speaking, to fight for and defend myself.

Reading the contents of this book made me feel tough as nails. And this armor was probably necessary, as it can get pretty gruesome. Miss Aida is fierce, and she doesn’t pamper her readers with gentle counsel. You really need to be ready to delve into gritty topics of body fluids and revenge, but with her guidance you’ll have enough know-how to implement successful spellwork.

But what gives grounds for the use of justice magic? Miss Aida explains:

“Sadly, not everyone is guided by moral principles but instead may value power, status, wealth, notoriety, and/or gratifying their own desires. These people believe they are entitled to whatever they wish without having to work for it, and they can and will act out that belief at any cost and without regard for others. They are immoral people.”5

Therefore, those who suffer the consequences of these people need to have their own means of defense and protection. Reading this introduction to the text was a reminder to me that sometimes magical means are necessary to combat injustice, and I appreciated the list of “Immortal Tactics” that describes how this injustice is perpetuated, ranging from deception to theft to physical and emotional abuse.

However, even though I’d come to see the necessity of justice magic, I will admit opening to the concept and spellwork took a bit of de-conditioning. The idea of the meek inheriting the earth and turning the other cheek seems to run deep in my psyche, and though some might deny it, I believe this is true for many magical practitioners.

Miss Aida turned these notions upside for me by including many psalms and prayers, such as The Apostle’s Creed and Hail Mary as part of the spellwork. She notes that retributive Psalm 109 is estimated by historians to date back to 1060 BC, and therefore concludes “The proof of magical payback is right in our very own Holy Bible.”6

Despite being raised Catholic, as I read these verses through a justice magic perspective, for the first time I began to feel the strength and agency within the words. There’s even a section in the chapter “Spells for Justified Curing and Hexing of Your Enemies” that describes how to curse through prayer!

These aren’t the only tools Miss Aidea provides for justice magic though – oh no, this book is filled with tips and techniques ranging from candle magic to insect magic. (Yes, insect magic! I had never realized the power ants have to destroy relationships with the proper spellwork.) Her advice on candle magic is some of the best that I’ve ever read, and the book is honestly worth reading for that chapter alone.

Constantly while reading, I was reminded of the necessity of working with what’s available as a foundation in Hoodoo tradition. While some spells require a bit more preparatory work or specific ingredients, Miss Aida gives tons and tons of options for achieving one’s means quickly and with what is on hand. However, this doesn’t mean this type of magic should be performed willy nilly or immediately just because one feels slighted.

Miss Aida gives plenty of caution about how spells can misfire, including situations where her own spellwork has led to unintended outcomes. With the nature of this type of justice magic, permanent physical damage, even death, can result. Miss Aida reminds practitioners the retaliation should always be equal to what is being done by the perpetrator, and that it is best to wait while deciding if the magic is worth one’s time, energy, and supplies before casting any spells.

These bits of guidance from Miss Adia, along with detailed advice on how to prepare one’s magical space for the work and clear energy afterwards, go a long way in keeping practitioners safe while engaging in this work. I particularly enjoyed the chapter “What’s Your Strategy?” where she lays out seven steps for this work, which help one to discern how and when to pursue justice magic.

Miss Aida covers a lot in these steps, from proper timing to do’s and don’ts of summoning entities. She also does a great job conveying the importance of intention and provides prompts for one to consider when crafting their petition or request to make it as specific as possible, leaving little room for unintended consequences.

I don’t think of myself as a very spiteful person, but reading through some of the spells, such as “Gag the Gossip” and “Dog Doom”, which includes dog poop as a spell ingredient, got me thinking about some people I’d like to try these out on. Honestly, I probably won’t perform them in the near-future, but just knowing I can always pull from this book makes me feel more confident that I can take care of myself through magical means if necessary.

Hoodoo Justice Magic seriously seems to have a spell for just about every defensive, protective, and vengeful aim one might want to pursue. Chapter topic includes sending enemies away, binding enemies, cursing and hexing, and breaking up relationships. But it’s not a “how-to” manual. Miss Aida writes as though she’s right there next to you, giving you small tips and reminders from her personal experience.

One example of this is when writing about a sweetening spell, she describes how it might make one have positive feelings or thoughts towards you, but it doesn’t necessarily promote action and therefore additional spellwork may be required. That little gem of wisdom is valuable to know if one chooses to do that type of spellwork.

Where her expertise really shines in the area of using ingredients for spellwork that are often considered taboo, such as bodily fluids or excrements. From vomit to semen, Miss Aida teaches how these can be potent facilitators of energy for magic. And she really ensures, to the best of her ability as an author, that a practitioner will not harm themselves in the process of performing justice magic.

When discussing gathering items that contain the DNA of one’s target of the spellwork, she reminds the reader to never let the item also have their own DNA on it. Other practical tips include how to obtain, refrigerate, and store secretions. It’s all quite interesting, especially the section on dominating others through your own urine. There’s even a good deal of information on how to gather graveyard dirt.

