Musing Mystical

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Author Archives: Alanna Kali

About Alanna Kali

Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.

Manifesting Spirits, by Jack Hunter

Manifesting Spirits: An Anthropological Study of Mediumship and the Paranormal, by Jack Hunter
AEON Books, 1912807882, 296 pages, January 2021

For anyone who’s ever academically ventured into topics such as mediumship, life after death, spirits, and other psi phenomena you’ve most likely found the present literature rarely acknowledges the actual existence of these phenomena, for doing so would bring the entire paradigm into question. These inquiries are often quickly dismissed or explained in terms of cognitive, functional, or pathological theories.  However, Manifesting Spirits: An Anthropological Study of Mediumship and the Paranormal by Jack Hunter has gone where few have gone before.

Hunter has written an extremely well-defined and well-researched study of the paranormal from a perspective that invites an expansion of consciousness and method of scholarship. He frames these phenomena in a way that invites a new paradigm to emerge while maintaining full rigor in the quality of his resources. As he describes, he “does not seek to reduce the significance of spirit mediumship to purely functional, psychological, sociological, or cognitive explanations.”1 In so many ways, this work is truly groundbreaking and an essential read for any serious paranormal practitioner, investigator, or enthusiast.

The approach in this research is a “non-reductive interpretive framework that emphasises complexity and multiple dimensions of process and meaning.”2 I include this because, yes, Hunter’s writing requires a certain level of familiarity with words such as “ontological” and “phenomenological” to fully grasp. I will give him immense credit in his thorough explanation of what he’s doing, but for those who are less inclined to read scholarly material, this book might be quite intimidating.

It took me well over a month (I might even say closer to two) to make my way through this book. Much of the time, it felt like I was reading an academic paper, which was fascinating given the topic, but also not a light read. Many of the chapters seem to be informative literature reviews that were blended together to make a compelling book. As someone who values academic integrity, strong references, and a well-defined methodology, Manifesting Spirits was a true delight.

Hunter does a wonderful job of situating his work within the previous and current literature on the subject, aptly helping the reader to see the building blocks for his research and why he has chosen to write about it in the way he’s done in this book. He acknowledges the pitfalls of academic research on these subjects and how his work differs in that it admits the possibility of paranormal phenomenon. He calls his perspective “ontologically flooded” in that it is “open to multiple possibilities and emphasising complexity over reductive simplicity.”3 Essentially, rather than setting out to prove the validity of spirits and other psi phenomena, Hunter’s position is openness to the possibility of genuine paranormal phenomena being a factor at play but is not automatically assuming it.

To achieve this aim, Hunter began exploring these topics at Bristol Spirit Lodge to better understand the spirit world through those who have regular contact with spirits. By taking their experiences seriously, he accumulated a plethora of ethnographic research.This ethnographic research included attending seances, developing his own mediumship abilities, and interviews with both mediums and spirits. In turn, switching the usual mode of boxing-in these ethnographic experiences to fit the analytic thinking to using the research done ethnographically to re-examine the dominant model for interpreting these events.

In Manifesting Spirits, there are quite a few fascinating topics Hunter explores, many of which I’ve never seen framed from his unique methodological perspective. The main topic of his research is physical mediumship. Physical mediumship involves manifestations such as raps, taps, de/materialized objects, and even ectoplasm. This differs from mental mediumship, which is a form of telepathy used to communicate with spirits, and trance mediumship, which is a form of mental mediumship where the spirit uses the mind of the medium to deliver messages. He notes how members of the lodge feel a reconnection between the physical and spiritual world through witnessing these paranormal experiences, which can be quite a spiritual experience.

The section I liked the most was “Naturalising the supernatural” where Hunter writes about how phenomena that are considered “supernatural” would not be considered so in other culture systems. Cultures outside the Western materialistic approach would see some of these phenomena as natural and a part of daily life. He draws on the writing of social scientist Durkheim, who pointed out supernatural only exists because a natural order exists, but as Hunter writes, “To a certain extent, then we can say that what is deemed possible is both limited and facilitated by cultural norms and expectations.”4

Now that was something I could deeply relate to, both personally and professionally. Since I was innately aware of the spirit world from a very young age (I saw ghosts and was aware of the presence of spirit during adolescence, I also became a youthful paranormal explorer. By my teenage years, I had read countless ghost stories of my local area, presented about the haunted history of town, and catalogued undocumented accounts.

In college, I majored in psychology, but I was quickly frustrated with the exclusion of psychic phenomena. I knew by the time I graduated that the traditional route was not for me, and I began exploring other subsets of psychology such as Jungian (or Depth Psychology) and Transpersonal psychology, but even these were not fully inclusive of what I had very subjectively experience in communication with spirits, as well as in sessions with many mediums over the years. Alas, paranormal studies have sufficed, but I too longed to bridge the gap with academia.

It is for this reason Manifesting Spirits is so immensely valuable to the field. It takes paranormal studies and integrates them into an academic framework that is usable for future research. Reading this book, I just kept thinking how much I wished I had it for reference when attempting to put forth these ideas in my academic studies. I am grateful to have it now, as I truly think this is a foundational book in many fields, from psychology to anthropology, and even religious studies. I truly think I would have written a different thesis had this book existed at the time of my research because it would have empowered me to believe writing and researching on these topics was possible.

Manifesting Spirits is a truly ground-breaking work that I am sure will be referenced by many to come. It completely opens doors to the study of these new realms. Hunter’s research methods are unique and exactly what is needed to go beyond the current limits of research spirits, mediumship, and paranormal experience. It is a must-have for any serious paranormal researcher’s collection, as well as an enlightening read for those with an interest in mediumship. This review is certainly an understatement of the wealth of material presented by Hunter, from blending with spirits to an exploration of the seance. I highly recommend diving into yourself and being open to the emergent ideas and techniques that are bound to provide some revelation.

Horary Astrology, by Anthony Louis

Horary Astrology: The Theory and Practice of Finding Lost Objects, by Anthony Louis
Llewellyn Publications, 0738766997, 424 pages, February 2021

We’ve all been there: frantically search for our lost keys, precious jewelry, or important document. Often we’ll start grumbling about how “it must be somewhere” or perhaps say a quick prayer to beloved St. Anthony, finder of lost objects. But did you know that you can also use astrology to find what’s been lost?

Horary astrology is the art of answering questions by casting a chart based on the exact time the astrologer receives the question. When you’ve run out of options and finally decided to ask for guidance by casting an astrological chart, it can reveal the answer if one knows the techniques to interpret the chart.

In his book Horary Astrology: The Theory and Practice of Finding Lost Objects, Anthony Louis takes readers into a deep dive of this ancient art and provides a wonderful foundation for budding learners. Loaded with real-life examples and extremely detailed explanations of how to read horary charts, Horary Astrology is a wonderful starting point for a seasoned astrologer who hopes to further their knowledge in this branch of astrology.

I do emphasize seasoned though, because this book would most likely be a bit overwhelming for the novice astrologer. Though Louis provides thorough explanations of all his material, I think it’s worth noting the first chart of the book is featured on page eight, which pretty much indicates Louis isn’t giving us the background on how to read charts and we’re going right into things.

You should absolutely be familiar with the houses, zodiac signs, and planetary significance before diving in, though Lous does further explain much of this in regard to reading the chart from a horary perspective. For instance, there is a chapter “Houses and the Human Body,” and another “The Twelve Signs and Associated Physical Locations.” The chapter “The Signs” provides the indoor location related to each zodiac sign, along with possible locations based on the element of the sign.

The majority of the book draws from seventeenth-century astrology William Lily, most noted for his work Christian Astrology. This would be a great read for someone who wants to learn the techniques of Lily without delving into his few-hundred-year old work, as Louis is constantly referring to Lily throughout the whole book. For instance, Louis writes about via combusta, “which, according to Lilly, is an unlucky region from 15 libra to 15 Scorpio where the two Luminaries pass through the signs of their “dejection” or “fall,” implying a deprivation of solar and lunar light…”5 This is just one example of how Louis imparts Lilly’s wisdom into his own work and informs the reader in the process that I found immensely useful.

As for the examples of horary Louis provides, they are varied and absolutely fascinating! From missing people to garage door openers, I felt like I was a detective on a search in reading what was missing, and then I was absolutely thrilled to read how Louis pieced together the clues within the horary chart to solve the case. It really gave me a clear understanding of the application of the techniques Louis writes about in the first half of the book. The examples provided do a wonderful job of explaining his chart interpretation to answer the proposed question or locate what’s missing that really lay out Louis’s thought process.

Another chapter I really enjoyed was “Plantary Keywords of  Vettius Valens (C. 175 CE) where Louis shares lists of planetary keywords based on the work of second-century Hellenistic astrologer Vettius Valens. I think for someone who wants to engage in this type of astrology work, these keyword lists are very influential in being able to decipher the messages of the chart. However, the keywords also bring up my personal dislike for outdated associations with all the planets.

For instances, keywords of Saturn are “self-deprecating,” “downcast,” “tears and grief,” “unemployment,” and “childlessness” to name a few. Maybe I’m too modern for Hellenistic astrology, but I feel the associates can be very outdated, keeping the planets trapped in stereotypes with little room to expand. This is useful in horary astrology perhaps, which uses these keywords to solve real world problems, but I think it can hinder the greater impact of the different planets’ role in our expression.

This isn’t a book I was able to digest easily, and I certainly had to take it piece by piece. It is something that one would absolutely refer to time and time again, making it a worthy investment for a serious student. However, if one is just looking for a brief introduction or beginner’s guide to horary, this is definitely beyond that scope.

The next time you’re struggling to find something that’s lost, hopefully you’ll remember Horary Astrology. Maybe you’ll learn to decipher if it’s possible to find what’s lost, and if so, where it might be located. Taking on this practice will definitely make you feel like a detective. Louis’s insightful writing will deepen your understanding of how our daily life and the stars are so intimately connected, as long as you can see the clues. Though it’s not a light study, the rewards seem rich, which has kept this ancient art a worthy pursuit all the way to modern times.

Beyond the Mirror, by M.K. Williams and Natalie Kavanagh

Beyond the Mirror: Seechers, by M.K. Williams and Natalie Kavanagh
Luxon-Drake Publications, 1999962877, 194 pages, March 2020

Beyond the Mirror: Seechers by M.K. Williams and Natalie Kavanagh is a promising first book of a series I look forward to seeing develop, as in, I’m already waiting for the next book to come out. I read this entire book within 24 hours. Much to my husband’s dismay, who was hoping to get out of the house this weekend, I couldn’t put this book down and had no interest in doing anything else but reading on. Hey, it happens when you find a good book to dive into, right? 🙂

I was hooked right from the start, which featured a vivid dream sequence playing out. Here, a young girl shoots a young man standing at the edge of a building’s roof with a mysterious vial of glowing blue liquid in his hand. This pinnacle moment seems to be the culminating peak of the book… but it became so much more!

Thinking it was being told in a frame story technique, where the end is given at the start and you then get to know how the characters got there, I was eagerly awaiting to see what went down. As I was introduced to the characters, I was questioning their intentions and curious about when betrayal might strike when I realized the shooter is initially the young man’s romantic interest. Clearly, I became invested in seeing what got them to the point at the start of the book as I read about how their relationship unfolds.

Slowly and with pure craft, the authors revealed the layers at play in the initial scene to create a deeply enthralling plot centered upon friendship, self-discovery, and, awesomely, combating the “bad guys” of course with newly-found powers of the mind.

The premise of the book is an ancient society, called Seechers, knows the secret hidden gateway to the subconscious. This group initiates new recruits every seven years, and in the meanwhile, live seemingly ordinary lives, while also protecting the balance of energy in the world. You know, no big deal! From the initiated Seechers we meet, it seems they all have their own technique of influencing energy, such as healing wounds or connecting with animals.

It is determined if one has the potential to be a Seecher, which is ultimately their own personal choice when invited, by measuring how much epsilon they have within their brain, specifically in the pineal gland. Those with enough epsilon, a bright blue liquid present in their brain, can undergo activation and join the group. Indicators one may possess this mysterious substance within their brain are heightened imagine, prophetic dreams, and psychic senses of “knowing” things.

However, something suspicious is happening to the potential recruits this year. Many are suddenly disappearing, while others are having dreams of violent kidnappings. The Seechers don’t know who is doing this, but they know their potential recruits are at risk. This causes them to take immediate measures. They decided to gather and test the potential recruits a year before schedule.

The readers know, though, about the scientific work being done at Curative Analytics. Here, there are scientists that are set on harvesting epsilon, believing it shouldn’t only be used by the Seechers and curious about its powers. However, when they do extract it from the minds of potential Seechers, it is tainted and becomes a less powerful version of the substance. This less powerful, “dead” version of epsilon is called epsilac, and the scientists are ruthless in their pursuit of obtaining it.

Aris and Maya, two of the main characters, end up deeply submersed in of all this scheming. Turns out, these two are the young man and woman from the initial scene. On a quest to discover more about the Seechers, Maya draws Aris into the pursuit — only for them to realize Aris is a Seecher himself and more than involved in safeguarding the future of the secret society than they could have ever imagined. In true fashion of curious and bold students, they work to understand the connection between all the strange events happening, landing them smack dab in the middle of all the actions where their crucial decisions have rippling effects for everyone.

I feel the plot has the perfect flow and was very well-developed. There’s so many little hints that point towards more books in this series! I am really curious about the lore behind the Seecheers and their ancient enemies, the Tauredunum Raiders. It was their ancient technology Curative Analytics is using to find the potential Seechers.

All the characters are relatable and well defined, especially Aris. Though the main characters are undergraduates in college, there are other mentors, such as the archetypal professor, so this book appeals to an audience beyond young adults. I found the story very believable and the characters well-defined.

What I liked most was this book combines many spiritual and philosophical ideas, making it a truly intriguing read for anyone with knowledge on these matters. I was suddenly inspired to read Plato’s Republic, reflecting on the allegory of the cave. The concept of the Nihilo, the subconscious world beyond ours, reminded me of the Buddhist void: the place beyond the mind, where all is subconsciously interconnected.