While all these items are common for Miss Aida’s Hoodoo practice, for me this opened up a whole new world. While at times I felt a bit icky about things, reading about how to use natural waste and human fluids in my magic actually made me feel more at ease with my own human nature. I found myself saying “Yuck!” less and instead wondering, “How could I use this as a magical ingredient?” It’s really eye-opening to see how much goes to waste that holds magical potency. Miss Aida has a way of shining light on the magic within the mundane.

All in all, Hoodoo Justice Magic is a book I am thrilled to add to my collection. It’s out of my comfort zone in so many ways, but Miss Aida has done a wonderful job of making the spellwork accessible to all levels. I feel like I will be less scared to shy away from needed confrontation and more willing to take justice in my own hands when necessary because of the knowledge this book has given me. It’s by far the best book on defensive and protective magic that I’ve ever read, and I highly recommend it to those seeking to expand their repertoire of spellwork.

Three Books of Occult Philosophy, translated by Eric Purdue

Three Books of Occult Philosophy, by Heinrich Cornelius Agrippa, translated by Eric Purdue
Inner Traditions, 164411416X, 864 pages, November 2021

As a practicing astrologer and magician, of course I’ve skimmed Three Books of Occult Philosophy by Heinrich Corenlius Agrippa. It’s a foundation of Western occultism after all. But if I’m being honest, the editions thus far, such as the one edited by Willis F. Whitehead in 1898 or more recently Donlad Tyson in 2018, just never seemed to keep my attention. My experience reading Eric Purdue’s translation of Three Books of Occult Philosophy thus far has been entirely different though. I’ve been utterly engrossed, pouring over the information, meticulously researching references to other sources, and for the first time comprehending the text.

And I think this is because there is a prominence to this set. The sturdiness of the black box that houses the three books (The Natural World, The Celestial World, and The Divine World) takes up space, making itself known on my bookshelf. This is one of those sets I know I’ll return to year after year, making the quality of it very important. Plus, I feel pretty cool having it displayed in my living room. It is a truly collector’s item for one’s occult library, as well as a worthy investment for extensive amounts of wisdom within the text.

The books themselves are very big! I measured them, and they are over 10 inches tall and 7 inches wide. I personally love this because I am often referring to them in my practice and it’s helpful to have such a heavy-duty, substantial book where I am not constantly having to try to keep the pages open or squinting to read the writing. For instance, I’ve spent hours drawing the planetary seals for sigils and the size of the book makes it much easier, especially since sometimes I even lay paper over the images in the book to copy from.

Another significant thing about Purdue’s translation of the Three Books of Occult Philosophy is the first English translation published in the last 350, adding to the distinctiveness of this particular set. I thoroughly enjoyed, as well as found helpful, Purdue’s “Translator’s Introduction” that describes why a new translation was needed, in addition to how his translation differs from others. Some reasons cited for the need for this new translation include mistranslation, lack of technical knowledge of previous translators, archaic English that is distracting to read (yes, I concur on this one!!), and incorrect graphics. In some cases, Purdue explains, flaws in previous translations have continued to be compounded rather than corrected with additional translations.

Purdue’s intention in producing this translation was to create a new edition of the Three Books of Occult Philosophy directly from the original Latin and to cross-reference Agrippa’s sources.

“Our translation attempts as much as possible to cite sources that were available to Agrippa. This has allowed us to largely reconstruct Agrippa’s library and has demystified his method of obtaining it. This shows that Agrippa, rather than the writing from texts now missing or obtaining books from secret sources, instead was a mainstream scholar of his day, using texts widely available.”7

And this is where Purdue’s translation really shines, especially for any studious practitioner. The footnotes and sources provided have led me in so many new directions. Being able to look at the footnotes and see the source where Agrippa’s content is being drawn from has been immensely helpful in doing my own research. Two topics prominent in my practice, which I often write articles about, are the hierarchy of angels and numerology. It’s been tough finding primary sources on both these subjects, but suddenly, in reading this version of Three Books of Occult Philosophy, I have new leads from the detailed footnotes of books I can further explore. I am deeply appreciative of Purdue’s dedication, concentration, and effort to add these references into this translation. There is also a very interesting bibliography and comprehensive index in Book III, which again, is monumentally helpful for occult practitioners and researchers.

Another really interesting addition to this translation is quick summaries on the side of what Agrippa is talking about. For instance, in Book I’s section “Of lights and colors, lanterns, and lamps, and the colors distributed among the stars, houses, and elements.” there are side notes of what Agrippa is writing about such as, “The color of the planets.”8 and “The color of the humors.”9. These are incredibly helpful when doing a quick skim while looking for something in particular.

From a historical standpoint, Three Books of Occult Philosophy is the primary source of Western occultism, and it’s interesting to see how long some beliefs have existed, such as astrological correspondences or concepts about the elements. Even if one feels they are an expert, going back to these foundational texts really helps to see the origins of many occult beliefs embedded in our culture. It’s like a beginner’s 101 course, but one that is dated nearly 500 years and really encourages one to put themselves into the minds of magicians of the past.

However, what I’ve found most surprising is the relevance of the text centuries later. Not everything (I certainly cringed a bit reading about the bewitchment women use to lure men into love and the poisonous effects of their menstrual blood on crops), but a good majority of the text is viable for one’s modern magical practice. This is particularly true if one is drawn to arcane magical practices of times long gone, rather than the current trendy paradigms, such as chaos magic. And I think Purdue’s translation really aids in making the content of the Three Books of Occult Philosophy accessible for all.

Overall, this is by far the best translation I’ve ever seen of the Three Books of Occult Philosophy. Purdue has done such a great service in producing this new translation. From the physical heftiness of the book to the detailed footnotes, I’ve felt so connected to this set. It’s as though the arcane wisdom had just been waiting for the right translator to revive it to make it obtainable, on many levels, by a new generation, and Purdue was just the right person to do this. I highly recommend this translation above others, yes, even the free PDFs available online, because it feels alive with a potent spiritual energy. There is so much to learn from this new translation – sources to explore, wisdom to remember, and inspirations to be had.

The Ancestral Power of Amulets, Talismans, and Mascots, by Nigel Pennick

The Ancestral Power of Amulets, Talismans, and Mascots: Folk Magic in Witchcraft & Religion, by Nigel Pennick
Destiny Books, 9781644112205 , 352 pages, May 2021

Nigel Pennick is the author of over 50 books on various esoteric topics and an authority on ancient belief systems, traditions, runes, and geomancy. His latest book, The Ancestral Power of Amulets, Talismans, and Mascots: Folk Magic in Witchcraft & Religion, doesn’t disappoint: this weighty tome is an absolute must have for anyone even remotely interested in those topics.

This book seems a bit intimidating at first due to its size, but please do not let that deter you from picking it up. Anything, and I mean anything, you ever wanted to know about talismans and amulets is in this book. Pennick provides a visual narrative as well as a written one, and that additional information is invaluable.

The amount of information in this book is staggering and thoughtfully presented. The table of contents clearly lists the various topics being covered and provides the reader with an opportunity to jump right into whatever strikes their fancy. For me, that chapter was “Animals and Their Images”. In this chapter, Pennick states:

“Animal amulets and mascots take three forms. There are amulets made from part of the actual animal, like a rabbit’s foot or toad bone; there are amulets made in the shape of a lucky animal, such as a pig or cat; and there are live animals that serve as mascots, especially for military units.”1

Pennick goes on to explain the significance of the pig, ram, cat, fox, dog, bear, elephant, and tiger. Not only is the information in this section incredibly useful, it’s also very current. There is a photo (Fig 23.4) of the mascot of Motörhead, War Pig which according to Pennick, is “an emblem of resistance”10.

This differs from the usual interpretation of the pig symbolizing luck and fecundity, and with the inclusion of War Pig, Pennick is able to capture the entirety of the symbolism behind the pig. This kind of well-roundedness is what makes this book so fascinating; it doesn’t just focus on one area that might be more relevant in today’s society. Pennick drills down into the very core of the subjects in this book and provides a vast array of uses, both past and present, that are more relevant than one might think.

Another chapter that truly resonated with me was Chapter 21: “Trees, Plants, and Seeds”. Having grown up on a farm surrounded by forests and growing our own food for part of the year, I found this section to be particularly relevant to me personally. Our forest was mainly cedar and oak trees and as children, my brother and I would quite often spend the majority of our time outside up in the boughs of one of the larger oaks. I’ve always felt an affinity for oak trees and still collect acorns for use in my own magic.

Pennick distills the essence of the mighty oak into knowledgeable bites that present the leafy giant in a very magical light, saying, “In the European tradition, the oak (Quercus robur) is the most powerful tree of them all, sacred to the sky god variously called Zeus, Jupiter, Taranis, Ziu, Thunor, Thor, Perun, and Perkunas”11

To me, this is a perfect example of what this book is: a reference tome to be pulled down and used when exact information is required. Honestly, I can’t think of another book that does this so well and with such precision. I’ve never heard of Perun or Perkunas until this book. #alwayslearning

While the actual structure of the writing might throw some people off due to its clinical directness, I find it to be in line with the information presented. This isn’t a how-to book: you will not find spells or meditations or any sort of magical direction here. This is a research book of magical items and while there is some information on how specific items have been used magically over the centuries, that isn’t the point.

Some people pickup books such as this with a view to bypassing some of the work they need to do to strengthen their own magic. This book won’t do that, as it is not meant to be a supplement to personal practice. The multiple page bibliography at the back of the book is a clear indicator that this is a reference book and not a practical magic volume. While there are some charms and incantations included in the various chapters, they are not meant as actual spells but as examples of what would be done or said at the time of the amulet being created or activated. This distinction is important.