When I finished the book, I was reminded of Kant’s theory of an unbridgeable gap, which acknowledges there is a world that lay beyond the grasp of our senses, in the book’s concept of an unseen middle world where energy can be moved, shaped, and rearranged — though not created, abiding by Newtonian laws of physics. That is, unless one of the new Seechers may have abilities that go beyond this…

Oh, how I love a great fiction read that expands my perception and explores consciousness beyond the usual senses. I think there’s so much talent in being able to bring these concepts to life through storytelling.

While the book does have the typical plot of a secret society, new initiates coming in, a great battle between enemies, and “evil scientists” performing unethical research to further their own motives, I still feel like this book was done in an original and creative way. Williams and Kavanagh are exquisite writers who really know how to weave together an engaging plot.

I highly recommend Beyond The Mirror to those who are seeking a novel that incorporates spirituality and philosophy to create a new tale. I am looking forward to the next book! So much more I want to know about how the story will unfold!

Stars and Stones, by Peter Stockinger

Stars and Stones: An Astro-Magical Lapidary, by Peter Stockinger
Mandrake, 1906958734, 164 pages, May 2016

I recently began a medical astrology herbalism course with Judith Hill and Matthew Wood. As I learn about the physicians of the Renaissance, specifically the way they were all master astrologers, I just discovered in addition to plant remedies, they knew how to use the properties of gemstones to facilitate healing and create magical talismans.

Seeking more information, I turned to Hill’s book Astrology and Your Vital Forces, however the Jyotish description of the use of gemstones wasn’t fulfilling enough for me, as I was hoping to not only to remedy the chart but also use the talismans in my magical workings. Luckily, Stars and Stones: An Astro-Magical Lapidary by Peter Stockinger fills in all the missing gaps I’ve been curious about and truly fits my needs for learning more about this subject.

Written in the introduction, Stockinger’s main reason for writing this book “was to reintroduce the reader to the idea of correspondences and correlations between planets and gemstones.”6 And let me tell you, Stockinger does just this with thorough detail and enough clarification to not overwhelm someone new to this topic.

To begin, Stockinger delves into the planets and their elemental constitutions, which are the foundation of the Universe. Each planet corresponds to one element, and Stockinger provides detail for the attributes of the planet and their element. For instance, Mars is hot and dry, which is attributed to the element of fire.7

The four elements are each associated with a temperament: choleric (fire), melancholic (earth), sanguine (air), and phlegmatic (water). While there have been various methods of calculating a person’s temperament, Stockinger draws from Ferdinand Resberger’s astrological textbook Astronomia Teutsch to teach the reader how to find their own.

This wasn’t the easier endeavour, but after about a half an hour of calculations, I determined all of my temperaments were almost equal, with choleric and phlegmatic having a score of just one higher than melancholic and sanguine. Stockinger made the calculations accessible by clearly starting which zodiac signs correspond to the element or temperament for each stage of the process so one is not having to memorize it all before or consistently reference back to the previous material.

The next chapters are detailed explanations of the planets, zodiac signs, and astrological houses respectively. All the information is the traditional descriptions from Renaissance astrology. I especially enjoyed Stockinger including the diseases associated with the planets and the illnesses associated with the signs of the zodiac. There also are images for all the planets and signs too, which are nice visuals to break-up the dense material.

Additionally, Stockinger includes a list of the body parts associated with every sign and tables of essential dignities and accident dignities according to William Lilly’s Christian Astrology. This introduction concludes Part 1.

Part 2 of the book “Planets, Crystals, Gemstones & Metals” was exactly what I had been looking for in my quest for information. Stockinger sets the stage with a history of the healing properties of crystals and different works about them, such as Abbess Hildegard von Bingen’s Physica and Al Biruni’s Book of the Instructions in the Elements of the Art of Astrology, both published in the 11th century.

“Since the dawn of time, gemstones and crystals have fascinated humans, by their mysterious sparkle, their beautiful colours and their intriguing shapes and symmetries.”8

There is also ample information about the planets and their corresponding metals. Based on the idea that everything emits light when heated, there is a table that shows the wavelengths of color in the visible spectrum. The metals’s emissions spectrum is how the corresponding color is determined. There is ample detail about the correspondence of the seven visible planets, corresponding color, and corresponding metal.

For instance, for the Sun, whose corresponding metal is gold, Stockinger states, “On the physical level, gold helps the body to maintain circulation and it is responsible for the regulation of the impulses in the nervous system.”9 Once again, there is the inclusion of some medical astrology too.

The next chapter, “Planets & Gemstone Remedies,” was my favorite. In this section, Stockinger goes planet by planet giving an extensive overview of each planet (diseases associated with them, corresponding body parts, dignities and disabilities, and more!) and provides gemstones to remedy their effects. For instance, jet and black onyx are recommended to remedy Saturn, while carelin, garnet, haematite, and jasper are prescribed for Mars.

Stockinger provides a detailed history of each crystal and gemstone, along with information about it’s color and hardness. He explains in detail what aspect of the planet the crystal or gemstone remedies and it’s most effective uses. One example is selenite for working with the moon, for it is considered a “holy stone” that helps cleanse and purify emotions.10 It also provides protection against epilepsy and insanity, while repelling negative energies.

Reading through all the crystals of each planet has been immensely useful when deciding which stones to work with in order to produce certain effects. Reading through the case studies in the book helped me to further understand how gemstone can be used to enhance or counter certain energies at play in my astrological chart.

I am looking forward to creating a talisman too from the information I’ve gleaned from this book. Stockinger shares his knowledge on fifteen fortunate fixed stars along with their corresponding sigil (so immensely helpful!), and he shares how to create a fixed star ring for success. He also shares images of the planets and constellations that can be used to enhance a gemstone’s effect, such as a swan for the Cygus constellation and a whale for the Cetus constellation.

Finally, the appendices have a wealth of well-organized content that is immensely useful. There is a Therapeutic Index that has a disease, illness, or circumstance one might want to remedy and a corresponding gemstone, a table of fixed star correspondences, and Agrippa’s planetary glyphs.

All in all, Stars and Stones is a wonderful resource for those interested in learning more about the relationship between astrological energies and crystals, gemstones, and metals. I love how it perfectly blends the stars and earth to facilitate integral healing through one’s chart. I haven’t ever found a book as comprehensive, accessible, or useful as this one on this topic. For those who are looking to incorporate a new dimension into their astrological practice, or perhaps even expand their knowledge of crystals and their healing properties, this is absolutely a book to check out.

The Language of Flowers Oracle, by Cheralyn Darcey

The Language of Flowers Oracle, by Cheralyn Darcey
Rockpool Publishing, 1925924408, 44 cards, 144 pages, April 2021

Spring is in full swing where I am, and it’s been a pleasure enjoying both the scents and scenery of the blooming flowers. It feels like the perfect time to be getting acquainted with The Language of Flowers Oracle by Cheralyn Darcey, as gardening has been on my mind now that outdoor weather has returned. This colorful deck has been brightening my oracle readings, while also giving me personal insights, along with tips and techniques for tending to my plants.

When I first opened the deck, I was immediately delighted by the cards’ colorful design. The blending of pink, dark blue, and white flowers remind me of a Hawaiian shirt, calling to mind memories of sunshine. Turning the cards over to look at them before shuffling, there were all sorts of color palettes popping out to catch my eye. It’s as though an impressionist painted to capture the essence of each flower through variation and contrasted hues.