This book is meant for those who have a genuine interest in the history around amulets, talismans, and mascots and who are willing to spend a bit of time in the investigative space. I found that I went down many a rabbit hole while reading this book, in that I would turn to the extensive bibliography at the back and be drawn into another book on the same topic and then all of a sudden it’s five hours later and my cats is squawking at me to be fed. That is the sort of book this is — beautiful and mind-opening.

I have made amulets and talismans my whole life; as a child I wasn’t aware of what I was doing until much later and now I’ve refined my practice. In reading this book, I understand more clearly why I make the things I do and why I am drawn to specific materials time and again. As Pennick says:

“The amulet is more than a mere “object” or “artwork”. It’s a transcendent communication between human beings and the powers of the natural world that manifest in myriad ways.”12

As witches, we have an innate need to create a symbol of our will: be it for protection, wealth, love, health, or any other reason. Having a tangible object to imbue with our will is how many of us ‘do’ magic. I will be keeping The Ancestral Power of Amulets, Talismans, and Mascots handy as a reference tool for many years to come.

The Ex Hex, by Erin Sterling

The Ex Hex, by Erin Sterling
Avon, 006302747X, 320 pages, September 2021

I was in the mood for a more light-hearted book, so browsing my current stack of library books, I picked out The Ex Hex by Erin Sterling. You can only imagine the laugh I got out of the first line, “Never mix vodka and witchcraft.”13 I hate to say it, but “been there, done that”, and it has never ended up good! At least for me it didn’t turn into the colossal f*ckery that it became for Vivenne Jones.

Brokenhearted by her Welsh summer beau, Rhys Penhallow, Vivienne is doing the best to cheer herself up with a soothing bath, candles, and a bit of cologne conjuring as she laments the loss of young love. Rhys had told her that morning he had to go sort out his betrothal with his father. Clearly, that didn’t sit well with Vivienne who had no idea her summer lover was on the market for another woman. Not only did she curse at him, while tossing his pants in his face, in an attempt to magic her way out of the sadness, Vivenne and her cousin Gwen decide to put a hex on Rhys.

For the most part, it’s all fun and games, to the point where they even throw caution to the wind about Aunt Eliane’s warning to not even do magic while drinking. Their curse for Rhys to always hit just a quarter inch away from a woman’s clitoris and never to have his hair do “that thing” seem like harmless antics, but with the words “I curse you Rhys Penhallow” uttered by Vivienne, their candle bursts into flames.

It seems something has been ignited, but they chalk it up to a gust of a wind and over the years forget about it. Though, it does seem like Vivienne never truly forgot the impact Rhys had made on her tender, young heart.. I mean how could she really when the college she works out is named after his family, who also founded the town she lives in.

Rhys too never truly seemed to forget Vivienne, but in the nine years since he’d been back to Graves Glend, he had created a successful travel business for himself. Sure, clients benefited from a bit of magic that ensured on-time flights and smooth vacations, but Rhys provided a one of a kind service that always got rave reviews. With so much going on with his business in London, It is over a half-a-year since he last saw his family in Wales.

When he stops in for a visit, his foreboding father requests that he return to Graves Glen, Georgia for the Founder’s Day celebration of his ancestor and recharge the ley lines that keep magic afloat in the town. Rhys tries to protest, but ultimately surrenders to taking the trip to America for the sake of family duty. However, the moment he’s within town limits, everything just seems to go wrong.

From an ominous storm to flat tires, Rhys can’t catch a break. Before he can even make it to his family’s house, he finds himself on the side of the road when headlights come right for him, nearly running him over. Turns out, it was Vivienne on her way home from work who nearly nipped him, had he not jumped into a ditch. And here’s where their story begins all over again!

I won’t give too much further away, but I will say they have a hilarious dynamic between them. There’s plenty of banter, despite the unresolved internal feelings of each character. Together, they wrestle witch ghosts, murderous wind-up toys, and potions gone wrong. It is up to them to figure out how to reverse the curse, something former witches don’t seem to leave much instruction on how to do, in order to save Grave Glen.

As far as magic books go, this one is very typical in its approach. There’s a town college for witches, hidden on the normal campus of Penhallow University, where Vivienne teaches Western Civ to incoming freshmen. It takes place during Halloween season, and there’s the focus on haunted houses and ghosts. Vivienne and her family must use magic to improve the small things in their life, from cleaning the apartment to creating a mood setting in the storage room of their shop Wicked Ways.

Sure, there’s the academic witches at the college, but they tend to shy away from Vivienne’s family, in fact, most people don’t even know Vivienne is a witch. She was raised by her mother who chose a normal life and equated magic with bad, so it was only later in life that Vivienne learned the full extent of who she truly was when she went to live with Gwen and Aunt Elaine.

To be honest, the book is more of a rom-com with a theme of witchcraft intermixed within it, rather than a book that truly delves into the craft. But like I said, I was in the mood for something light, and this perfectly satisfied that reading-crave for me. I enjoyed envisioning the setting of the small town and all the cute festivals going on during its peak season of Halloween.

I found both Vivienne and Rhys hilarious and relatable. There’s quite a bit of built up sexual tension and eventual snogging. It does have the traditional flow of a romantic book that culminates in a happy ending. But I think most readers expect that going into a book like this, yet we still enjoy reading the whole thing to see how it plays out.

The one warning I will give is that Rhys has a bit of a charming, frat boy mentality, but not to the point where he’s obnoxious. Actually, I really liked him as a sexy male lead in the book. He rushes into things without thinking, but you can see personal growth and transformation in him, which I think adds to my feeling of reader satisfaction. And Vivienne is a perfectly relatable woman, who has her moments of doubt, but is fierce in her anger towards Rhys and doesn’t back down in advocating for herself.

It’s fun in the meantime to see all the ways the curse goes wrong and how Vivienne and Rhys do their best to extinguish the small fires of disaster in town, which only seems to fan the flame between them. The ending was a little unexpected too, which added a bit more depth to the reasoning behind the curse.

All in all, The Ex Hex is a fun to read romantic comedy filled with witchcraft, magic, curses, and love. There’s plenty of wit, comedy, banter, and… sex! It’s perfect for a few laughs and light-hearted amusement. You’ll find out how curses are reversed and what can happen when two former lovers reunite.

The Midnight Bargain, by C.L. Polk

The Midnight Bargain, by C.L Polk
Erewhon, 1645660079, 384 pages, October 2020

Female sorceresses doing all they can to escape the confines of marriage? Um, what kind of fantastically wonderful story did I get myself into the past few days? The Midnight Bargain by C.L. Polk! And I certainly enjoyed this exotically fanciful tale.

The story takes place in Chasand, which sort of reminded me of a magical India. It is time for Beatrice to make her way through bargaining season, but she’s set on locating a grimoire that will teach her how to bind with a greater spirit. She’s convinced that if she can do this, her father will allow her to use her influence as a mage to restore the family fortune rather than get married.

Why is marriage such an appalling future for Beatrice? Because Chasand custom forces married women to wear a collar that strips them of their magic in order to ensure they do not conceive a spirit born baby. The mages of this world know spirits are eager to enter the material world, and when this happens it’s pandemonium; the hungry, greedy spirit stops at nothing to satiate their endless desire, often even killing those who stand in their way. The only solution thus far is to prevent women from accessing magic — a solution suitable for male socreers, but absolutely appalling for the girls with innate magical abilities.

Turns out Beatrice isn’t the only one seeking an alliance with a spirit to escape the imprisonment of a husband. Ysbeta, who is the beautiful daughter of one of the region’s wealthiest families, also has her sights set on the grimoire. Beatrice concedes the book to Ysbeta, but Ysbeta does not know the secret code needed to read it. Thus, their friendship forms on the promise that Ysbeta will allow Beatrice to copy the pages of the grimoire in exchange for sharing with her what the book says and teaching her the skills needed to complete the ritual.

Meanwhile, Ysbeta’s brother, Ianthe, one of the most desirable suitors of bargaining season, is increasingly intrigued by Beatrice. When a spirit Beatrice is letting inhabit her body begs her to kiss Ianthe, the sparks between them ignite immediately. Ianthe is kind and open-minded. He empathizes with the situation of Beatrice, who openly speaks her mind on the injustice of women’s lot in society, and is determined to help her the best he can.

Beatrice has a lot to balance in her life. The pursuit of her goal to bind with a greater spirit while still going through the motions of bargaining season adds to the need to handle situations with delicacy and care. Most of all, she has her family to consider; their reputation, their fortune, and their future rest upon her finding a wealthy husband immediately. Much of the plot reminds of a Bridgerton, where competition is fierce and stakes are high, but with sorcerers and mages as eligible bachelors and bachelorettes.

This is one of those reads where you know the author has some background occult knowledge and isn’t just capitalizing on the popularity of magic-themed fiction. The description of the rituals and the spirits is unique, but also very detailed and similar to how it would be done in real life. Polk describes the importance of breath, hand signs, and visualization. I also really liked the mediumship aspect of the characters hosting lesser spirits in their body.

I grew really attached to Beatrice’s lesser spirit, Nadia, who was really funny and cute. It was very interesting to read about how Beatrice cast her circle for protection and bargained with Nadia. Nadia is a lesser spirit of good fortune, so in exchange for the luck she brings, Beatrice would lay out very clear terms of their bargain. For instance, Nadia’s luck for three cups of punch, star gazing, and a kiss until midnight. I think anyone who’s done this type of spirit work, which unfortunately always seem to be men rather than women even in real life, would find the writing very accurate.

Plus, it’s really kick ass to read about women choosing a life of magic and independence over the confines of marriage, even if it’s completely taboo to do. I can’t even imagine how horrible it would be to live in a society that would take away my magical ability, forcing me to be nothing more than a dedicated wife and mother. There’s definitely a theme of fighting for women’s rights, but I enjoyed how Polk didn’t set men against women. The book showed that men can be a huge support for women and part of a greater change.