The cards are all numbered, which makes it easy to find their meaning in the guidebook. There is also a keyword and the name of the flower at the bottom of the card. Then there is the image of the flower in the sacred place where it naturally blossoms.

For instance, the sacred blue lily’s card has the imagery of the Nile River and pyramids in the background because that is its habitat. I really enjoyed this connection between flower and place, as it helped to contextualize the ecosystem each flower thrives in, adding to my understanding of its healing and divinatory message.

The guidebook is short and sweet. Darcey suggests journaling about the cards, meditating with them, and using them alongside healing modalities, such as homeopathic medicine and flower essences. She also hopes the deck will inspire the reader to connect with nature and learn more about the botanical world.

For each card, the guidebook has the flower’s scientific name, card’s oracle meaning and challenge, botanical profile, gardening tips, and information on the flower’s sacred place. I’ve found the section of meaning and challenge in the guidebook to be very insightful. So far, I’ve found all the readings I’ve done with this deck to be spot on.

It’s also interesting to read the botanical profile, which talks about the color and size of the flower, along with its native region. While I am not much of a gardener myself, I feel the gardening tips would be immensely useful for those who hope to cultivate these flowers, many of which will be growing outside of their native landscape. Darcey, very helpfully, includes a gardening skill level for each flower too. If I do decide to cultivate my green thumb, I’d know which flowers are easiest to get started with growing.

I also just love the description of the flower’s sacred place because it takes me to another place and opens me to new cultures. To give an example, this is part of the description for card twenty-four, Inspiration: Siberian Iris, whose sacred place is Lake Baikal in Russia:

“The lake has been considered sacred throughout history, with many names pertaining to this belief such as Sacred Lake, Sacred Sea, and Spiritual Waters. It is believed by the many Shaman-practicing people of the area that the earth spirits are the strongest here because, despite all odds, the waters are still the purest and the lake has survived for so long.”11

How cool is that? And it’s certainly not a place that I would have known about otherwise. By providing this connection, Darcey helps to bridge the spiritual and material world through the beauty and healing properties of the flowers and their impact in local culture via the honoring of sacred lands.

The entire deck inspires me to go explore outdoors, get to know the flowers in my area, and appreciate the beauty they bring to the world. Maybe it’s because it’s spring and I’m in a sensual, joyful maiden energy, but working with this deck has awakened my desire to smell the scents of the flowers and indulge in purchasing bouquets from the farmer’s market. I want to touch, feel, see, and even taste the flowers! Yes, I’ve been Googling some recipes.

I really have appreciated the deepening of my relationship to flowers through The Language of Flowers Oracle. It has been a wonderful resource to learning more about the natural world, and also a very accurate oracle that’s provided immensely insightful guidance. It truly venerates the exquisite world of flowers.

For those who enjoy the beauty of the natural world and are looking to bring a bit more of it into their oracle readings, this is a wonderful deck. I also recommend it to gardeners and botanical enthusiasts that are looking to explore the oracle realm. This deck is a perfect blend of science and spirituality that will expand one’s knowledge of the world, while also teaching how to cultivate flowers that branch the distance right within your home.

Crystals and Numerology, by Edita Wuest and Sabine Schieferle

Crystals and Numerology: Decode Your Numbers and Support Your Life Path with Healing Stones, by Edita Wuest and Sabine Schieferle
Earthdancer Books, 1644112731, 160 pages, February 2021

I have been absolutely delighted this past week incorporating crystals into my numerology studies! Crystals and Numerology: Decode Your Numbers and Support Your Life Path with Healing Stones by Edita Wuest and Sabine Schieferle has given me practical ways that I can enhance and remedy my numerological energy with crystals. And for those of you who are new to numerology, don’t fear, the authors do a wonderful job of making it easy and accessible to understand and discover your sacred numbers!

As soon as I picked up the book, I loved the interior design. It has bright colors that highlights pieces of information, making it easy to absorb the material, and includes pictures for all the crystals described. I enjoy being able to see the crystal while learning about its energetic properties. This is a book I would keep on my coffee table for guests to pursue because it is both informative and beautifully made.

Whether you are wanting to learn more about numerology or crystals, this is a book that will be immensely useful because it gives background information on both. First, the authors share how numerology can be used to reveal many things about someone, including their professional life,  life perspective, life’s mission, and timing of change. Detailed is how to calculate one’s personal numbers. There are nine different calculations provided, which each reveal a facet of oneself.

For instance, the life path number is used to determine one’s destiny and purpose, while the heart’s desire number gives insight into our core emotions and feelings towards others. There are charts and detailed explanations on how to calculate all these numbers by hand. I spent close to an hour decoding the numbers for my husbands and I. While it wasn’t tough, it did require focus because there was a lot of adding involved!

Next, the book moves into how to do healing work with the crystals. Based on the principle that crystals hold vibrational energy, the authors share methods of connecting with the healing properties of crystals that can easily be incorporated into the reader’s daily life. Some of these ways are holding crystals while repeating affirmations, drinking water that’s been infused with crystal energy, and wearing the crystals as jewelry. There is a description of the spiritual energy of colors too, which adds to understanding the energy of the crystals.

Now that the reader has discovered all their numerological codes and learned the basics of crystal healing, the book moves into chapters on each number 0-9. In every chapter, there is a numerological overview of the energy of the number and provide crystal recommendations to balance the energy. It describes the number’s symbolism, talents and abilities related to the number, weaknesses of the number, and ambition related to the number. For every aspect of the number, there is a crystal to either boost the positive influence of the number or balance the weakness.

For instance, I am a 3 life path. My number one bad habit is starting projects and then getting distracted. I always have about five different things I am working on at once, yet rarely do I see things through to completion. Clearly I immediately resonated with reading, “In their desire to be free, threes are extremely wasteful of their energies: they are soon enthused and start many more projects  than they actually complete.”12 This is undoubtedly so, and you can even ask my mother who chides me whenever I eagerly take on something new with little thought or hesitation due to my excitement.

I discovered that malachite, obsidian, and covellite can balance out my energetic tendencies. This was very interesting because I’ve always felt drawn to malachite and obsidian quietly naturally. They’ve remedied my energy and brought a sense of protection, calmness, and tranquility to my life previously. This was a great reminder to wear my jewelry with these stones more often, especially when I am feeling stretched too thin with projects to come back into my center. Then I had never heard of covellite before, so this was a chance to learn about a new crystal to incorporate into my collection.

At the end of each section are affirmations for the number, additional crystal recommendations, and a description of the healing effects on the body of every crystal listed in that chapter. Sticking with the example of number three, for malachite, the authors describe how it can ease cramps and be treatment for headaches, along with other physical healing properties. I really appreciate this additional section because it adds another layer of knowledge about the healing power of the crystals, showing how they are effective on both a spiritual and physical level.

After going through numbers 1 to 9, the authors provide a section on 0. While I’m not sure anyone can be a 0 path, it can be factored into their numerological energy. As I’ve mentioned I’m a 3 life path, but when the numbers of my birthday are added together it makes 30. This bolsters my 3 with the energy of 0. I was surprised to read this section and discover that watermelon tourmaline is crystal that boosts talents and abilities for 0, as I just purchased a watermelon tourmaline ring I felt “called to” this past weekend and immediately loved the energy I felt when wearing it. Such a synchronicity! Once again confirming for me the accuracy of the author’s crystal recommendations based on my own personal experience.