All in all, The Midnight Bargain was a really wonderful read that I highly recommend, especially for women who are interested in summoning and working with spirits! This is one of the only books I’ve ever read with a main character that is a woman using this type of magic. I’m all for finding fictional role models, so if you’re considering pursuing a summoning ritual, this would be an entertaining book to read.

Even if you have no interest in this type of magic yourself, it’s still a fun book. There’s a lot of focus on the pomp and circumstance of bargaining seasons, adding the flair for romance and drama within the greater story of women’s right to choose their own path. It has made my soul very happy and fulfilled the next few days, so much so that I haven’t even raced onto another book because I’m still savoring this story!

Spellbreaker, by Charlie N. Holmberg

Spellbreaker (Spellbreaker, 1), by Charlie N. Holmberg
47North, 1542020093, 303 pages, November 2020

I will admit, I love 19th-century period pieces about magic. Therefore, it was no surprise I picked up Spellbreaker by Charlie N. Holmberg to read this weekend, as it is set in England in 1885. However, England is quite a different society with magic making the world run smoothly, but also contributing to societal class divide. Therefore, Elsie Camden doesn’t feel bad about using her spellbreaking powers to knock the English nobility down a few notches to help out the common folk.

The world Holmberg writes about is filled with mystery, intrigue, and most of all spells to make the world go around. All magic users and spellbreakers must be licensed by governing bodies, and the spells are kept closely guarded, only passed down to those who prove they can be trusted with the power. The whole process of how magicians level up their magic and incorporate spells is absolutely fascinating! It involves these drops of magic which glisten and then are absorbed by the aspector’s skin, permanently making the spell a piece of them. When an aspector dies, a magnum opus of their spells is left behind.

The interesting thing about these magnum opuses is that anyone can use the spells in them once by tearing the page out. Therefore, these books are often handed down to other aspectors or guarded by the magical governing bodies. Recently though, there’s been a string of murders of master aspectors involving stolen magnum opuses. The tension is high as no one can figure out who is behind the ghastly crime of murdering magicians for their spells.

Elsie Camden finds herself smack dab in the middle of the action. Day to day, she works as an assistant to a stone mason, but she also does secret work as a rogue spellbreaker. After being orphaned as a child, Elsie was left to fend for herself in the world. As a fire burns down her workhouse, leaving her to wonder what’s next for her, she is approached by a woman who realizes what she truly is: a spellbreaker.

From this point on, Elsie spell breaks for who she calls the Cowls, though she’s truly never known exactly who these people truly are. She enjoys feeling needed by them and also views herself as a modern Robinhood, stealing from the rich to give to the poor. Since she’s not registered as a spellbreaker, she’s in both an advantageous and dangerous position for doing this discrete work.

On an assignment gone wrong, Elsie winds up getting caught by Bacchus Kelsey, a man dedicated to earning his aspector mastership. Bacchus is an aristocrat, but he’s different from the others since he’s from Barbados and not of usual English breed. Rather than turn Elsie in, Bacchus decides to capitalize on Elsie’s spellbreaking abilities, as there’s some things about the Duke of Kent’s estate, where he’s staying while in England, that he’d like to refurbished. It’s easier for Bacchus to apply new spellwork once the the spells currently there are removed, thus begins Elsie’s indentured work to pay off the asking price for his silence.

That’s all I will give away for the plot summary, but this is only the beginning of a very neat story. I more want to focus on how this is one of the best magical stories I’ve read in a while. What I liked most about it was Holmberg’s skill at world building. I felt very immersed in this version of 19th century England, which blended the historical cultural values of the time perfectly interwoven with this dimension of magic added into it.

From the different types of magic described to how the process of spellcasting worked, Holmberg really adds the details to make it extremely easy to get lost in without feeling too fanciful. I was surprised to see the book is actually classified as science-fiction rather than fantasy, but this being said, it’s a wonderful mixture of both genres in my opinion. I would perhaps label it science-fantasy, though it’s much more focused on magic than any science or technology.

I also found the character immensely relatable. Elsie is funny, honest, and has a good head on her shoulders. While she loves her readers, she avoids gossip and focuses on her work. She has a sense of identity, which I think is one of the most important things for me in a character. And the other main character, Bacchus, likewise has depth, intelligence, and general relatability. Though they come from different worlds, they are both outsiders in some sense who have their own views of how things are in the world. It’s quite exciting to see what happens when a spellmaker and spellbreaker team up together!

And I just have to say how unique the concept of a spellbreaker was to me! In fact, I couldn’t stop thinking about the application of spellbreaking in magical works and did a deep dive in reflecting about the role spellbreaking has in my own magical practice. In fact, it was quite a revelation to realize all the ways I identified with the main character Elsie. After just discussing how fictional works can inform one’s magical practice, I experienced it first hand in reading this book. I now plan on labeling myself as a spellbreaker and seeing how this evolves my perception of the type of magical practitioner that I am.

I also found it refreshing to read a magical fiction book that still had a woman lead that wasn’t focused on witchcraft. I liked Elsie’s ability to break spells, and furthermore how she didn’t rely on magic. In fact, she often broke spells that were cast upon her, preferring to have clarity without magical influence. She clearly understood how magic could be used for both benevolent and malevolent purposes, and she did her part to ensure it was used for the latter. She wasn’t enamored with it, nor seeking fame and glory for herself. She used her abilities for a greater cause with intention, and otherwise primarily kept to herself and focused on her mundane tasks without complaint. I like her very much as a role model.

Overall, Spellbreaker was captivating. It ended on such a cliff-hanger that I just requested the next book in the duology, Spellmaker, from my library. Holmberg has done a wonderful job crafting a unique plot that captures the reader’s attention and opens the imagination. Whether one is interested in a good read or to gain insight into how they might incorporate spell breaking into their own magical practice, I appreciate this different point of view. For now, I am eagerly waiting to see how the rest of the story unfolds!

A Spindle Splintered, by Alix E. Harrow

A Spindle Splintered (Fractured Fables #0), by Alix E. Harrow
Tordotcom, 1250765358, 128 pages, October 2021

I was so enthralled with The Once and Future Witches by Alix. E Harrow that I decided to read her most recent book, A Spindle Spintered (Fractured Fables #0), over the weekend. Talk about a fairy tale for modern young women! Harrow has a knack for capturing the heart in her tales of romance, magic, and self-discovery.

Zinnia Gray expects to die shortly after her 21st birthday. She suffered the ill effect of lax corporate environmental regulations, which caused a group of children in her town to have incurable health issues. No one has made it past 21. Nevertheless, Zinnia lives by her “Dead Girl Rules”, one of which is to move fast, and pursues a study in folklore. Sleeping Beauty was alway her favorite fairy tale, ever since seeing a photograph of her emerging wide-eyed and alive after death-life trance. Despite her resignation to the reality of her situation, a part of Zinnia hoped to change her story and emerge from the curse of her illness.

On the night of Zinnia’s 21st birthday, her best friend, Charm, throws a surprise Sleeping Beauty party for her – spindle included! As per the traditional fairy tale, Charm encourages Zinnia to prick her finger just like Sleeping Beauty. What happens next is most unexpected!

Zinnia hops dimensions and is transported INTO the bedroom of Sleeping Beauty, called Primrose in this tale. Primrose has yet to prick her finger, as her father has burnt all the spindles, but the tug to fulfill the curse is still strong. Primrose is utterly miserable. From the curse that puppeteers her when she sleeps, beckoning her to succumb to a century of sleep and a life in the palace that narrows her options to marriage to a less than superb knight, there seems to be no escape. Zinnia’s unexpected arrival turns out to be her moment to help Primrose change her story – and that is just what they do!

I won’t go further than this, but the book is AMAZING. Zinnia has a really down-to-earth attitude that still seeks to believe in magic. And the portrayal of Primrose and her world was like reading a real fairy tale. Together, Zinnia and Primrose realize they are living out the same story, but they also have the power to change the narrative. I really liked this concept because I have studied the power of archetypes within the psyche, and I’ve learned the power of identifying the mythological/fairy tale story one is living out. For real change to occur, both individually and on a societal level, requires a change of narrative, and this is exactly what Harrow has given readers.

For instance, Charm is very into women and Zinnia is super open about her own sexual preferences, at one point saying she’s ¾ straight, but acknowledging there’s a piece of her that also finds women attractive. I enjoyed how the characters weren’t type-cast and it embraced the whole spectrum of personality. There’s a lot of blending, rather than fixed edges. From Charm and Zinnia’s friendship, colored with mutual attraction, to the ability for characters to merge with others living out their narrative and work together to change it.

And that’s what is cool about the tale: the bonds of women. While the typical “hero’s journey” is often an individual pursuit, this book portrays fairy tales as a teamwork effort. I think it’s more in-line with a feminine way of being; opening up, trusting, finding allies, and choosing to stick together until everyone is out of harm’s way. There’s an element of choosing to help another over helping oneself, but not in a self-sacrificing way. It is in the spirit of cooperation and seeing that one person as an individual can make a huge difference for someone else, and in doing so, overcomes their own obstacles.

A Splintered Spindle invites us to reconsider what a hero looks like and reimagine the fairy tale so that it’s not only a prince that saves us at the end. True love’s kiss, well that one is kept for the story, but in the spirit of female friendship. And ultimately, sure it’s a happy ending, but also a very heartwarming, honest ending. And I think those are the best kind in real life  because they are not fake. Sure, we can’t outrun reality, but we can always believe in the magic within ourselves.

I sincerely hope that Harrow keeps on writing these revised feminist stories of fairy tales, magic, and witchcraft. This one was short and sweet; I read it for only about 2 hours. I highly recommend it to women of all ages, but particularly young women, because I think it provides a new narrative to live out. For those of us who still hold dear to our fairy tale dreams, this book will be perfectly satisfying too. It’s a wonderful mixture of reality and magic, hope and despair, and the choices we make to forgo saving ourselves to help a friend.