The book’s appendices includes a meditation to connect with one’s numerological crystals, creating a crystal circle for energy healing, and creating a numerological crystal installation to bring in the energy. I look forward to practicing all of these once I get a few more of the crystals recommended for my unique numerological signature.

All in all, Crystals and Numerology is filled with practical wisdom on how to do energy work incorporating these two modalities. I have enjoyed it immensely and planning on referencing the book when deciding which crystals to work with. I recommend this book to those who enjoy working with crystals, are interested in discovering more about their personal numerology, and are inclined to practice energy healing. This book is sure to provide insight into the numerological energy of your life, while offering guidance on how to effectively engage with it for prosperity, purpose, and pleasure!

Tok: Magick Tale, by Pablo Reig Mendoza

Tok: Magick Tale, by  Pablo Reig Mendoza
Babelcube Inc., 1071582852, 290 pages, April 2021

Tok: A Magick Tale by Pablo Reig Mendoza is the most wonderful occult fiction book I’ve read in quite some time. This insightful, illuminating tale of magic is so realistic that at times I found myself thinking, “What if this really happened..” In the midst of a time when conspiracy theories run wild about the elite, it seems this book could easily tell the secret magical history of the world. In many ways, I’d like to believe it does, which is evidence of Mendoza’s fiction’s ability to transform the reader. His quality of writing drew me in enough to forget reality, while simultaneously thinking about how to propel myself into a new one.

The premise of the book is about the events that bring together a great London magician, Gerard Duprey, and a former boxer turned mineral magician, Juan Chamorro, who is being initiated into a secret society intent on preserving magic in the world. During the book, the two men’s stories are told simultaneously, with chapters going back and forth from the backstory of past events to the current moment of these two character’s worlds colliding, in a well-coordinated and foreseen timeline.

It is the Bond that decides their fates, which all initiates of the order live to fulfill. Those who are successfully initiated into the Bond can communicate with others telepathically (including other species), gain unique occult powers, and are awakened to the fullness of life through their kundalini energy.

“In every age, there have been two types of people: the disconnected and the connected ones. It is more correct to speak of the conscious and the sleeping, for everything that has neutral or electromagnetic activity of some kind is in line with the Bond, whether deep in the subconscious or on the surface, where the awakened man has managed to give birth to his inner “I”, bringing it from the dreams realm.”13

However, there’s even more to the story. A whole species of occult dragons, who arose from the collective consciousness of man and are keepers of the Bond, have their livelihood at stake because gold is disappearing in the world. Up to the current point in the novel, the dragons had The conflict of Vietnam, supposedly about oil and foreign interest, is actually happening because a Japanese general is stockpiling gold in a hidden spot in the jungles of Vietnam.

It is not only those dedicated to the Bond that are searching for the gold; their enemies, the magicians of the Vatican, who have tried to steal all the magic in the world through the false god, or golem, that is man-made. It is up to Juan with his newly acquired power as a mineral magician to beat the Vatican to it, for the sake of the English Crown.

Oh, had I forgotten to mention Queen Victoria and then Queen Elizabeth is one of the highest initiates of the Bond? It is an elaborate plan by Queen Victoria and her lover the Munshi that all that guides the events of the story in order to liberate magic from Vatican control and restore it to the it’s proper place. Queen Elizabeth guides initiate Mohandas Karamchand (Gandhi) to go off and fulfill his mission in India, while Gerard Duprey will remain in London as the city’s magician. Both are to serve in their own way as peacekeepers for the Crown and play their role in the plan to restore magic.

See, I did say the story could start sounding like an elaborate conspiracy theory: secret foriegn affair and war interests coupled Vatican power plays and secret society-initiated royalty. However, there’s so much more to the story that integrates tons of occult history and knowledge!

For instance, Mendonza’s tale also weaves in the role of Aliester Crowley, John Dee, and Mabel Besant — all initiates of the Bond in his book. It was truly fascinating to see how he depicted Crowley’s role, especially, who was under the guidance of Zor the dark dragon. Suddenly the serpent of the beast makes all that much more sense. Until him, it was Tok, the dragon of justice, who was the leader. The more primordial Zor holds of the knowledge of what happened before the dragons and humanity can remember, such as the race of humans that formed Atlantis.

I also loved his take on Mabel Besant and her mother Anne Besant, along with their role in the Theosophical Society. I recently read the book Mystical Vampire that is all about Mabel Collins, who perhaps Mabel Besant was named after, as her mother had close ties with Mabel Collins when they were both Theosophists. Being emerged in mystical year 1888 through Mendoza’s writing, when the occult seemed so much more alive, was a real pleasure.

Another really neat aspect of the book is all the quotations that Mendona uses to frame each chapter. The book starts out with a passage from Book XVI of the Corpus Hermeticism, which comes full circle by the end. From the get go, I was drawn in, as my current practice is a process of moving through the alchemical stages based on the work as it is described in the Corpus Hermeticism. Other quotes include those from Arthur C. Clarke, Ursula K Le Guin, and Helena Petrovna Blavatsky.

Tok is so interesting because it could be read on the level of an ordinary supernatural tale, but for those with knowledge of the occult, it’s a true gem. The level of esoteric knowledge Mendoza has clearly demonstrates his mastery of esoteric studies. To even piece together the concepts he has in Tok, such as “dreaming peace,” in which Duprey has had to dream of violence in order to maintain peace, until the end where he must do the opposite and unleash all the animosity he’s quelled through the decades.

Then there’s Besant’s automatic writing, which foresees events down to minute details. His explanation of the bond and how energy works in the world shows he has done much work to achieve certain states of consciousness. It’s truly the way Mendoza bridges his imagination with occult history to create such an intriguing tale that is the real magic of this book. I mean, bringing to life Gandhi and Crowley’s spiritual journey, woven together through the steam of higher-knowing that infuses the world is pretty incredible.

Also explored is this notion of spiritual partnership, which I greatly resonated with and have experienced myself. Duprey and Besant are essentially spiritually married, united fully through the Bond, however they do not ever get to physically consummate this relationship or be together after their initiation. I really loved how Mendoza showed there’s a spiritual purpose behind many things that happen in our lives, and what happens when we choose to surrender to the will of spirit rather than forcing one’s own desire on the world.

Even how Mendoza reframed the intent and purpose of the Vietnam War was interesting. Particularly to me because once in a past-life meditation, I received the information that many men had to die at that exact moment in time in order to be reborn again in the current time with the knowledge they gained from that life experience. It’s been one of those things that came to me in meditation that I don’t think of often; I accepted it for what it was at the time. But then reading Tok, I was instantly reminded there are higher purposes to things that we often do not understand.

“… in reality, darkness worked as a just and necessary balanced in such a polarised world. He knew that he intentions that governed the events of men contained the seeds of their opposite, the good, the intrinsic evil, and vice versa.”14

The culmination of the book was incredible. It promotes this sense of integration, evolution, and moving beyond dualities. There’s a new future at hand, for those who have the courage to leave the past behind. This path has been forged by many great minds, powerful movers of energy, and spiritual forces dedicated to something beyond themselves.

I think all magicians would enjoy this book, especially those with background knowledge of the occult and particularly the period of the late 19th century. My only quip would be the lack of women magicians, aside from Queen Elizabeth and Mabel Besant, the narrative was mostly male-centered, but atlas, that seems to be a dominant theme in the Western occult. Nevertheless, I still truly loved the book.

I certainly will be recommending it to the fellow occultists in my life. From Atlantis to Zoroaster, necromancy to the keys of Solomon, this book delved into so much wisdom and perfectly blends it all together. I highly suggest reading Tok to see Mendoza’s fascinating literary craftsmanship.

Interview with Intuitive Author Natalia Clarke

“Natalia Clarke is a transpersonal psychotherapist, writer, poet, nature lover and intuitive practitioner. Her interests lie in human psyche, transformation, nature spirituality, spiritual self-awareness, earth-based spiritual practice, Scotland and UK travel. She is a fiction and non-fiction writer and a poet with a passion for nature, Scotland, emotions and magic. She writes about intuitive living, magical practice, nature spirituality and soul relationship with the land.”15

After reading Natalia’s most recently book, Intuitive Magic Practice, I experienced an huge shift that reconnected me to my intuition. Her gentle guidance and experience-based wisdom brought me right back into center, and since then I’ve been prioritizing maintaining receptivity to my inner voice. As much of the book is written from her perspective as both a psychotherapist and experienced intuitive practitioner, I wanted to find out a bit more of Natalia’s thoughts and insights. I had a few questions on mind about Natalia’s practice and advice, and I was absolutely delighted when she agreed to do an interview for Musing Mystical.

What are some of your earlier memories of feeling connected to your spiritual self?

Ever since I was very young, I felt like I was a part of nature. Whenever I was in the forest, I became a tree; when I was swimming, I was a part of it. When I laid on the ground or walked barefoot, I felt at home. It is that feeling of belonging to the wild and natural that felt like nothing else; expansive and joyous, which we now might call a spiritual experience. 

One of my earliest memories is running through summer rain with my mother, barefoot and soaked through. I still remember the feeling of warm rain on my body and that felt very otherworldly to me and completely natural. Other instances I recollect are fishing on a river in remote places in early hours of the morning with my father. The silence felt incredible with spirit all around. 

How does your intuition speak to you?

Often my experiencing intuition at play would be either auditory, visionary or a feeling/sensation in my energy feel or in the body. Auditory can be a sound, a birdsong, a whoosh of wind. Sounds would be followed by an image or a color, for example. With all of that there will be a feeling that speaks through me and I feel it physically. It is not necessarily an emotion, but a sense, a nudge and then a narrative would unfold through words or a poem would be put together (I write poetry intuitively). It depends what intuition is there to serve. This is how it is with magic or a message coming through that relates either to myself or someone else, or a project of some sort. In life I do check-ins with myself on how things feel whenever I need guidance or help deciding or starting something. 

Do you have a practice for when you start feeling disconnected from your intuition?

Intuition is not something one connects to once you learn to live and function that way naturally through practice. Intuition will always be there whether we are aware of it or not. Sometimes we are aware but ignore it and other times we might not be aware, because we are not used to operating via our emotional/psychic system and use our habitual ‘mind’ modes of living.

What I have learnt is that intuition is always there, it has always been there, and it can be used as a skill, a tool to navigate your world, including practicing magic.  Once allowed it speaks to you rather than you speak to it, if it makes sense, so I cannot say one disconnects from it rather there are periods of silence, rest when you don’t experience a message, a sign, a voice. In those periods I don’t do anything. I wait when it comes. I speak about doing things when I am called in my book. I am what I call a Witch-in-waiting, waiting to serve once I am spoken to, directed, but this is another topic on how traditional witchcraft might work.

What role do you feel creativity has in intuitive magic?

Creativity is a big part of magic generally, but particularly in intuitive form of practice. It is that playful part of you, an artist in you that gets engaged and the whole thing comes alive be it a spell, a ritual, an offering. Creativity can be introduced with incorporating drawings, words (poems, devotionals, incantations, and spells) or making something – an altar set-up or a spell preparation and choosing your objects. Creativity brings intuitive magic to life and makes it colorful and meaningful and individual to you. 

How do you prioritize self-care in your life?

The answer is intuitively. Either my intuition, my body, my emotional or a mental state would always tell me when I need to slow down and by this point in my life it can come with very specific instructions on what I need to do and how to take care of myself in that moment. I never not listen, and I just follow the message.

It can be via my physical body manifesting some symptoms and slowing me down (this one is often when things get bad, which is not often these days). It can be a dream with a clear message or a voice saying, ‘not today’ (auditory). Restlessness often tells me I need to stop too. Generally having your self-awareness switched on (mindfulness is another way of describing it) at all times, which comes naturally over time with practice, will be helpful. 

How does nature support you in your spiritual practice?

Nature is everything to me. Everything in nature makes sense. I make sense, my life does, my relationships do, and it provides deep meaning for me. I was born to witness nature, that’s my reason for being here, I often think. This might be a cliché, but I can not survive without it and often experience feelings of profound grief when I either have to leave wilderness or when I don’t have any nature around me. I become numb, disconnected, and bereft. I am sensitive to the sounds of trees being cut and would spend days in a state of anxiety. 

What advice do you have for those hoping to reconnect to their intuition?

My advice would be to give it a try. Trust that you know the answers you seek, and you have always known. You cannot fail and can only learn and grow. Treat it with curiosity. It wants you to hear yourself and give yourself a chance. Intuition is of you and about you. It is centered in the heart of things and waiting to help. 

How do you feel psychology and magic can support one another?

The main thing is awareness. As it is with psychology of making unconscious conscious it is with magic when we are aware of intuition and let it speak, it helps us know ourselves better, what we do and why, it helps us see the patterns of our defenses and behavior. It is being present with intention. Why do we do what we do? Both psychology and magic provide deep understanding and acceptance of ourselves (strengths and limitations, all of it) and every witch must know her own depth and weaknesses and, therefore, embracing the whole. Psychological work is about ‘making whole’, coming back home to yourself once you learn things and choose not to judge and instead become curious and accepting of all that you are. 

Has your intuition ever guided you to do something that was totally different than what your mind was saying?

This is very often the case due to our conditioning; I believe. It is also the reason why people dismiss intuition so quickly, as the mind can be a powerful master. Our thought patterns can be so ingrained in our psyche that it feels impossible and even fooling to even consider operating in any other way. The mind will always seek to take over, because that is what we are used to, trained into doing.

However, mind is only as powerful as we give it credit and it is in many ways automatic. It doesn’t have the ability to discern like heart/intuition can. The mind only does what it knows to do repeatedly and that is where training yourself into feeling and sensing comes in rather than continuing to use thinking/mind alone. This is a big topic with a lot of psychology behind it and an interesting area to explore for all of us to understand mind vs heart, thinking vs feeling, logical vs spontaneous and creative.

What I did over time when studying and practicing was pay attention, not automatically dismissing ‘other ways’ and potentially changing the course of acting based on something different. It can be useful to learn to use both, they both have value, but when one is in power and control all the time and the other is silenced, it is difficult. A lot of work needs to be done to understand how the mind works and allow the intuitive side to participate too before they can be brought together to serve the same purpose – helping us live a fulfilling life. 