Manifestation Magic, by Elhoim Leafar

Manifestation Magic: 21 Rituals, Spells, and Amulets for Abundance, Prosperity, and Wealth, by Elhoim Leafar
Weiser Books, 9781578637423, 192 pages, July 2021

In Manifestation Magic: 21 Rituals, Spells, and Amulets for Abundance, Prosperity, and Wealth, Elhoim Leafar truly delivers on his description of this book as “a practical guide to prosperity magic using amulets, talismans and rituals.”14 This wonderful book is written in three parts:

  1. Magic & Sorcery
  2. Abundance, Prosperity and Wealth
  3. Desires, Wishes and Spells

Born in Venezuela into a family of healers, Leafar draws on his spiritual and magical traditions to not only live an abundant life, but to also share his tools and tips for the reader.  In 2015, he left his native country and moved to New York City with only one suitcase and $15. Five months later, he signed a contract with a publishing firm and published his first book Wicca! Love & Soul.  He has published books in both English and Spanish.

I was interested in this book because I began investigating magic and forms of manifestation over the past two years.  The title was intriguing, as well as the number of rituals and spells that the author promised to provide. 

The book is very easy to read and  I found it both entertaining and educational.  Leafar’s style is down-to-earth and he speaks to the reader as if you were sitting across a table enjoying a coffee or meal.  He shares information from his heart and you can tell that he has years of experience with the tools he shares. He begins by explaining the difference between magic and sorcery, which forms the baseline for the book:

“For many theorists, sorcery includes a group of knowledge, practices, techniques and tools for studying magic.  I propose to use the study of magic for the theoretical and sorcery to refer to the practical application of this knowledge.”15

He goes on to say that it is as important to “unlearn” ideas as it is to learn new ones. I love the idea that you come to this practice with a beginner’s mind and see magic and manifestation with new eyes.  He goes on to say that “your magic skills work like a muscle.”16  He recommends that you use the visualizations and tools regularly and even goes so far as to recommend how often to utilize certain techniques. 

There are many great visualization exercises throughout the book. The one called “Visualization Magic”17 will help you start your adventure. I recorded the visualization exercise sat on my back patio and enjoyed the sounds of nature while I listened to the recording.  I felt closer to Mother Nature and began to feel my own innate power connecting with the earth and coursing back up through me. 

In the next section, Leafar lists the tools that you will want to use for manifestation, each of which symbolizes an element. These include a cup or chalice for water, a cauldron for earth, candles for fire, and so on. Along with this list, which includes tips on choosing and using each tool, Leafar also provides a “Consecration Ritual,” in easy steps.

Leafar recommends that you create your very own “Personal Book of Magic.”18  Whether you use a simple spiral notebook, a journal or a folder on your laptop, he lists the ways that this chronicle of your magic journey can aid your growth, as well as celebrate your accomplishments.

I was particularly interested in the chapter that covered using the sun, moon, and planets in magic. As an astrology student for the past 15 years, anything that touches on the stars and planets interests me. Leafar’s explanation of when to work with solar energy and when to call on the moon’s magic really hit home for me. He also had brief information on the moon in each of the 12 signs and how that sign’s energy might contribute to your spells or works.

He gave an example of using the moon phases and days of the week for a healing ritual for two sample clients. It helped me to see the importance of working with the phases of the moon and days of the week to “greatly increase your results.”19 Leafar also talks many times about the importance of clarity regarding your intentions.  This is a critical element, not only for rituals and spells, but for your life.

Next, he covered the energy of the days of the week, various Gods and Goddesses, colors, and crystals.  I feel that he presented a very good foundation for the next section, where he goes into background information for abundance. My favorite passage from this section:

“Every time something good happens in your life, every achievement, every joy, every celebration, let it flow and memorize how it feels. Once you have memorized it and embraced it, you will have filed it in your brain and in your soul and enriched yourself with this emotion.”20

In the section Rituals & Spells, Leafar shares 21 rituals for abundance.  My favorite was the Scroll of Abundance. I’m looking forward to seeing how my scroll works on a long term goal. 

Lastly, Leafar shares several prayers that can uplift you and work to call on Divine support.  My favorite was the “Daily Prayer to the Spirit of Prosperity that Rules the West,” which starts with:

“Oh great spirit of prosperity that everything you touch prospers and grows . . .”21

Everything in this book, from the spells to the prayers comes from the heart of this magician and flows like a beautiful river. This book is best for the student of magic, whether a beginner or someone who has practiced spells for a few years.  It is easy to read and comprehend, and many of the rituals and spells are shared in step-by-step processes that anyone can follow. I really enjoyed his writing style and how he shared his knowledge and years of experience with magic.

I look forward to continuing my work with the spells and rituals from Manifestation Magic. I’ve already received a few ideas about modifying the altar I have in my office, as well as continuing my work with the moon in various phases and zodiac placements.