Why do you think creating a spiritual practice based upon intuition, as opposed to set rules or ritual, is so refreshing to one’s spirit? 

It is honoring what you already know, what your soul always knew, and spirit always supported. It is different and refreshing because it promotes giving yourself a chance to play a part and if rituals and rules can support and include it then it is even better. It is inclusive, as I know sometimes, we might feel we must follow, we should do this and that because it is the rule and someone else said this and that. We might not want to be seen differently or daring or ‘out of the circle’, so to speak, which links in with how we learn to behave psychologically as children, for example. It takes practice and experience and enjoying the journey of exploring both – the traditional and unique and making the whole thing your own. 

What is your favorite thing about writing a book?

I love the intuitive element to writing. Sometimes you think you go one way and then it takes you in another. Ideas flash and exploration begins. Characters or concepts take on a life of their own and, as a writer, you follow. I like how alive and immersive the process is. It is an interesting way of expressing yourself and sharing experiences. When I write I have no concept of time and space, nothing else exists and I love that. When writing this book, I felt joy being able to share my ways of practicing and show the element of exploration, curiosity, and play that can go into it.  

What is the most challenging part of being an author?

Writing is hard work and a balancing act of so many things. The challenge is to convey the message you intended and be sure and satisfied that you expressed and said all that was relevant and important and hope the audience would find it inspiring, helpful, and interesting. Writing is challenging, but also a rewarding creative and often spiritual experience like no other. 

Can you tell us a bit more about your next book, Baba Yaga, coming in December 2021?

This book was written completely intuitively, which makes it one of those glorious projects for me as a writer. I wrote it via listening to the deity. She spoke through me, which was challenging, as she speaks in codes and symbols and a different language all together. I enjoyed the challenge of translating the message and putting it across in a way she would approve of. In many ways I had no choice in this, as I was asked to do it by her and hope it comes across as material that you would not find in fairy tales or traditional sources. This book is about what Baba Yaga wanted to say herself rather than what has been told about her since the beginning of time. It is a devotional and personal understanding of the deity in a book that suggests a way of working with her.

A channeled Baba Yaga book? Wowza! This sounds amazing. I look forward to reading this one as well! If you would like to stay in touch with Natalia, you can follow her blog: https://rawnaturespirit.com/. Intuitive Magic Practice will be released on May 1, 2021; you can purchase a copy here.

Intuitive Magic Practice, by Natalia Clarke

Pagan Portals – Intuitive Magic Practice, by Natalia Clarke
Moon Books, 1789046157, 120 pages, May 2021

Intuitive Magic Practice, part of the Pagan Portals series, by Natalia Clarke makes me want to breathe a long, deep sigh of relief. Things have been a bit hectic in my world recently, and I’ve felt the disconnection that stems from being out of touch with my inner voice. Reading this book has shifted me back into my more natural, receptive state of being in the most delightful way.

Clarke has combined her experience as a transpersonal psychotherapist with wisdom as a spiritual guide to offer readers insight on how to create an intuitive magic practice. Throughout the book, her gentle, calming tone invites a sense of fluidity, harmony, and personal energetic resonance to emerge.

In no way is this book one in which the author holds the knowledge, prompting a hierarchy between author and reader. Rather, Clarke develops a relationship with the reader that’s guided by feelings of goodwill and trust. Much of the imparted content to the reader stems from her own personal experience, and she writes this book as though she might be telling a friend about her experiences with magic and developing intuition in her own life. I enjoyed her anecdotes and the lens it provided me into seeing how she developed her own spiritual perspective.

I really liked reading about the importance of nature in Clarke’s spirituality and connection to her intuition. There is so much beauty in the natural world, along with lessons of tending, growing, and slowing down to enjoy the moment. Since her writing does not stem from any one belief system or practice, I noticed how nature seemed to be the greatest influence that gave shape to Clarke’s experiences.

However, there’s so much that Intuitive Magic Practice covers. Each chapter highlights a method of connecting to one’s intuition and offers ways to become receptive to the guidance of one’s inner knowing. Receptivity is key here, as Clarke’s writing calls the reader to settle in, move at their own pace, and gently open to the promptings that want to be acknowledged.

Some topics covered in the book are dreamwork, journaling, breathing exercises, creating sacred space, creative imagination, moon cycles, and more. Clarke also shares spells, information on candle magic, and guidance on how to select ritual tools. Through it all, she emphasizes that there is no one size fits all model for one’s magical practice; there is also no need to force something when the energy is not there.

“This way there is a natural flow, no force, no attachment to an outcome, no artificial influences of any kind and it always works. One might say I flow with intuitive energy if and when it comes in. If I am not called or specific energies are not present, I do not do anything.”16

Clarke also includes information on the Triple Goddess aspects, working with the elements, and tips for intuitively crafting one’s own magical practice such as writing spells, casting a circle, and creating rituals. Again though, this all arises from a place of moving with the flow, rather than planning, specifying, and dictating how the process should look. She even contrasts intuitive magic to ritual magic to help readers get a better sense of this method in relation to others.

My favorite chapter of Intuitive Magical Practice was “Intuition, Divine Feminine and Sacred Self-care.” While this book has valuable information for all readers, Clarke does note in the introduction it is more geared towards a female audience. All I can say is this chapter was all I needed to be reminded of and more right now.

As I move through a phase of transition, stemming from immense burn-out in my last job that lead me to severely disconnect from my own internal guidance, I desperately needed the reminder that listening to my intuition, caring for my body, and moving in alignment with the energy is a practice of sacred self-care.

“What do I mean by sacred self care? This links in with self-awareness, which can grow through listening to yourself with complete trust and seeing powerful results in your way of being with yourself and the world. It means giving yourself what your inner voice asks of you or points you towards; giving yourself what you need in the moment by listening to your intuition; treating yourself with compassion, love and respect, as you would any divine energy.”17

It’s interesting too how Clarke reminded me of the importance of moving according to where the energy is and how things are flowing. To be honest, this book has been sitting on my shelf for about two weeks now, and I had procrastinated delving into my new book. I tried to read it a week ago, but after a few pages it was sidetracked. Then, suddenly, this morning, all my energy was focused on reading this book and sinking in to receive it’s message. I am so glad that I trusted the timing of my feelings and didn’t read it in a mindset that wasn’t ready to embrace all the wisdom in this book.

For the past few months, I’ve forgotten that it’s okay to live according to your intuition and trust the timing of when things unfold, but reading Clarke’s words reassured me that it’s okay to move in rhythm that feels right for you. It was particularly inspiring to read how she doesn’t do spellwork unless she feels called. Living a magical lifestyle doesn’t have to be doing spells with each moon cycle, or constantly keeping up with a specific practice “just because you’re supposed to.” It can be just as powerful when your practice is fluid and guided by intuition. This is such a deeply refreshing approach to magic.

I’ll admit I moved quite quickly through the book, soaking it all in as I sat outside in the sunshine, feeling the fresh air gently flow around me. However, this is also a book that can be savored and referred back to over time. While I did finish it quickly, I now am ready to go back through it and practice some of the exercises, which Clarke offers plenty of through the book.

There is one method of connecting to intuition Clarke writes about that I had never heard of before, which I am particularly excited to try out: intuitive drawing. This approach can help to facilitate a dialogue with the subconscious and allow feelings, sensations, and thoughts to arise from deep within. Sometimes I feel like I get trapped in my words, and I am eager to see what comes out when I choose drawing as a form of communication with my inner guidance.

All in all, Clarke’s gentle and uplifting approach to an intuitive magic practice is something of great value to those who are seeking a more natural approach to working with energy. I highly recommend Intuitive Magic Practice to those who are seeking to tune back into their inner voice in a way that feels authentic and true to who they are. This book is a wonderful reminder that there is no right or wrong way, and that healing comes from remembering the sacred connection to our inner guidance. As you read Clarke’s wisdom, I’m sure you’ll feel right at home within yourself, comforted by the words that it’s okay to embrace your intuition and let your energy flow in a way that feels harmonious.

Sacred Hags Oracle, by Danielle Dulsky

Sacred Hags Oracle: Visionary Guidance for Dreamers, Witches, and Wild Hearts, by Danielle Dulsky with illustrations by Janine Houseman
New World Library, 1608686795, 56 cards, 160 pages, March 2021

Sacred Hags Oracle: Visionary Guidance for Dreamers, Witches, and Wild Hearts by Danielle Dulsky and illustrator Janine Houseman puts a new spin on oracle decks. Usually we pick a card for guidance, passively seeking to be given the guidance and directed a certain way. But this deck doesn’t hand out divinations that easily, rather it invites the reader into a co-creative process with the most sacred, wise, and wild aspect of yourself.

From the get go, Dulsky’s word echoed through my being, enchanting me to read on with curiosity as to how coming to know this deck would unfold.

“To befriend an oracle is to bow deeply to that wild and unseen web to which we already belong. An oracle is more than a divination tool; an oracle is a portal to the not yet known.”18

Immediately, I was drawn into a liminal world where endless possibilities roam. The introduction, written in Dulsky’s poetic form, invites the oracle reader to make the necessary sacrifices to prepare for what the future holds, step into a different notion of time, wake new parts of our Self, and pay homage to the deities that we call upon. This was a whole different approach to working with the oracle deck that filled me with awe at the tenderness and respect Dulsky affords to this special connection we share with the cards we divine from.

I mean, being completely honest, most of the time I’m slinging oracle cards in the morning or evening out of pure curiosity of what the day holds or frustration at a situation trying to figure out why things are going down the way they are right now. I will confess, I am not always the most “tuned in” to my most holy Self during this process.

Sacred Hags Oracle is different because it doesn’t so readily give me the answers I seek. Rather, this deck prompts the reader through ritual and reflection to embody their spirituality, reconnect with the most sacred parts of ourselves, and cherish the relationship we have with the Sacred Hag, which is meant to be tended to, fed, and nourished with our energy. This certainly seems to negate my tendency to fall into auto-pilot mode in my readings.

Before working with the deck, Dulsky offers six rituals to affirm your abilities as a seer through intuitive psychic and body exercises to familiarize yourself with the oracle. While the guidebook itself is filled with potent stories, the introductory rituals also invite you to connect with the sigils on the card deck. These sigils were all designed by sigil witch Janine Houseman, a talented tattoo artist who offers her services to others through her sacred, personalized skin-cantations. There is a sigil for each type of card in the deck: The Sacred Hags, The Seasons, The Stories, and The Spells. Each type of card is also color-coded, which helps when working with the deck.

Before diving into my first reading, I went through the spreads suggested to use with this oracle deck, ranging from one-card to a spread that includes all the cards in the deck. I decided to begin with a one-card reading and make my way from there. I really like that the suggested spreads have an embodied component to them. For instance with the Unanswerable Question one-card pull Dulsky advises to “Feel the image, the sigil, and the words on it.”19 then to “Take three low-belly breaths, and open your eyes again.”20 This reminder to feel the card through my senses and breathe in the process of divination really made a notable difference in my connection with my reading.

The guidebook interpretations are so very interesting and unique. There is a keyword/phrase, a section called Grandmother Speaks, which tells an illuminating story or shares a bit of wisdom, and both a Morning and Moonlight Ritual. Yes, that’s right, a full on ritual for YOU to connect with your inner guidance via the oracle cards, rather than an out-right, mote interpretation. Like I said at the beginning, you’ve got to put in the work too with this oracle deck in a co-creative process, but the rewards are immensely fulfilling!

I pulled the card Season of Spice and Heart (26), which had the keyword “Death,” so aptly suited for the phase of life I am in right now of releasing many outdated habits, beliefs, and situations. Well, the Morning Ritual actually called for me to eulogize these roles I no longer fit into through writing, light a candle, and read the words aloud. I got really into this process, and in the end I felt a million times lighter. This small ritual act did wonders for reorienting my psyche. I plan on saying the accompanying bedtime prayer this evening that was offered under the Moonlight Ritual.

This is what I mean about the cards inviting us to participate in the magic, affirming our abilities to be sacred seers and divine creators. I will admit, at first I was a bit like, “Oh man this is going to require some of my personal energy..” since I was used to pulling cards so I didn’t have to think anymore and could passively receive answers. But working with this deck the past week has been an opportunity to reconnect with myself both morning and night, nourish my relationship with the ancient ones, and be a bit more intentional with my oracle usage.

The imagery on the cards is absolutely breath-taking and immediately evokes a sense of deep connection to the natural world, along with wonder and possibility. My favorite card is Hag of Selkies (14), where a wise woman has seashells and bone strung in her hair with her long-nailed, ring-covered fingers hovering over a crystal ball filled with blue, purple, and gold energy. Filled with magnificent, fierce women, mermaids, animals, and symbolic imagery, the cards themselves make for wonderful meditation. The images really coalesce when laid out side by side for a reading, crafting a story and enhancing visualization of the cards’ energies. 

There are so many different pieces of wisdom, written in Dulsky’s one-of-a-kind prose that just speaks right to the heart and ignites divine revelation, within this deck. Just as a sample, here’s a line of the Grandmother Speaks for Season of Holy Thunder (22):

“So easily can the sun distract us, my love. The omens are much more easily seen in the dark, but it is the mark of a true Witch to witness synchronicities by the light of day, to see shapes in the clouds and scry her future in sidewalk gum.”21

Oh, how marvelously true this is. For those who enjoyed Dulsky’s books The Holy Wild, Season of Moon and Flame, and Woman Most Wild, you will absolutely love what the Sacred Hag Oracle brings into your life. Within this oracle deck are endless rituals, stories, and wisdom to help you hear your own inner voice more clearly, in harmony with the energies of the earth and sacred deities.

I highly recommend Sacred Hags Oracle to the divine seekers and intuitive readers that want to awaken their own inner visions. These cards are filled with magic, sacred feminine knowledge, and the undefinable qualities of all witches. The visionary guidance that comes through this beautifully crafted deck is sure to inspire, transform, and shift your perceptions. This is the first deck that I feel has a malleable quality, able to merge itself and blend with your psyche to invite a fresh perspective and genuinely different reading every time. I look forward to seeing how my relationship with this deck evolves over the weeks, months, and years to come.